My Brother Esau | 1987-09-07 | Grateful Dead

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME-80 source which supplies an 0:11 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Doug Lamarre

2:32:12

Taper:

Doug Lamarre

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1987-09-07.176260.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME-80 source which supplies an 0:11 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-07.151412.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rango Keshavan and Charlie Miller for the Sony ECM280 source which supplies an 0:139 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2020

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-07.151411.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rango Keshavan and Charlie Miller for the Sony ECM280 source which supplies an 0:139 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2020

Taper: Rango Keshavan

gd1987-09-07.ecm220t.keshavan.miller.106821.flac16

Source:

Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16

Taper Notes:

View Notes-- Disc change is seamless
-- Thanks to Rango Keshavan for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Ted Carpenter

gd1987-09-07.156739.nak300.carpenter.flac1644

Source:

Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s

Lineage:

TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums.

Taper Notes:

View NotesNotes:

All patches for the piece done from idetifier
gd1987-09-07.nakcm304.suraci.82277.sbeok.flac16
All Patch segments resampled to 24 bit 48 Khz.
before splice / patch.

Fade in begining set 1
Bro. Essau patched from 4:32 - 04:45 s1t7
Must Have Been the Roses from 00:00 to 00:23 s1t8
Fade out end of Set 1


fade in start of set 2
Drums into space space pactched from 10:26 to 10:44  tape flip at 10:26
(patch for tape flip and set 2 continuity). balanced loudness of patch.
fade out at 08:11 for good Lovin into Brokedown Palace ( tape paused )
Fade out set 2 show end.

Special Thanks to Tony Suraci for the patches to complete this Show.

Taper: Bob Morris

gd1987-09-07.aud.morris.106061.sbeok.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Joe D'Amico

gd1987-09-07.nak300.damico.89984.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

Taper: Tony Suraci

gd1987-09-07.nakcm304.suraci.82277.sbeok.flac16

Source:

Nak CM304's>Sony D5M

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View Notes> denotes one track
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

Taper: Andrew F

gd1987-09-07.nak300.andrewf.73861.sbeok.flac16

Source:

AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby

Lineage:

MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC

Taper Notes:

View NotesNotes: The break between discs is seamless for reassembly
onto longer media. The tape-flip in Space has been patched
with the AUD source from LMA, from track 2:07 thru 2:13.
Soundforge was used for the patch and to make fades.

Source 11 of 11

Sony ECM220T mics from taper's section

Taper Notes:

View NotesSony ECM220T mics from taper's section; via DNC vine