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June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.6k224
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.5k738
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.7k223
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.2k552
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k354
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k407
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78488
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k229
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k182
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k174
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.3k559
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.6k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.8k814
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h86372
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k552
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k571
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.4k417
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.7k869
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k591
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60073
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13921
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29522
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h402
7d1277
30d57234
2 shows
2 tapes
1983
10/30/83
01 Alabama Getaway
5:00
02 Greatest Story Ever Told
4:22
03 Friend Of The Devil
9:26
04 New Minglewood Blues
7:13
05 Tennessee Jed
8:47
06 Cassidy
5:37
07 West LA Fadeaway
7:38
08 Hell In A Bucket
5:18
09 Might As Well
4:14
10 Tuning
2:13
11 Bertha
6:46
12 Samson And Delilah
7:30
13 Ship Of Fools
9:28
14 Playing In The Band
11:33
15 Drums
8:31
16 Space
9:54
17 Truckin'
5:45
18 Spoonful
2:59
19 Black Peter
8:24
20 Sugar Magnolia
8:48
21 Tuning
0:23
22 Keep Your Day Job
4:29
FIN
View on archive.org
Sources
Taper: David Gans
2:24:18
SBD
Taper:
David Gans
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.143503.sbd.miller.flac1644
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:24:18
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.142967.sbd.miller.flac2496
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings
Source 3 of 7
2:20:44
SBD
Rating:
7.33 / 4 ratings
SHNID:
gd83-10-30.sbd.miller.22800.sbeok.shnf
Source:
Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90)Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper Notes:
View NotesRecording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper: Unknown
2:25:39
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.169890.akg.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to our benefactor who wishes to remain anonymous - Thanks to andrewf for the Realistic mini-mics source which supplies a 2:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176651.akg.se5.wiseman.miller.clugston.flac.2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176650.akg.se5.wiseman.miller.clugston.flac.1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Andrew F.
2:23:17
Rating:
8.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Anne C.
SHNID:
gd1983-10-30.fob.realistic.andrewf.92382.shnf
Source:
Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row.
Lineage:
MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN
Taper Notes:
View Notes- Soundforge 6.0 used for fades, tape flip splices, and cleanup cuts and crowd transitions mostly between songs. - The mic was blocking Healy's view, and they told us to move. We changed seats during intermission, so the tape sounds a little better in the 2nd set. - Brief cuts in Space at 1:12, 2:34, and 3:22. - Thanks to Anne for transferring this.