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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h47665
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k381
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k311
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k372
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k382
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k354
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k163
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.6k957
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h971110
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.8k325
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k562
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k229
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k985
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k199
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k248
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.9k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.7k467
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k375
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k176
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k268
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h832102
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12118
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22017
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:45:48
SBD
Rating:
8.40 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-06-14.sbd.walker-scotton.miller.83755.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesPatch Info: PCM Audience recording supplies: Drums (8:30 - 8:43) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to David Minches for the patch source
Transferrer: Bill Tetzeli
2:43:58
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1987-06-14.sbd.clugston.tetzeli.fix-11896.75505.flac16
Source:
Seamless fix of shnid 11896
Taper Notes:
View Notes---------------------------------------------------------------------------------- Seamless fix of shnid 11896 I reversed the fade at the end of CD 2 to match the volume of a splice point at the beginning of CD 3, then deleted the redundant material to make the transition seamless. SBEs in CD 3 were fixed using shntool; the only other SBE comes at the end of CD 1, which didn't seem necessary to fix. All SHNs were converted to FLAC. Bill Tetzeli ([email protected]) 11:54 PM 7/15/2006 --------------------------------------------------------------------------
Transferrer: Chris Paino
5:30:06
SBD
Transferrer:
Chris Paino
SHNID:
gd1987-06-14.sbd.painoman.17347.shnf
Source:
Matrix SBD>CASS>DAT>CD
Taper Notes:
View NotesAudio anomalies may exist. Fade out/in during the break between Ramble On Rose and Me And My Uncle crossfaded to seemlessness. Seemlessness of the Second Set restored. Tools: Dell Inspiron 8200 (Hardware) Windows XP Professional 5.1.2600 Build 2600 (OS) Exact Audio Copy V0.9 Beta 4 (Secure Mode Extraction) Multiquence v2.50 (Crossfading) Sound Forge 5.0 (Build 117) (WAV Editing) CD Wave Audio Editor 1.7 (Tracking) mkw Audio Compression Tool 0.97 Beta 1 (SHN Compression) md5summer v1.1.0.24 (MD5 Generation) SHNTool 1.01 (Sector Boundary Verification) Major domo arigato to Israel Regardie for the source discs!
Source 4 of 13
2:44:21
SBD
Rating:
8.17 / 12 ratings
SHNID:
gd87-06-14.sbd.clugston.11896.sbefail.shnf
Source:
Master Soundboard Cassette > PCM > DAT> CDR
Taper Notes:
View NotesMaster Soundboard Cassette > PCM > DAT> CDR; CD Re-Mastering by Scott Clugston; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor
Taper: David Minches
2:42:53
Taper:
David Minches
Transferrer:
Mastered by Charlie Miller [email protected] March 19, 2026
SHNID:
gd1987-06-14.176697.schoeps.minches.miller.flac1644
Source:
(FOB) Schoeps Mics > PCM > ? > CD > FLAC/16
Lineage:
FLAC/16 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to David Minches for source files
Taper: OldNeumanntapr
2:39:49
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1987-06-14.168424.SSEC7.ont.flac1644
Source:
OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD (TDK HX-S 90s)
Lineage:
Cass Masters Transferred: Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) (August 2024) WAV >Audacity (Amplify By 4.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: I haven't listened to these recordings in many years and I just recently realized that they had never been digitally transferred. I was able to transfer my Saturday Ventura master with my Sony D5, but when I tried to transfer the Sunday show I heard what sounded like WOW distortion. This turned out to actually be a problem with my D5 and was not the tape at all. I had to borrow a Denon home cassette deck from a friend for these transfers. The first thing I noticed was that I had forgotten that I used to pause the tape between songs, mostly in the first set. I don't know why I did this but I had only been recording live shows for about a year. I don't know when I wised up and just let the tape roll. I think my rationale was that I was trying to cut out the dead air between songs but I ended up clipping the beginning of some songs. This was the weekend that I met my friend Gene, who patched into my Sony 153 with a borrowed Marantz 420. Gene would eventually buy a gray-market Sony D10 DAT recorder that we would ship back and forth from coast to coast to record Dead shows with. I liked the Ventura Fairgrounds a lot. My ex wife and I camped for the weekend in the parking lots in my '67 VW camper bus and we were quite comfortable, compared to our neighbors in the lot who were spending the night in a Honda CRX. Talk about cramped! Brian and I became friends, not sure that his girlfriend enjoyed the weekend's accommodations, and Nikki and I stayed with him once in San Francisco not long after the big Loma Prieta Quake where he showed me the big cracks inside the Victorian that he was renting. I remember that he said that during the quake he got into a doorway but forgot that there was a pocket door that slammed against him repeatedly! All in all this was a million times better experience than the previous year's Ventura Fairgrounds excursion when Jerry had his diabetic coma, the shows were cancelled, and I almost burned up my VW bus! (Other than that, how did you like the play, Mrs. Lincoln?)
Taper: Gesine Lohr
2:38:10
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1987-06-14.151122.aud.lohr.vernon.flac2496
Source:
Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes- some wind noise - tape flips 07, 13, 17
Taper: Gesine Lohr
2:38:10
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1987-06-14.151121.aud.lohr.vernon.flac1648
Source:
Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes- some wind noise - tape flips 07, 13, 17
Taper: chasingwilma
2:32:06
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1987-06-14.135940.chasingwilma.flac24
Source:
lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; <b>Note:</b> Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
Taper: D. Thompson
2:38:09
Rating:
10.00 / 1 rating
Taper:
D. Thompson
Transferrer:
A. Egert and B. Koucky
SHNID:
gd1987-06-14.fob.thompson.motb.0017.84953.flac24
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV
Taper: Danny Thompson
2:38:10
Rating:
8.00 / 1 rating
Taper:
Danny Thompson
Transferrer:
A. Egert and B. Koucky
SHNID:
gd1987-06-14.akg.thompson.motb.83990.sbeok.flac16
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC (TDK SA-X)
Lineage:
MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8)
Taper: Tim Alexander
2:46:21
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1987-06-14.senn421-nak300.alexander.tetzeli.77365.sbeok.flac24
Source:
2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)
Lineage:
Playback on Nak DR-1 (Dolby B decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
Taper Notes:
View NotesTape flip in drums at 7:51.1. I left a small gap (about 25 ms) for anyone who wants to take a stab at patching it. Tape flip during NFA chant (keeps the rhythm when rejoined, though, right down to the girl screaming to the beat). :-)
Taper: Tim Alexander
2:46:22
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1987-06-14.senn421-nak300.alexander.tetzeli.77364.sbeok.flac16
Source:
2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)
Lineage:
Playback on Nak DR-1 (Dolby B decode)> Tascam HD-P2 (pass through) > Waveterminal U2A > Inspiron 8000 > WAV > FLAC
Taper Notes:
View NotesTape flip in drums at 7:51.1. I left a small gap (about 25 ms) for anyone who wants to take a stab at patching it. Tape flip during NFA chant (keeps the rhythm when rejoined, though, right down to the girl screaming to the beat). :-)