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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1987
Sources
Transferrer: Kevin Tobin
2:11:18
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142042.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:11:15
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142041.mtx.tobin.flac2496
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (96/24) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:15:31
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140920.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140805.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
9.60 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.sbd.milller.94349.sbeok.flac16
Source:
Set 1: SBD -> Master Cassette -> Cassette Set 2: SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
Taper Notes:
View NotesPatch Notes: (FOB) Schoeps CMC4/MK4 -> PCM -> Dat -> CD supplies: Space (5:37-5:47) Notes: -- Thanks to Steve Marcus for the Set 1 cassette
Source 6 of 20
1:16:32
SBD
Rating:
8.80 / 12 ratings
SHNID:
gd87-03-24.set2-sbd.miller.25581.sbeok.shnf
Source:
Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper Notes:
View NotesSet 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163462.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163461.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Steve Hill
2:11:18
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142040.pp-aud.hill.tobin.flac1644
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: Steve Hill
2:11:15
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142039.pp-aud.hill.tobin.flac2496
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: DATBRAD
2:12:27
Taper:
DATBRAD
Transferrer:
Mark Lynn and DATBRAD
SHNID:
gd1987-03-24.135992.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6)
Taper: chasingwilma
1:11:57
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1987-03-24.135546.set2.chasingwilma.flac24
Source:
Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Steve Hill
2:10:47
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131807.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Taper: Steve Hill
2:10:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131806.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Transferrer: scarletdog
2:15:33
Rating:
8.00 / 1 rating
Transferrer:
scarletdog
SHNID:
gd1987-03-24.senn441fob.scarletdog.126241.flac16
Source:
2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB;
Lineage:
Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Ah, yes - the excitment of fob taping - some bad level adjustments in the first couple minutes of Jack Straw ** I obviously wasn't the first deck in line and someone in front of me didn't know how to hold their record button down - two cuts in the beginning of Let It Grow.
Taper: Greg Holtz & Mike Rice
2:10:23
Rating:
6.00 / 1 rating
Taper:
Greg Holtz & Mike Rice
Transferrer:
Jamie Waddell
SHNID:
gd1987-03-24.nak.holtz.gems.91254.sbeok.flac16
Source:
Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder - located just at the right front lip of the soundboard.
Lineage:
master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0
Taper: Joe D'Amico
2:09:39
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-03-24.nak300.damico.89110.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Bill Koucky
2:07:28
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1987-03-24.senn.koucky.gmb.77915.sbeok.flac16
Source:
Sennheiser ME88 shotguns > Sony D6 > TDKMA90s
Lineage:
MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding)
Source 19 of 20
2:14:41
Rating:
8.60 / 10 ratings
SHNID:
gd87-03-24.schoeps.weber-small.gardner.10354.sbeok.shnf
Source:
FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT
Taper Notes:
View NotesFOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks
Transferrer: Stephen B. Porter; Seeded to etree by Peter Braverman
2:09:41
Transferrer:
Stephen B. Porter; Seeded to etree by Peter Braverman
SHNID:
gd1987-03-24.nak300.braverman.10077.shnf
Source:
AUD (Nakamichi 300/Sony D-5)
Lineage:
Nakamichi BX-300 > CD > SHN
Taper Notes:
View NotesKnown issues: Crossfades placed between songs in the first set where some of the crowd noise is missing. There is a fade right at the beginning of Let It Grow. It's unclear if any music is missing. Tape flip at 3:24 of drums; only a few seconds missing. Tape flip between drums and space. Thanks to Stephen B. Porter, wherever he is these days, for the excellent recording. Seeded by Peter Braverman ([email protected]), June 2002.