Goin' Down The Road Feeling Bad > | 1987-08-11 | Grateful Dead

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Calaveras County Fairgrounds

Providence Civic Center

Providence Civic Center

Providence Civic Center

Angel's Camp, CA, USA

Calaveras County Fairgrounds

Angel's Camp, CA, USA

Compton Terrace Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Oakland-Alameda County Stadium

Autzen Stadium, U. of Oregon

East Rutherford, NJ, USA

John F Kennedy Stadium

Alpine Valley Music Theatre

Kingswood Music Theater

Maple, Ontario, Canada

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Ventura County Fairgrounds

Ventura County Fairgrounds

Ventura County Fairgrounds

Laguna Seca Recreation Area

Laguna Seca Recreation Area

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Hartford Civic Center

Hartford Civic Center

gd1987-08-11.138975.5-1.tobin.flac1648

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Sources

Transferrer: Kevin Tobin

gd1987-08-11.138974.dts.tobin.flac16

View Notes5.1 LPCM Surround Sound Mix (48k)

Brokedown House Production

Transferrer: Kevin Tobin

gd1987-08-11.138973.mtx.tobin.flac16

View NotesDTS-Audio-CD 5.1 Mix

More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1987-08-11.sbd.gans.miller.92056.sbeok.flac16

View NotesSBD + AUD Matrix 2 Source Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-AUG-2017 - Trader Little Helper
- Tagged 05-AUG-2017 - Tag&Rename
---------------------------------------------------------

Transferrer: Charlie Miller

SBD -> PCM -> Sonic Solutions -> CD D

CD -> Samplitude Professional v10.02 -> FLAC

PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller

View NotesNotes:
-- Disc change is seamless
-- This is basically a remaster of shnid=14944
-- There is some weirdness in the UltraMatrix mix during Cold Rain And snow

Transferrer: PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller

gd87-08-11.sbd.miller.14944.sbeok.shnf

SBD -> PCM

gd87-08-11.sbd.4951.5247.sbeok.shnf

View NotesSBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller

Source 6 of 15

SBD> PCM> ??> Dat> CD (Healy Matrix)

Scott Clugston, Charlie Miller

View Notesset 1; SBD> PCM> ??> Dat> CD (Healy Matrix); Conversion: Kenwood TrueX> EAC> shn V3 (seekable); via Brian Cole, from Paul B.'s seed' see info file for notes

Taper: Michael Hessberg

gd1987-08-11.163608.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Don Beckham and Tony Suraci for the Nakamichi 304 source which supplies a 0:05 patch in "Little Red Rooster", a 0:19 patch in "Let It Grow", as well as a 0:09 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
November 2020

Taper: Michael Hessberg

gd1987-08-11.163607.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Scott Clugston and Charlie Miller and Blake Jacobs

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Don Beckham and Tony Suraci for the Nakamichi 304 source which supplies a 0:05 patch in "Little Red Rooster", a 0:19 patch in "Let It Grow", as well as a 0:09 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
November 2020

Taper: Oade Brothers

gd1987-08-11.142088.fob.oade.schoeps.cmc3.mk41.jacobs.miller.clugston.flac1644

Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Executive Crew: Tom Pinney, John Goode, Eric Britt, Kyle Holbrook, Phil Schuman

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as the proper transfer to hard disk
- Thanks to Blake Jacobs for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Another fine Oade capture

Mastered by Scott Clugston
May 21, 2018

Taper: Executive Crew: Tom Pinney, John Goode, Eric Britt, Kyle Holbrook, Phil Schuman

2:15:47

Taper:

Kyle Holbrook

gd1987-08-11.160462.beyerm201.holbrook.flac2448

Microphones: Beyer M201's X-Y Recorder: Sony TC-D5M| Maxell MX-90's Location: 110' from stage 25 feet ROC

1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661

Taper: Executive Crew: Tom Pinney, John Goode, Eric Britt, Kyle Holbrook, Phil Schuman

2:15:47

Taper:

Executive Crew: Tom Pinney, John Goode, Eric Britt, Kyle Holbrook, Phil Schuman

Kyle Holbrook

gd1987-08-11.160460.beyerm201.holbrook.flac1644

Microphones: Beyer M201's X-Y Recorder: Sony TC-D5M| Maxell MX-90's Location: 110' from stage 25 feet ROC

1st transfer: Sony TC-D5M to Sony TC-D5M (Maxell XLII 90 x2) no nr Digital Transfer: Nakamichi LX-5 > Benchmark Sonic AD2k > Marantz PMD-661

Transferrer: Kevin Tobin

gd1987-08-11.138972.upg-aud.tobin.flac16

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-AUG-2017 - Trader Little Helper
- Tagged 05-AUG-2017 - Tag&Rename
---------------------------------------------------------
Very minor patching. Speedwise the audience was a extremely fast when compared to other recordings - 1.3 seconds per minute.

Transferrer: John Ammons and Joe Noel and Dougal Donaldson

2:14:08

John Ammons and Joe Noel and Dougal Donaldson

gd1987-08-11.138303.FOB.Schoeps.Ammons.t-flac16

View Notespatch info:
shnid: 81953 (Jon Pasternak recording)
d2t07 - 0:06 - 1:00

files are tracked to burn to two CD's

note:
The crack sound crew forgot to nail Jerry's feet down.
My first Red Rocks experience.

Taper: Don Beckham, Tony Suraci

Don Beckham, Tony Suraci

Tony Suraci

gd1987-08-11.nakcm304.beckham.suraci.82033.sbeok.flac16

Nak CM304's>Sony D5M

Nak CR5A>Lunatec V3>SD722

gd1987-08-11.nak100.pasternak.81953.sbeok.flac16

View Notes* Thanks to Don for running my rig.
// Tape flip
Notes: This is the 16Bit version. 24 Bit is archived on DVDA. Typical windy
day on the Rocks.

Taper: Jon Pasternak

Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On

MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC