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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h893126
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h51874
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.4k724
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.4k847
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.8k370
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3k372
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k152
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.4k267
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85195
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k224
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k158
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k174
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k219
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k291
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k561
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.6k344
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.3k593
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79066
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k552
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k629
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k434
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k234
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.5k988
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.7k464
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41549
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9214
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29521
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1987
3/24/87
gimme some lovin>
5:21
black muddy river
6:01
playing in the band>
8:17
terrapin station>
12:14
drums>
6:00
space>
4:56
dear mr. fantasy>
5:59
wharf rat>
10:03
not fade away
7:03
brokedown palace
6:03
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:11:18
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142042.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:11:15
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142041.mtx.tobin.flac2496
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (96/24) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:15:31
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140920.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140805.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
9.60 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.sbd.milller.94349.sbeok.flac16
Source:
Set 1: SBD -> Master Cassette -> Cassette Set 2: SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
Taper Notes:
View NotesPatch Notes: (FOB) Schoeps CMC4/MK4 -> PCM -> Dat -> CD supplies: Space (5:37-5:47) Notes: -- Thanks to Steve Marcus for the Set 1 cassette
Source 6 of 20
1:16:32
SBD
Rating:
8.80 / 12 ratings
SHNID:
gd87-03-24.set2-sbd.miller.25581.sbeok.shnf
Source:
Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper Notes:
View NotesSet 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163462.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163461.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Steve Hill
2:11:18
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142040.pp-aud.hill.tobin.flac1644
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: Steve Hill
2:11:15
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142039.pp-aud.hill.tobin.flac2496
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: DATBRAD
2:12:27
Taper:
DATBRAD
Transferrer:
Mark Lynn and DATBRAD
SHNID:
gd1987-03-24.135992.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6)
Taper: chasingwilma
1:11:57
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1987-03-24.135546.set2.chasingwilma.flac24
Source:
Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Steve Hill
2:10:47
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131807.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Taper: Steve Hill
2:10:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131806.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Transferrer: scarletdog
2:15:33
Rating:
8.00 / 1 rating
Transferrer:
scarletdog
SHNID:
gd1987-03-24.senn441fob.scarletdog.126241.flac16
Source:
2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB;
Lineage:
Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Ah, yes - the excitment of fob taping - some bad level adjustments in the first couple minutes of Jack Straw ** I obviously wasn't the first deck in line and someone in front of me didn't know how to hold their record button down - two cuts in the beginning of Let It Grow.
Taper: Greg Holtz & Mike Rice
2:10:23
Rating:
6.00 / 1 rating
Taper:
Greg Holtz & Mike Rice
Transferrer:
Jamie Waddell
SHNID:
gd1987-03-24.nak.holtz.gems.91254.sbeok.flac16
Source:
Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder - located just at the right front lip of the soundboard.
Lineage:
master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0
Taper: Joe D'Amico
2:09:39
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-03-24.nak300.damico.89110.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Bill Koucky
2:07:28
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1987-03-24.senn.koucky.gmb.77915.sbeok.flac16
Source:
Sennheiser ME88 shotguns > Sony D6 > TDKMA90s
Lineage:
MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding)
Source 19 of 20
2:14:41
Rating:
8.60 / 10 ratings
SHNID:
gd87-03-24.schoeps.weber-small.gardner.10354.sbeok.shnf
Source:
FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT
Taper Notes:
View NotesFOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks
Transferrer: Stephen B. Porter; Seeded to etree by Peter Braverman
2:09:41
Transferrer:
Stephen B. Porter; Seeded to etree by Peter Braverman
SHNID:
gd1987-03-24.nak300.braverman.10077.shnf
Source:
AUD (Nakamichi 300/Sony D-5)
Lineage:
Nakamichi BX-300 > CD > SHN
Taper Notes:
View NotesKnown issues: Crossfades placed between songs in the first set where some of the crowd noise is missing. There is a fade right at the beginning of Let It Grow. It's unclear if any music is missing. Tape flip at 3:24 of drums; only a few seconds missing. Tape flip between drums and space. Thanks to Stephen B. Porter, wherever he is these days, for the excellent recording. Seeded by Peter Braverman ([email protected]), June 2002.