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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1983
4/13/83
Scarlet Begonias ->
14:36
Fire on the Mountain
12:07
Estimated Prophet ->
11:38
Eyes of the World ->
9:48
Maybe You Know -> *
3:46
Drums ->
7:11
Space ->
10:13
Morning Dew ->
11:31
Throwing Stones ->
8:40
Good Lovin'
8:57
[e] Touch of Grey
6:34
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:45:01
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-04-13.138339.SBD.set2.Gastwirt.Miller.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
Taper Notes:
View Notesatch info: shnid: 21921 - Mark Horvath FOB Recording d2t08 - 3:38 - 9:47 Fix info: d2t01 - The right channel drops out from 12:15 - 13:30. Repaired.
Source 2 of 17
2:40:39
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd83-04-13.sbd.lai.23849.sbeok.shnf
Source:
SDB> CM> C> DAT> CDR
Taper Notes:
View NotesSDB> CM> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed
Source 3 of 17
2:44:25
SBD
Rating:
8.63 / 20 ratings
SHNID:
gd83-04-13.sbd.sacks.1614.sbeok.shnf
Source:
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
Taper Notes:
View NotesMSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162702.senn421.blend.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162701.senn421.blend.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Tom Pinney
2:34:26
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141637.senn421.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Tom Pinney
2:34:25
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141636.senn421.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1</b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140090.aud.lamarre.berger.flac24
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140089.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: chasingwilma
2:35:32
Rating:
6.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.aud.horvath.flac24
Source:
Lineage: (2) Sennheiser 421>d-5>d-5 (mine)> Sony Tc We435> Sbm-1>d-8>soundcard> Cdwave 44100/stereo/24 Bit> Traders Little Helper Encoding Option 8; Taper: Mark Horvath
Taper: chasingwilma
2:35:07
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.chasingwilma.flac24
Source:
Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: Joe Morrone
2:48:57
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119554.flac1644
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums has been patched in from ID-1614 and re-mixed in Wavelab to more resemble an AUD.
Taper: Joe Morrone
2:41:59
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119531.flac2448
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums missing from the recordings, cross-faded together at start of Space track-ID.
Transferrer: Hunter Seamons
2:44:26
Rating:
9.64 / 12 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1983-04-13.mtx.seamons.113852.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Transferrer: Frank Venezia
1:35:24
Rating:
6.67 / 3 ratings
Transferrer:
Frank Venezia
Lineage:
My Cassette>Nak DR-1>Sony R300>44.1>ZA2>SoundForge4.5>WAV>FlacFrontEnd>FLAC (2 Discs Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Rhythm Devils is severely cut -- Fire on the Mountain is not cut -- Space is not cut -- Morning Dew is not cut -- in spring 1983, i went to my friend Tim Paisley's house in Garden City, NY and copied as many of his cousin's master cassettes as i could; he told me they used a three-mic setup to record this
Taper: Andrew F
2:36:34
Rating:
8.67 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1983-04-13.nak300.andrewf.82876.flac16
Source:
Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard.
Lineage:
MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC.
Taper Notes:
View NotesNotes: - I did not record the drums at this concert... D'OH! - Patches taken from ShnID-21921, located as follows: - Jack Straw 0:00 > 0:03. - Far From Me 0:00 > 0:09. - Eyes of the World 6:13 > 6:19. - Soundforge used to make fades, add patches, repair drop-outs. - TLH used for SBE-OK, lossless compression, checksums.
Source 17 of 17
2:23:21
Rating:
9.47 / 30 ratings
SHNID:
gd83-04-13.horvath-sennheiser.ladner.21921.sbeok.shnf
Source:
MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.
Taper Notes:
View NotesSource: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath