Bands
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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1987
Sources
Transferrer: Kevin Tobin
2:11:18
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142042.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:11:15
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142041.mtx.tobin.flac2496
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (96/24) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:15:31
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140920.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140805.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
9.60 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.sbd.milller.94349.sbeok.flac16
Source:
Set 1: SBD -> Master Cassette -> Cassette Set 2: SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
Taper Notes:
View NotesPatch Notes: (FOB) Schoeps CMC4/MK4 -> PCM -> Dat -> CD supplies: Space (5:37-5:47) Notes: -- Thanks to Steve Marcus for the Set 1 cassette
Source 6 of 20
1:16:32
SBD
Rating:
8.80 / 12 ratings
SHNID:
gd87-03-24.set2-sbd.miller.25581.sbeok.shnf
Source:
Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper Notes:
View NotesSet 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163462.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163461.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Steve Hill
2:11:18
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142040.pp-aud.hill.tobin.flac1644
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: Steve Hill
2:11:15
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142039.pp-aud.hill.tobin.flac2496
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: DATBRAD
2:12:27
Taper:
DATBRAD
Transferrer:
Mark Lynn and DATBRAD
SHNID:
gd1987-03-24.135992.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6)
Taper: chasingwilma
1:11:57
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1987-03-24.135546.set2.chasingwilma.flac24
Source:
Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Steve Hill
2:10:47
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131807.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Taper: Steve Hill
2:10:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131806.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Transferrer: scarletdog
2:15:33
Rating:
8.00 / 1 rating
Transferrer:
scarletdog
SHNID:
gd1987-03-24.senn441fob.scarletdog.126241.flac16
Source:
2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB;
Lineage:
Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Ah, yes - the excitment of fob taping - some bad level adjustments in the first couple minutes of Jack Straw ** I obviously wasn't the first deck in line and someone in front of me didn't know how to hold their record button down - two cuts in the beginning of Let It Grow.
Taper: Greg Holtz & Mike Rice
2:10:23
Rating:
6.00 / 1 rating
Taper:
Greg Holtz & Mike Rice
Transferrer:
Jamie Waddell
SHNID:
gd1987-03-24.nak.holtz.gems.91254.sbeok.flac16
Source:
Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder - located just at the right front lip of the soundboard.
Lineage:
master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0
Taper: Joe D'Amico
2:09:39
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-03-24.nak300.damico.89110.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Bill Koucky
2:07:28
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1987-03-24.senn.koucky.gmb.77915.sbeok.flac16
Source:
Sennheiser ME88 shotguns > Sony D6 > TDKMA90s
Lineage:
MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding)
Source 19 of 20
2:14:41
Rating:
8.60 / 10 ratings
SHNID:
gd87-03-24.schoeps.weber-small.gardner.10354.sbeok.shnf
Source:
FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT
Taper Notes:
View NotesFOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks
Transferrer: Stephen B. Porter; Seeded to etree by Peter Braverman
2:09:41
Transferrer:
Stephen B. Porter; Seeded to etree by Peter Braverman
SHNID:
gd1987-03-24.nak300.braverman.10077.shnf
Source:
AUD (Nakamichi 300/Sony D-5)
Lineage:
Nakamichi BX-300 > CD > SHN
Taper Notes:
View NotesKnown issues: Crossfades placed between songs in the first set where some of the crowd noise is missing. There is a fade right at the beginning of Let It Grow. It's unclear if any music is missing. Tape flip at 3:24 of drums; only a few seconds missing. Tape flip between drums and space. Thanks to Stephen B. Porter, wherever he is these days, for the excellent recording. Seeded by Peter Braverman ([email protected]), June 2002.