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Bands
Grateful Dead
Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1983
Sources
Source 1 of 15
2:18:01
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd83-08-21.nak300cp4-reutelhuber.miller.23853.sbeok.shnf
Source:
Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5)Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k)Process Info:Processed through Nuendo using Waves (slight
Taper Notes:
View NotesRecording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller
Taper: Recorded by Bob Wagner
2:24:52
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.150944.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Recorded by Bob Wagner
2:24:52
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.150943.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Chris Hecht
2:19:20
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.148073.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:19:20
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.148072.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Michael Kirschner
2:17:13
Rating:
9.33 / 4 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1983-08-21.fob.sonyECM220t.kirschner.miller.95687.flac24
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/FujiMetal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies: Space (0:09 - 0:17) Notes: -- Thanks to Michael Kirschner for lending me his masters
Taper: Michael Kirschner
2:17:13
Rating:
9.33 / 9 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1983-08-21.fob.sonyECM220t.kirschner.miller.95672.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies: Space (0:09 - 0:17) Notes: -- Disc change is seamless -- Thanks to Michael Kirschner for lending me his masters
Taper: Rob Eaton
2:18:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1983-08-21.155989.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Rob Eaton
2:18:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1983-08-21.155988.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Gesine Lohr
2:28:09
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-08-21.151142.aud.lohr.vernon.flac2496
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording Notes: - wind noise in a few places - Samson has a few false starts - tape flips at 07, 13, 19
Taper: Gesine Lohr
2:28:09
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-08-21.151141.aud.lohr.vernon.flac1648
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View NotesRecording Notes: - wind noise in a few places - Samson has a few false starts - tape flips at 07, 13, 19
Taper: Kyle Holbrook;Executive Crew;Chris Kidwell
2:20:41
Taper:
Kyle Holbrook;Executive Crew;Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-21.142899.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// Tape Flip /// Tape Swap ^ Loud crackle from PA at start * Missed start as we had started taking gear apart Tour story in the setlist file
Taper: Kyle Holbrook;Executive Crew;Chris Kidwell
2:20:39
Taper:
Kyle Holbrook;Executive Crew;Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-21.142898.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// Tape Flip /// Tape Swap ^ Loud crackle from PA at start * Missed start as we had started taking gear apart Tour story in the setlist file
Taper: Da Weez
2:17:31
Rating:
8.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-08-21.111536.Sennheiser.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 15 of 15
2:22:42
Rating:
9.33 / 5 ratings
SHNID:
gd83-08-21.sennheiser.bennet.10920.sbeok.shnf
Source:
FOB Senn 441>Sony TC-D5>DAT>CD
Taper Notes:
View NotesFOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett