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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.6k224
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.5k738
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.7k223
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.2k552
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k354
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k407
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78488
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k229
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k182
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k174
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.3k559
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.6k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.8k814
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h86372
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k552
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k571
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.4k417
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.7k869
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k591
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60073
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13921
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29522
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h402
7d1277
30d57234
2 shows
2 tapes
1987
8/16/87
Mississippi Half-Step Uptown Toodleloo
7:46
Little Red Rooster
9:24
Iko Iko
6:16
Beer Barrel Polka Tuning
2:08
Far From Me
4:12
West L.A. Fadeaway
8:25
When I Paint My Masterpiece
5:09
Big Railroad Blues
4:02
The Promised Land
4:11
When Push Comes To Shove
4:24
Samson and Delilah
7:01
He's Gone
10:30
Drums
9:49
Space
4:29
The Other One
7:45
Truckin'
6:29
Black Peter
8:56
Good Lovin'
10:32
Touch of Grey
6:03
Brokedown Palace
6:32
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:22:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 15, 2025
SHNID:
gd1987-08-16.173380.ultramatrix.cm.miller.flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- La Bamba tease in Good Lovin' -- False start in Brokedown Palace -- Multiple ultramatrix masters were used to make this show complete
Taper: Recorded by Don Pearson and Dan Healy
2:22:48
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 15, 2025
SHNID:
gd1987-08-16.173378.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- La Bamba tease in Good Lovin' -- False start in Brokedown Palace -- Multiple ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:15:33
SBD
Rating:
7.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-08-16.sbd.walker-scotton.miller.81679.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesPatch Info: Pre FM -> Master Reel -> Dat -> CD Supplies: Space (0:00 - 3:16) Brokedown Palace (6:23 - End of Song) Notes: -- 2nd Set is seamless -- Encore on end of 1st set to fit show on 2 discs -- Encore can be re-joined with 2nd set seamlessly -- La Bamba tease in Good Lovin' -- False start in Brokedown Palace -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: Michael Hessberg
2:20:35
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-08-16.163858.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:45 patch in the "Drums > Space" transition, as well as the "Touch Of Grey" and "Brokedown Palace" encores - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Michael Hessberg
2:20:35
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-08-16.163857.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:45 patch in the "Drums > Space" transition, as well as the "Touch Of Grey" and "Brokedown Palace" encores - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Oade Brothers
2:21:53
Rating:
10.00 / 1 rating
Taper:
Oade Brothers
Transferrer:
Scott Clugston and Charlie Miller and Blake Jacobs
SHNID:
gd1987-08-16.142154.fob.cmc3.mk41.mk2.oade.jacobs.miller.clugston.flac1644
Source:
Source Info: 1st Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk - Thanks to Blake Jacobs for the hard disk - Thanks to Charlie Miller for coordinating this effort - Other One space included in "The Other One" - Another fine Oade capture Mastered by Scott Clugston May 28, 2018
Taper: Audience;Executive Crew;Tom Pinney;Eric Britt;Phil Schuman;Kyle Holbrook;John Goode
2:10:08
Taper:
Audience;Executive Crew;Tom Pinney;Eric Britt;Phil Schuman;Kyle Holbrook;John Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1987-08-16.160475.beyerm201.holbrook.flac2448
Source:
microphones: Beyer M201's XY > recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby Location: 55 feet from stage 10 ft LOC, handheld
Lineage:
Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Executive Crew;Tom Pinney;Eric Britt;Phil Schuman;Kyle Holbrook;John Goode
2:10:08
Taper:
Executive Crew;Tom Pinney;Eric Britt;Phil Schuman;Kyle Holbrook;John Goode
Transferrer:
Kyle Holbrook
SHNID:
gd1987-08-16.160473.beyerm201.holbrook.flac1644
Source:
microphones: Beyer M201's XY > recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby Location: 55 feet from stage 10 ft LOC, handheld
Lineage:
Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Jon Pasternak
2:06:57
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1987-08-16.159375.set1FM.set2.nak100.pasternak.vernon.flac2448
Source:
First set: FM onsite signal/Marantz PMD 420/Maxell XLIIS 90 Second set: OTS Nakamichi CM 100/CP-4/Marantz PMD 420/Maxell XLIIS 90
Lineage:
Transfer: Nak DR3/SD 722/24/48
Taper Notes:
View NotesTracking by Matt Vernon using Audacity - - glitch at end of Half Step This is a 24 bit 48khz fileset
Taper: Jon Pasternak
2:06:57
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1987-08-16.159374.set1FM.set2.nak100.pasternak.vernon.flac1648
Source:
First set: FM onsite signal/Marantz PMD 420/Maxell XLIIS 90 Second set: OTS Nakamichi CM 100/CP-4/Marantz PMD 420/Maxell XLIIS 90
Lineage:
Transfer: Nak DR3/SD 722/24/48
Taper Notes:
View NotesTracking by Matt Vernon using Audacity - - glitch at end of Half Step This is a 16 bit 48khz fileset
Taper: Don Beckham - Tony Suraci
2:13:41
Rating:
10.00 / 2 ratings
Taper:
Don Beckham - Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-08-16.nakcm304.beckham.suraci.82200.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes* Thanks to Don for running my rig. // Tape flip Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 12 of 12
2:14:03
Rating:
8.82 / 18 ratings
SHNID:
gd87-08-16.prefm.ladner.4170.sbeok.shnf
Source:
PreFM > Rm > DAT > CDR > EAC > SHN
Taper Notes:
View NotesPreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56