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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1987
9/9/87
Hey Pocky Way
5:01
Jack Straw
6:08
West LA Fadeaway
7:18
Crowd
0:58
When I Paint My Masterpiece
4:19
Friend Of The Devil
8:33
Crowd
1:32
Cassidy
6:06
Althea
7:28
Crowd
1:08
Greatest Story Ever Told ->Devil With A Blue Dress ->Good Golly Miss Molly ->Devil With A Blue Dress
8:00
China Cat Sunflower
5:33
I know you Rider->
4:44
Playin' In The Band->
9:23
China Doll
5:51
Drums->
7:45
Space->
7:17
The Wheel ->
4:05
Gimme Some Lovin
4:23
Throwin Stones
8:50
Not Fade Away
7:58
Not Fade Away reprise
3:17
Quinn the Mighty Eskimo
4:22
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:14:54
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1987-09-09.139781.mtx.pcm.miller.flac1644
Source:
UltraMatrix SBD > PCM
Lineage:
PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Playing In The Band tease before Drums -- All Along The Watchtower tease out of The Wheel -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:14:53
SBD
Rating:
8.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-09-09.sbd.miller.106823.flac16
Source:
SBD -> Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View Notes-- Watchtower tease out of The Wheel -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 16
2:13:30
SBD
Rating:
7.63 / 16 ratings
SHNID:
gd87-09-09.sbd.miller.21014.sbeok.shnf
Source:
Recording Info:SBD -> Cassette Master -> Dat
Taper Notes:
View NotesRecording Info: SBD -> Cassette Master -> Dat Transfer Info #1: Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) Transfer Info #2: CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN All transfers and edits by Charlie Miller
Taper: Doug Lamarre
2:11:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-09.176265.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME-80 source which supplies a 0:09 patch in "Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston July 2024
Taper: Doug Lamarre
2:11:07
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-09.176264.senn441.lamarre.miller.sclugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME-80 source which supplies a 0:09 patch in "Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston July 2024
Taper: Michael Hessberg
2:14:10
Rating:
2.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-09.151427.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Andrew F. for the Nakamichi 300 source which supplies the first 0:52 of "Hey Pocky Way", as well as a 0:32 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Watchtower tease before "Gimme Some Me Lovin'" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
2:14:10
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-09.151426.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Andrew F. for the Nakamichi 300 source which supplies the first 0:52 of "Hey Pocky Way", as well as a 0:32 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Watchtower tease before "Gimme Some Me Lovin'" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Rango Keshavan
2:13:49
Rating:
8.00 / 3 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1987-09-09.ecm220t.keshavan.miller.106827.flac16
Source:
Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View Notes-- Thanks to Rango Keshavan for lending me his masters
Source 9 of 16
2:11:07
SHNID:
gd1987-09-09.176264.senn441.lamarre.miller.clugston.flac1648
Taper: Ted Carpenter
2:09:59
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1987-09-09.156740.nak300.carpenter.flac1644
Source:
Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s
Lineage:
TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums
Taper Notes:
View NotesNotes: patch samples from Identifier: gd1987-09-09.nak300.andrewf.75532.sbeok.flac16 wheel intro patch from Identifier : gd87-09-09.naks.valis-under.6686.sbeok.shnf All Patch segments re-sampled to 24 bit 48 Khz Special Thanks to Andrew & Valis for helping to complete these sets. Set 1 Fade in at start of show. Added crowd connector to end of Cassidy into Althea at 00:00 to to 00:07 Althea ( track 09) tape flip at end of cassidy modidfied gain by +2 db. fade out end of set Set 2 Fade in begining 2nd set Reduced Gain by .05 to.07 db due to clipping at 04:18 to 04:19 feedback during China Doll, s2t4 03:58 to 03:58 electronic scratching during Drums, s2t5 06:23 Hard Drum clip during Drums, t16 Patched Space from 05:58 to 06:33 for set continuity. Tape flip at end of space s2t5 reduced patch gain by 2db. Fade out end of show
Taper: Bob Morris
2:07:08
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1987-09-09.nak300.morris.crazyfingers.106591.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Joe D'Amico
2:09:37
Rating:
10.00 / 1 rating
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-09-09.nak300.damico.90033.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Andrew F
2:16:28
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1987-09-09.nak300.andrewf.75532.sbeok.flac16
Source:
Nakamichi CM-300\'s with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
Taper Notes:
View NotesThe \"Nak-300\'s > Sony D5\" source from LMA was used for patching. The patches are located at 0:02 thru 0:10 of The Wheel, and 8:30 of Not Fade Away thru 0:12 of Not Fade Away Reprise (mostly crowd noise). Soundforge was used for the patches and to make fades.
Taper: Thanks to Steve Aserkoff for the discs!
2:09:32
Rating:
10.00 / 1 rating
Taper:
Thanks to Steve Aserkoff for the discs!
Transferrer:
Peter Braverman
SHNID:
gd1987-09-09.aud.braverman.10161.shnf
Source:
Audience (but see note below)
Lineage:
Master Cassette> DAT> CD> SHN (unconfirmed but likely)
Taper Notes:
View NotesThis came to me as a supposed Matrix recording, but this is from an audience source. There is a ton of crowd noise, and there is altogether too much reverb around the vocals to think that Healy put it there (as opposed to the room). Check the first couple lines of "West LA," for instance, or the "inside the coliseum" line from "Masterpiece." The bass is also distant, a hallmark of audience recordings, even good ones. Overall, the issue for me is that the crowd is often louder than the music, especially during the relatively quiet parts (the intro to "FOTD," the nearly inaudible drums in the intro to "Cassidy," "China Doll") -- this is never the case on a true Matrix. Assuming it's an audience recording, it's a very good one, but not outstanding. Stephen Porter's audience cassette supplies the first 1:28 of China Cat Sunflower, which is mostly tuning. It's not clear the world needs another seed of this (the etree db already shows two at this point), but it's a pretty high-energy show. Thanks to Steve Aserkoff for the discs! Tracked, normalized, and seeded by Peter Braverman ([email protected]), June 2002.
Transferrer: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card >CDWav > Shorten
2:13:25
Rating:
8.80 / 15 ratings
Transferrer:
Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card >CDWav > Shorten
SHNID:
gd87-09-09.sony.dnc.8598.sbeok.shnf
Source:
OTS > Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY
Taper Notes:
View NotesRecorded: Sec: 8, Row: E, Seat: 4 (Taper's Section) Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > Shorten ; via DNC vine
Source 16 of 16
2:08:05
Rating:
8.00 / 2 ratings
SHNID:
gd87-09-09.naks.valis-under.6686.sbeok.shnf
Source:
Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten
Taper Notes:
View NotesNak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under