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Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1k125
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.8k285
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.7k223
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k303
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.7k347
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4k547
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k270
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k129
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h5.1k638
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h81894
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h4.8k556
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.9k356
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h918117
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k167
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k212
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.7k541
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.1k153
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k197
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h8k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.1k1.8k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h35837
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k371
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.9k518
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.3k292
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k146
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.3k160
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k246
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h77794
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10114
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33021
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h442
7d1128
30d63237
2 shows
2 tapes
1987
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166933.Frost.PaloAltoCA.Ultramatrix.sbd.cm.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete -- This is 166865 2496 > 1648
Taper: Recorded by Don Pearson and Dan Healy
2:34:29
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2024
SHNID:
gd1987-05-03.166865.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple ultramatrix masters were used to make this complete
Transferrer: Charlie Miller
2:30:09
SBD
Rating:
7.43 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-05-03.sbd.walker-scotton.miller.83738.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesPatch Info: Pre-FM SBD/(FOB) Schoeps CMC3/MK2 Matrix supplies: Drums (9:50 - 10:04) Notes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: PO and Stucco TINA Holmes
2:29:39
SBD
Rating:
8.00 / 2 ratings
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1987-05-03.135937.dsbd.GEMS.flac16
Source:
Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version
Taper Notes:
View Notesupdate: this has the speakers in the right place tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm This recording was gratefully supplied by PO and Stucco TINA Holmes. Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz a project **GEMS** 2016 - no sonic manipulation was performed, as the pcm sounds - provides more complete audio around the tuning and Little Bunny Foo Foo than the casette sbd - 10 minutes of the house music between sets, Little Feat, on master, not included here
Source 5 of 13
2:35:59
SBD
Rating:
5.60 / 5 ratings
SHNID:
gd87-05-03.sbd.hinko.18848.sbeok.shnf
Source:
SBD > MC > DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
Transferrer: Darryl Hinko
2:32:54
SBD
Rating:
4.00 / 1 rating
Transferrer:
Darryl Hinko
SHNID:
gd1987-05-03.sbd.hinko.16175.sbeok.shnf
Lineage:
SHN > EAC > CoolEdit (for patches) > MKWact > SHNTool > SHN
Taper: See info file
2:36:20
SBD
Rating:
9.00 / 2 ratings
Taper:
See info file
Transferrer:
mixed by Sean Weber, converted to shn by Bill Gardner
SHNID:
gd1987-05-03.sbd-mtx.weber.gardner.1193.sbeok.shnf
Source:
DSBD/DAUD MIX
Lineage:
See info file
Taper Notes:
View Notes65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152832.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Bob Wagner
2:31:19
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.152831.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2021
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148782.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:29:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-05-03.148781.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: CousinIt
2:21:33
Rating:
4.00 / 1 rating
Taper:
CousinIt
SHNID:
gd1987-05-03.nak700.cousinit.98294.flac16
Source:
FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC
Transferrer: Bill Tetzeli
2:35:57
Rating:
7.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1987-05-03.weber.gardner.tetzeli.fix-1193.34396.reflac.flac16
Source:
Fix of shnid 1193.
Taper Notes:
View Notes----------------------------------------------------------------------------------------------- Fix of shnid 1193. This is actually a refix. My first one was probably okay, but I wanted something more accurate in making the transition between CDs 2 and 3 seamless, something that was difficult because of the fades in the overlapping sections. Unfortunately, what I discovered was there was something qualitatively different between the end of CD 2 and the beginning of CD 3, so no matter how exactly I matched the volume at the splice points you could easily hear where the splice was. I finally had to settle for approximately matching the levels at the overlap, synching the overlap precisely and doing a cross fade in CE Pro (around 4 sec. into Space). It's not perfect, but it's the best I can do and it sounds pretty good. I'm sure someone else can do better. I converted the SHNs to FLAC and merged the drums and space into one track each (they had been three tracks each). Bill Tetzeli, [email protected] 5:20 AM 4/29/2006 -----------------------------------------------------------------------------------------------