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June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k150
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64491
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k898
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k346
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.9k768
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k397
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k426
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k162
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k301
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h893100
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k247
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k246
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k322
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k703
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k197
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.1k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87073
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k601
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k645
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k468
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k261
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.6k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k616
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51862
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32123
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1983
10/30/83
Alabama Getaway >
4:59
Greatest Story Ever Told
4:19
Friend Of The Devil
10:06
New Minglewood Blues
7:36
Tennessee Jed
9:01
Cassidy
5:48
West LA Fadeaway
8:18
Hell In A Bucket >
5:19
Might As Well
4:18
Crowd/Tuning
2:34
Bertha >
6:29
Samson & Delilah
7:38
Ship Of Fools
8:55
Playin' In The Band >
11:36
Drums >
8:30
Space >
8:51
Truckin ' >
6:50
Spoonful >
3:01
Black Peter >
8:24
Sugar Magnolia
9:07
E: Keep Your Day Job
4:33
FIN
View on archive.org
Sources
Taper: David Gans
2:24:18
SBD
Taper:
David Gans
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.143503.sbd.miller.flac1644
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:24:18
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.142967.sbd.miller.flac2496
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings
Source 3 of 7
2:20:44
SBD
Rating:
7.33 / 4 ratings
SHNID:
gd83-10-30.sbd.miller.22800.sbeok.shnf
Source:
Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90)Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper Notes:
View NotesRecording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper: Unknown
2:25:39
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.169890.akg.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to our benefactor who wishes to remain anonymous - Thanks to andrewf for the Realistic mini-mics source which supplies a 2:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176651.akg.se5.wiseman.miller.clugston.flac.2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176650.akg.se5.wiseman.miller.clugston.flac.1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Andrew F.
2:23:17
Rating:
8.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Anne C.
SHNID:
gd1983-10-30.fob.realistic.andrewf.92382.shnf
Source:
Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row.
Lineage:
MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN
Taper Notes:
View Notes- Soundforge 6.0 used for fades, tape flip splices, and cleanup cuts and crowd transitions mostly between songs. - The mic was blocking Healy's view, and they told us to move. We changed seats during intermission, so the tape sounds a little better in the 2nd set. - Brief cuts in Space at 1:12, 2:34, and 3:22. - Thanks to Anne for transferring this.