RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1983
4/23/83
Scarlet Begonias ->
13:11
Fire On The Mountain ->
13:17
Lost Sailor ->
7:41
Saint Of Circumstance ->
7:24
Drums ->
8:48
Space ->
7:56
The Other One ->
18:21
Wharf Rat ->
9:19
Throwing Stones ->
9:22
Not Fade Away
8:43
One More Saturday Night ->
4:25
Brokedown Palace
5:25
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:53:52
SBD
Rating:
9.14 / 16 ratings
Transferrer:
Charlie Miller
SHNID:
gd83-04-23.set2-sbd.miller.29469.sbeok.flac16
Source:
<b>flac16</b> SBD -> Cassette Master -> Reel -> Dat -> CD
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD
Taper: Executive Crew: Kyle Holbrook, Tom Pinney
2:56:29
SBD
Taper:
Executive Crew: Kyle Holbrook, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-23.141736.beyerm201.pinney.holbrook.flac2448
Source:
<b/>flac24/48</b> First Gen AUD Cassette: TDK MA 90 x 2 noNR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow Notes: P.A. system squealing (Bob's guitar) during GSET and Candyman Recording Notes: * Very end of song someone kicked the mic stand-loud bump # Some channel drop outs ~5 min mark / tape paused between songs // tape flip //& Lead deck flipped before us near end *** see tour story in text file***
Taper: Executive Crew: Kyle Holbrook, Tom Pinney
2:56:29
SBD
Taper:
Executive Crew: Kyle Holbrook, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-23.141735.beyerm201.pinney.holbrook.flac1644
Source:
<b/>flac16/44.1</b> First Gen AUD Cassette: TDK MA 90 x 2 noNR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby
Lineage:
Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesShow Notes: P.A. system squealing (Bob's guitar) during GSET and Candyman Recording Notes: * Very end of song someone kicked the mic stand-loud bump # Some channel drop outs ~5 min mark / tape paused between songs // tape flip //& Lead deck flipped before us near end *** see tour story in text file***
Source 4 of 23
1:51:36
SBD
Rating:
8.80 / 5 ratings
SHNID:
gd1983-04-23.124568.set2.aud-sbd.jcannon.flac16
Taper: Rob Eaton
3:07:53
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-23.163834.senn441.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies a 4:09 patch in "Drums", as well as "Not Fade Away" and the "One More Saturday Night > Brokedown Palace" encores - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Rob Eaton
3:07:53
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-04-23.163833.senn441.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies a 4:09 patch in "Drums", as well as "Not Fade Away" and the "One More Saturday Night > Brokedown Palace" encores - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Jim Vita
3:03:04
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-23.163305.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st Set 17th row, center; 2nd set 20th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the(FOB) Sennheiser 421 source which supplies a 2:57 patch in "Drums", as well as a 0:09 patch in "Throwing Stones" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2022
Taper: Jim Vita
3:03:04
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-23.163304.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st Set 17th row, center; 2nd set 20th row, center) > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the(FOB) Sennheiser 421 source which supplies a 2:57 patch in "Drums", as well as a 0:09 patch in "Throwing Stones" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2022
Taper: Jim Wise
3:01:31
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-04-23.143127.fob.senn421.wise.clugston.miller.flac2496
Source:
Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)
Lineage:
Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Two sets of masters were used to make this complete - Noodle into Truckin' included in "Truckin'" - Pitch corrected - Another very nice listen Mastered by Scott Clugston September 2018
Taper: Jim Wise
3:01:31
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller and Jim Wise
SHNID:
gd1983-04-23.143126.fob.senn421.wise.clugston.miller.flac1648
Source:
Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)
Lineage:
Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Two sets of masters were used to make this complete - Other One space included in "The Other One" - Pitch corrected - Another very nice listen Mastered by Scott Clugston September 2018
Transferrer: Charlie Miller
1:50:48
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1983-04-23.s2.senn421.miller.119875.flac24
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24
Taper Notes:
View NotesNotes: -- We were sitting a few rows FOB with the mics over 10 feet high -- I lost my Set 1 master so this is all I have left -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
1:50:48
Transferrer:
Charlie Miller
SHNID:
gd1983-04-23.s2.senn421.miller.119873.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16
Taper Notes:
View NotesNotes: -- We were sitting a few rows FOB with the mics over 10 feet high -- I lost my Set 1 master so this is all I have left -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Doug Lamarre
2:51:31
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-23.140325.aud.lamarre.berger.flac2496
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
Taper: Doug Lamarre
2:51:32
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-23.140324.aud.lamarre.berger.flac1644
Source:
source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
Taper: chasingwilma
2:57:51
Rating:
8.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-23.120025.chasingwilma.flac24
Source:
Updated
Lineage:
(2) nakamichi 300 fob> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: chasingwilma
2:58:52
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-23.120025.aud.chasingwilma.flac24
Source:
source claimed to be: (2) nakamichi 300 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; <b>Note</b>: Filesets from this seeder have been flagged as suspect because they are thought to be mislabeled or re-sampled at a high bitrate
Taper: Joe Morrone
3:06:00
Rating:
9.33 / 3 ratings
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-23.beyer-m88.morrone.119742.flac1644
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
Taper Notes:
View NotesNotes: P.A. system squealing (Bob's guitar) during GSET and Candyman. ID-102044 patches, Drums 4:56 > Space 0:03 (3:46) and NFA 0:58 > 1:05. CDR's: D1 s1t01 > s1t10, D2 s2t01 > s2t05, D3 s2t06 > s2t13.
