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Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h47064
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.7k216
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.2k284
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.6k212
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.6k461
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.4k1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k318
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k131
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k234
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h886100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k202
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h4.8k568
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k159
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k145
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.2k273
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k248
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k213
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.7k240
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h12.7k1.7k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h14.8k2k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h19621
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k469
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.4k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k247
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k174
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k193
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k151
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h59676
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7513
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h41728
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h594
7d1076
30d59534
2 shows
2 tapes
1987
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166933.Frost.PaloAltoCA.Ultramatrix.sbd.cm.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete -- This is 166865 2496 > 1648
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166865.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete
Transferrer: Charlie Miller
2:30:09
SBD
Rating:
7.43 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-05-03.sbd.walker-scotton.miller.83738.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesPatch Info: Pre-FM SBD/(FOB) Schoeps CMC3/MK2 Matrix supplies: Drums (9:50 - 10:04) Notes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: PO and Stucco TINA Holmes
2:29:39
SBD
Rating:
8.00 / 2 ratings
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1987-05-03.135937.dsbd.GEMS.flac16
Source:
Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version
Taper Notes:
View Notesupdate: this has the speakers in the right place tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm This recording was gratefully supplied by PO and Stucco TINA Holmes. Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz a project **GEMS** 2016 - no sonic manipulation was performed, as the pcm sounds - provides more complete audio around the tuning and Little Bunny Foo Foo than the casette sbd - 10 minutes of the house music between sets, Little Feat, on master, not included here
Source 5 of 13
2:35:59
SBD
Rating:
5.60 / 5 ratings
SHNID:
gd87-05-03.sbd.hinko.18848.sbeok.shnf
Source:
SBD > MC > DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
Transferrer: Darryl Hinko
2:32:54
SBD
Rating:
4.00 / 1 rating
Transferrer:
Darryl Hinko
SHNID:
gd1987-05-03.sbd.hinko.16175.sbeok.shnf
Lineage:
SHN > EAC > CoolEdit (for patches) > MKWact > SHNTool > SHN
Taper: See info file
2:36:20
SBD
Rating:
9.00 / 2 ratings
Taper:
See info file
Transferrer:
mixed by Sean Weber, converted to shn by Bill Gardner
SHNID:
gd1987-05-03.sbd-mtx.weber.gardner.1193.sbeok.shnf
Source:
DSBD/DAUD MIX
Lineage:
See info file
Taper Notes:
View Notes65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152832.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152831.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148782.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148781.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: CousinIt
2:21:33
Rating:
4.00 / 1 rating
Taper:
CousinIt
SHNID:
gd1987-05-03.nak700.cousinit.98294.flac16
Source:
FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC
Transferrer: Bill Tetzeli
2:35:57
Rating:
7.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1987-05-03.weber.gardner.tetzeli.fix-1193.34396.reflac.flac16
Source:
Fix of shnid 1193.
Taper Notes:
View Notes----------------------------------------------------------------------------------------------- Fix of shnid 1193. This is actually a refix. My first one was probably okay, but I wanted something more accurate in making the transition between CDs 2 and 3 seamless, something that was difficult because of the fades in the overlapping sections. Unfortunately, what I discovered was there was something qualitatively different between the end of CD 2 and the beginning of CD 3, so no matter how exactly I matched the volume at the splice points you could easily hear where the splice was. I finally had to settle for approximately matching the levels at the overlap, synching the overlap precisely and doing a cross fade in CE Pro (around 4 sec. into Space). It's not perfect, but it's the best I can do and it sounds pretty good. I'm sure someone else can do better. I converted the SHNs to FLAC and merged the drums and space into one track each (they had been three tracks each). Bill Tetzeli, [email protected] 5:20 AM 4/29/2006 -----------------------------------------------------------------------------------------------