The Other One -> | 1987-04-10 | Grateful Dead

1987

Bands

Featured

Grateful Dead

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

1987

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Providence Civic Center

Providence Civic Center

Providence Civic Center

Calaveras County Fairgrounds

Angel's Camp, CA, USA

Calaveras County Fairgrounds

Angel's Camp, CA, USA

Compton Terrace Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Oakland-Alameda County Stadium

Autzen Stadium, U. of Oregon

East Rutherford, NJ, USA

John F Kennedy Stadium

Philadelphia, PA, USA

Kingswood Music Theater

Maple, Ontario, Canada

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Ventura County Fairgrounds

Ventura County Fairgrounds

Ventura County Fairgrounds

Laguna Seca Recreation Area

Laguna Seca Recreation Area

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Hartford Civic Center

Hartford Civic Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Sources

Transferrer: Charlie Miller

gd1987-04-10.140894.UltraMatrix.sbd.cm.miller.flac1644

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- This file set is 16 bit

Transferrer: Charlie Miller

gd1987-04-10.140874.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Transferrer: Charlie Miller

gd1987-04-10.134675.sbd.miller.flac16

Source:

SBD -> Cassette Master -> Cassette

Lineage:

Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v8.01 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Thanks to Steve Marcus for the cassettes
-- This is a pretty hissy matrix sbd with lots of audience

Transferrer: Matrix by Kevin Tobin

2:17:17

SBD

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1987-04-10.146111.mtx.tobin.flac16

Source:

SBD + AUD Matrix 2 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 16-APR-2019 - Trader Little Helper
- Tagged 16-APR-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: mtownsend

? -> CD-R (uncut waves) -> CD Player (XLR out) -> M-Audio Delta 66 -> Flac16

Taper: Doug Lamarre

Scott Clugston, Charlie Miller

SHNID:

gd1987-04-10.176625.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME-80 source which supplies some crowd and first notes of "Cassidy" (0:17 total), as well as a 0:14 patch in "Space"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
September 2024

Taper: Doug Lamarre

Scott Clugston, Charlie Miller

SHNID:

gd1987-04-10.176624.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME-80 source which supplies some crowd and first notes of "Cassidy" (0:17 total), as well as a 0:14 patch in "Space"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
September 2024

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1987-04-10.167472.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Gidley and Andrew F for the Nakamichi 304 source which supplies first 1:12 of "Shakedown Street", as well as a 0:33 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
March 2022

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1987-04-10.167471.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Gidley and Andrew F for the Nakamichi 304 source which supplies first 1:12 of "Shakedown Street", as well as a 0:33 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
March 2022

Taper: FOB Recording by Jonathan Mow

2:09:01

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition 2020) by Joe Noel August 18, 2020

SHNID:

gd1987-04-10.150527.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info;
- shnid (105529) NAK CM100 supplies;
- s1t07; 04:32 - 04:52 (crowd only)
- s2t06; 00:05 - end
- s2t07; start - 00:29

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for the transfer
- Thanks to Dave Cohen & Justin Lee for the patch source
- pitch corrected
- tape pauses were cross faded

Taper: FOB Recording by Jonathan Mow

2:09:01

Taper:

FOB Recording by Jonathan Mow

Transferrer:

DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition 2020) by Joe Noel August 18, 2020

SHNID:

gd1987-04-10.150581.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644

Source:

(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)

Taper Notes:

View NotesPatch info;
- shnid (105529) NAK CM100 supplies;
- s1t07; 04:32 - 04:52 (crowd only)
- s2t06; 00:05 - end
- s2t07; start - 00:29

Notes;
- Thanks to Jonathon Mow for recording the show
- Thanks to Ted Mattes for putting the project together
- Thanks to Charlie Miller for the transfer
- Thanks to Dave Cohen & Justin Lee for the patch source
- pitch corrected
- tape pauses were cross faded
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 2, 2020

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1987-04-10.146113.5-1.tobin.flac1648

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 16-APR-2019 - Trader Little Helper
- Tagged 16-APR-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Da Weez

gd1987-04-10.119029.NeumannKMF4.daweez.d5scott.flac16

Source:

Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: Dave Cohen and Justin Lee

2:15:26

Taper:

Dave Cohen and Justin Lee

Transferrer:

Dave Cohen

SHNID:

gd1987-04-10.nak100.cohen-lee.105529.sbeok.flac16

Source:

2 Nakamichi CM100/CP4s>Nakamichi 550 w/Maxell XLIIS 90 cassettes. Dolby B was used on the Master Cassettes. Sec. 109 Row U Seat 17 8 ft. stand.

Lineage:

The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

Taper: Ted Gidley

gd1987-04-10.nak300.gidley.andrewf.93385.sbeok.flac16

Source:

OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- Disc break is seamless. 
- Patch from ShnID-10537 covers tape-flip, Space 3:37 > 3:43. 
- Alternate disc burn: overburn Set Two plus Encore to 80:26.

Source 16 of 17

gd87-04-10.nak.braverman.10537.sbeok.shnf

Source:

Audience Cassette (Nakamichi 300/Sony D5)

Lineage:

Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman

Taper Notes:

View NotesSource: Audience Cassette (Nakamichi 300/Sony D5)
Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman

Transferrer: Jim Bennett

gd1987-04-10.scheops.bennett.10156.shnf

Taper Notes:

View NotesThere's a splice between Mexicali and BEW, which according to http://www.deadlists.com means this recording is missing a "We Want Phil" chant, to which he responds "Later!".  This explains the "You guessed it!" before Box of Rain.  

Also, there's a fade-in at the beginning of disc 2 before Box of Rain - it was passed to me this way, unfortutely.  For this reason, the show flows best when CDs are burned in the order shown above.

Otherwise, though, no issues to report.  A very fun show, and a fine AUD recording.