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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1987
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166933.Frost.PaloAltoCA.Ultramatrix.sbd.cm.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete -- This is 166865 2496 > 1648
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166865.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete
Transferrer: Charlie Miller
2:30:09
SBD
Rating:
7.43 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-05-03.sbd.walker-scotton.miller.83738.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesPatch Info: Pre-FM SBD/(FOB) Schoeps CMC3/MK2 Matrix supplies: Drums (9:50 - 10:04) Notes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: PO and Stucco TINA Holmes
2:29:39
SBD
Rating:
8.00 / 2 ratings
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1987-05-03.135937.dsbd.GEMS.flac16
Source:
Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version
Taper Notes:
View Notesupdate: this has the speakers in the right place tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm This recording was gratefully supplied by PO and Stucco TINA Holmes. Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz a project **GEMS** 2016 - no sonic manipulation was performed, as the pcm sounds - provides more complete audio around the tuning and Little Bunny Foo Foo than the casette sbd - 10 minutes of the house music between sets, Little Feat, on master, not included here
Source 5 of 13
2:35:59
SBD
Rating:
5.60 / 5 ratings
SHNID:
gd87-05-03.sbd.hinko.18848.sbeok.shnf
Source:
SBD > MC > DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
Transferrer: Darryl Hinko
2:32:54
SBD
Rating:
4.00 / 1 rating
Transferrer:
Darryl Hinko
SHNID:
gd1987-05-03.sbd.hinko.16175.sbeok.shnf
Lineage:
SHN > EAC > CoolEdit (for patches) > MKWact > SHNTool > SHN
Taper: See info file
2:36:20
SBD
Rating:
9.00 / 2 ratings
Taper:
See info file
Transferrer:
mixed by Sean Weber, converted to shn by Bill Gardner
SHNID:
gd1987-05-03.sbd-mtx.weber.gardner.1193.sbeok.shnf
Source:
DSBD/DAUD MIX
Lineage:
See info file
Taper Notes:
View Notes65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152832.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152831.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148782.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148781.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: CousinIt
2:21:33
Rating:
4.00 / 1 rating
Taper:
CousinIt
SHNID:
gd1987-05-03.nak700.cousinit.98294.flac16
Source:
FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC
Transferrer: Bill Tetzeli
2:35:57
Rating:
7.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1987-05-03.weber.gardner.tetzeli.fix-1193.34396.reflac.flac16
Source:
Fix of shnid 1193.
Taper Notes:
View Notes----------------------------------------------------------------------------------------------- Fix of shnid 1193. This is actually a refix. My first one was probably okay, but I wanted something more accurate in making the transition between CDs 2 and 3 seamless, something that was difficult because of the fades in the overlapping sections. Unfortunately, what I discovered was there was something qualitatively different between the end of CD 2 and the beginning of CD 3, so no matter how exactly I matched the volume at the splice points you could easily hear where the splice was. I finally had to settle for approximately matching the levels at the overlap, synching the overlap precisely and doing a cross fade in CE Pro (around 4 sec. into Space). It's not perfect, but it's the best I can do and it sounds pretty good. I'm sure someone else can do better. I converted the SHNs to FLAC and merged the drums and space into one track each (they had been three tracks each). Bill Tetzeli, [email protected] 5:20 AM 4/29/2006 -----------------------------------------------------------------------------------------------