Taper: Joe Morrone
3:06:00
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-23.beyer-m88.morrone.119741.flac2448
Source:
AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
Taper Notes:
View NotesNotes: P.A. system squealing (Bob's guitar) during GSET and Candyman. ID-102044 patches, Drums 4:56 > Space 0:03 (3:46) and NFA 0:58 > 1:05.
Taper: Da Weez
2:52:39
Rating:
10.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-04-23.117598.Sennheiser421.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:59:42
Rating:
8.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-04-23.nak300.morris.102044.sbeok.flac16
Source:
Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Recorded behind the board
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Transferrer: SIRMick
2:59:42
Rating:
9.50 / 4 ratings
Transferrer:
SIRMick
SHNID:
gd1983-04-23.fob.senn421.patched.sirmick.96150.sbeok.flac16
Source:
FOB-Sennheiser 421 > Master Cass (Sony D5) > Dat
Lineage:
Dat > CDR > EAC > SHN > Wav > flac
Taper Notes:
View NotesNotes: This is a remaster of shnid 1864 - dc offset removed and gain in left channel increased to make the sound more central - repeated section of 1:22, removed from "Space" - small gaps in "Lost Sailor" and "Throwing Stones" closed - a number of small dropouts have been repaired - the tape was paused between some songs, these have been cleaned up with crossfades - seamless change between d2 and d3 Patches: source Sennheiser MD421's > Sony D5 (shnid 88482) - the start of Peggy-O was clipped, about 15 seconds added to include some crowd - "Scarlet Begonias" 3:00 - 3:25 - tape flip of 4:03 between "Drums" and "Space" - "Not Fade Away" 0:05 - 0:11 Comments: - Weir has guitar problems during "Greatest Story" and beginning of "Candyman", a squeaking noise can be heard - "Funiculi Funicula" tuning before "Candyman" edited with Adobe Audition and remastered with iZotope Ozone
Taper: Rick "Coyotte" Colyard
3:00:05
Rating:
10.00 / 3 ratings
Taper:
Rick "Coyotte" Colyard
Transferrer:
Muletaper
SHNID:
gd1983-04-23.fob.senn421.coyotte.muletaper.88482.sbeok.flac16
Source:
2-Sennheiser MD421's (location: FOB-11th row DFC @6 ft high on stand) > Sony D5 (Two maxell UD-XL2-cassettes)
Lineage:
Master Cassette > ony ES-950>Edirol Digi-Mod [email protected]>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16
Taper Notes:
View NotesNo hiss reduction Audio editing Raw off the cassette masters. The second set suffered some level loss thru the years but still killer. First set is pristine sounding! Notes: Set 1: *Lazy Lightning>-(fades out)/cut *Supplication- /missing begins at crowd of Peggio. Set 2 */ Fades in..Drumz> *Throwing Stones>Splice@2:10
Transferrer: Jeff M.
3:07:12
Rating:
9.50 / 4 ratings
Transferrer:
Jeff M.
SHNID:
gd1983-04-23.fob.senn421.jeffm.1864.sbeok.shnf
Source:
FOB-Sennheiser 421>Master Cass(Sony D5)>Dat
Lineage:
Dat>CDR>EAC>SHN
Taper Notes:
View NotesKnown Flaws: About a 20 second cut during 3rd verse of Scarlet. Squeaking during Greatest Story and beginning of Candyman are Weir having Guitar problems-not a recording flaw. *I beleive this to be the best circulating copy of this show. (although if someone wants to drop the board on me, I wouldn't refuse;-)*