Bands
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Bands
Grateful Dead
Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:18:48
SBD
Rating:
7.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-09-08.sbd.miller.106715.flac16
Source:
SBD -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Numerous flaws and drop-outs cleaned up
Source 2 of 15
2:19:28
SBD
Rating:
7.40 / 11 ratings
SHNID:
gd87-09-08.sbd.miller.20994.sbeok.shnf
Source:
SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
Taper Notes:
View NotesSBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
Transferrer: Andrew Pitner
2:15:32
SBD
Transferrer:
Andrew Pitner
Taper Notes:
View Notes== * Cut at 2:12, about 5 seconds missing ** Small glitch at 0:01 *** Fades out during final verse If your burner is picky about 80 min discs, you can put d2t1 at the end of disc 1.
Taper: Doug Lamarre
2:16:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-08.176263.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jon Pasternak and Dave Mallick for the Nakamichi 300 source and Michael Hessberg for the Sennheiser ME-80 source, which combined, supply a 0:49 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston July 2024 Set One:
Taper: Doug Lamarre
2:16:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-08.176262.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jon Pasternak and Dave Mallick for the Nakamichi 300 source and Michael Hessberg for the Sennheiser ME-80 source, which combined, supply a 0:49 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston July 2024 Set One:
Taper: Michael Hessberg
2:20:27
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.151414.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Pasternak and Dave Mallick for the Nakamichi 300 source which supplies a 0:39 patch in "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
2:20:27
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.151413.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Pasternak and Dave Mallick for the Nakamichi 300 source which supplies a 0:39 patch in "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Tim Dalton
2:18:35
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.141882.ultramatrix.pcm.dalton.miller.clugston.flac1644
Source:
Ultramatrix PCM > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Other One space included in "The Other One"
Taper: Rango Keshavan
2:17:22
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1987-09-08.ecm220t.keshavan.miller.106822.flac16
Source:
Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16
Taper Notes:
View Notes-- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Morris
2:12:07
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1987-09-08.nak300.morris.crazyfingers.106592.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Jon Pasternak
2:14:15
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1987-09-08.nak300.pasternak.mallick.102183.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
Lineage:
Nak DR-2>Tascam CDRW2000>CD; CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:13:06
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-09-08.nak300.damico.89995.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Tony Suraci
2:15:04
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-09-08.nakcm304.suraci.82309.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Andrew F
2:16:29
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1987-09-08.nak300.andrewf.74162.sbeok.flac16
Source:
AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
Taper Notes:
View NotesThe tape-flip in Space has been patched with the AUD source from LMA, from track 0:52 thru 0:58. Soundforge was used for the patch and to make fades.
Transferrer: MC> Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D >Turtle Beach Montego II Digital I/O sound card >CD Waves > Cool Edit for putting waves together >CDWav >Shorten
2:14:11
Rating:
10.00 / 1 rating
Transferrer:
MC> Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D >Turtle Beach Montego II Digital I/O sound card >CD Waves > Cool Edit for putting waves together >CDWav >Shorten
SHNID:
gd87-09-08.sony.dnc.8597.sbeok.shnf
Source:
OTS > Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY
Taper Notes:
View NotesRecorded: Sec: 8, Row: E, Seat: 2 (Taper's Section) Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > ; via DNC vine