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June 8th
Years
1995
30k
PlaybackListensHours
48h58779
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h781106
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.1k409
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.5k312
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3k387
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k353
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k138
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k230
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h84393
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k188
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h995131
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k211
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k274
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.6k702
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k242
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.2k439
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85382
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k593
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k549
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3k368
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.8k198
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7.8k792
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h37346
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11016
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22817
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1983
10/30/83
Alabama Getaway >
4:59
Greatest Story Ever Told
4:19
Friend Of The Devil
10:06
New Minglewood Blues
7:36
Tennessee Jed
9:01
Cassidy
5:48
West LA Fadeaway
8:18
Hell In A Bucket >
5:19
Might As Well
4:18
Crowd/Tuning
2:34
Bertha >
6:29
Samson & Delilah
7:38
Ship Of Fools
8:55
Playin' In The Band >
11:36
Drums >
8:30
Space >
8:51
Truckin ' >
6:50
Spoonful >
3:01
Black Peter >
8:24
Sugar Magnolia
9:07
E: Keep Your Day Job
4:33
FIN
View on archive.org
Sources
Taper: David Gans
2:24:18
SBD
Taper:
David Gans
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.143503.sbd.miller.flac1644
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:24:18
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-10-30.142967.sbd.miller.flac2496
Source:
SBD > Cassette Master > Cassette (TDK SA-X90)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The mix and levels change during Alabama Getaway -- Jerry's stage volume was loud making him low in the mix -- Thanks to David Gans for the tapes -- Thanks to Andrew F. and Anne Cohen for the patch source -- Thanks to Scott Clugston for his continued assistance -- Thanks to Joe B. Jones for the pitch correction settings
Source 3 of 7
2:20:44
SBD
Rating:
7.33 / 4 ratings
SHNID:
gd83-10-30.sbd.miller.22800.sbeok.shnf
Source:
Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90)Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper Notes:
View NotesRecording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
Taper: Unknown
2:25:39
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.169890.akg.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to our benefactor who wishes to remain anonymous - Thanks to andrewf for the Realistic mini-mics source which supplies a 2:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176651.akg.se5.wiseman.miller.clugston.flac.2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Scott Wiseman
2:26:12
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-30.176650.akg.se5.wiseman.miller.clugston.flac.1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassettes (Nakamichi BX-150) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Mic cable issues with the right channel, "Alabama Getaway" and beginning of "Greatest Story Ever Told" are mono (5:47 total), 0:56 of "West LA Fadeaway" is also mono - Thanks to andrewf for the Realistic mini-mics source which supplies a 1:56 patch in "Drums" - This is the same source as 169890, but is a hi-res transfer directly from the master - Pitch corrected Mastered by Scott Clugston February 2026
Taper: Andrew F.
2:23:17
Rating:
8.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Anne C.
SHNID:
gd1983-10-30.fob.realistic.andrewf.92382.shnf
Source:
Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row.
Lineage:
MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN
Taper Notes:
View Notes- Soundforge 6.0 used for fades, tape flip splices, and cleanup cuts and crowd transitions mostly between songs. - The mic was blocking Healy's view, and they told us to move. We changed seats during intermission, so the tape sounds a little better in the 2nd set. - Brief cuts in Space at 1:12, 2:34, and 3:22. - Thanks to Anne for transferring this.