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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1987
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166933.Frost.PaloAltoCA.Ultramatrix.sbd.cm.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete -- This is 166865 2496 > 1648
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166865.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete
Transferrer: Charlie Miller
2:30:09
SBD
Rating:
7.43 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-05-03.sbd.walker-scotton.miller.83738.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesPatch Info: Pre-FM SBD/(FOB) Schoeps CMC3/MK2 Matrix supplies: Drums (9:50 - 10:04) Notes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: PO and Stucco TINA Holmes
2:29:39
SBD
Rating:
8.00 / 2 ratings
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1987-05-03.135937.dsbd.GEMS.flac16
Source:
Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version
Taper Notes:
View Notesupdate: this has the speakers in the right place tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm This recording was gratefully supplied by PO and Stucco TINA Holmes. Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz a project **GEMS** 2016 - no sonic manipulation was performed, as the pcm sounds - provides more complete audio around the tuning and Little Bunny Foo Foo than the casette sbd - 10 minutes of the house music between sets, Little Feat, on master, not included here
Source 5 of 13
2:35:59
SBD
Rating:
5.60 / 5 ratings
SHNID:
gd87-05-03.sbd.hinko.18848.sbeok.shnf
Source:
SBD > MC > DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
Transferrer: Darryl Hinko
2:32:54
SBD
Rating:
4.00 / 1 rating
Transferrer:
Darryl Hinko
SHNID:
gd1987-05-03.sbd.hinko.16175.sbeok.shnf
Lineage:
SHN > EAC > CoolEdit (for patches) > MKWact > SHNTool > SHN
Taper: See info file
2:36:20
SBD
Rating:
9.00 / 2 ratings
Taper:
See info file
Transferrer:
mixed by Sean Weber, converted to shn by Bill Gardner
SHNID:
gd1987-05-03.sbd-mtx.weber.gardner.1193.sbeok.shnf
Source:
DSBD/DAUD MIX
Lineage:
See info file
Taper Notes:
View Notes65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152832.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152831.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148782.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148781.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: CousinIt
2:21:33
Rating:
4.00 / 1 rating
Taper:
CousinIt
SHNID:
gd1987-05-03.nak700.cousinit.98294.flac16
Source:
FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC
Transferrer: Bill Tetzeli
2:35:57
Rating:
7.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1987-05-03.weber.gardner.tetzeli.fix-1193.34396.reflac.flac16
Source:
Fix of shnid 1193.
Taper Notes:
View Notes----------------------------------------------------------------------------------------------- Fix of shnid 1193. This is actually a refix. My first one was probably okay, but I wanted something more accurate in making the transition between CDs 2 and 3 seamless, something that was difficult because of the fades in the overlapping sections. Unfortunately, what I discovered was there was something qualitatively different between the end of CD 2 and the beginning of CD 3, so no matter how exactly I matched the volume at the splice points you could easily hear where the splice was. I finally had to settle for approximately matching the levels at the overlap, synching the overlap precisely and doing a cross fade in CE Pro (around 4 sec. into Space). It's not perfect, but it's the best I can do and it sounds pretty good. I'm sure someone else can do better. I converted the SHNs to FLAC and merged the drums and space into one track each (they had been three tracks each). Bill Tetzeli, [email protected] 5:20 AM 4/29/2006 -----------------------------------------------------------------------------------------------