Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h43559
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.1k349
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.5k344
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k372
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k371
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k350
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k168
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.4k928
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h926105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.4k281
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h4.9k575
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k162
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.5k193
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.6k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k208
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k256
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.6k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.7k1.4k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h44144
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k483
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.8k632
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k365
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k193
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k212
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k242
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h78596
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10915
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22317
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h342
7d1037
30d62737
2 shows
2 tapes
1982
Sources
Taper: Frank Streeter and Tim Dalton
2:44:52
SBD
Rating:
9.50 / 4 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-07.141795.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid137625 soundboard source which supplies the first 0:24 of "The Music Never Stopped" - Wheel space included in "The Wheel" - Pitch corrected - Transitions smoothed Mastered by Scott Clugston April 12, 2018
Transferrer: Charlie Miller
2:36:27
SBD
Transferrer:
Charlie Miller
SHNID:
gd1982-08-07.137625.sbd.miller.flac16
Source:
SBD > Cassette Master > Dat (44.1k)
Lineage:
Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this complete
Source 3 of 11
2:34:56
SBD
Rating:
9.20 / 5 ratings
SHNID:
gd82-08-07.sbd.serafin.7720.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > PCM > ? > D > Serafin Station mastering> CD
Taper Notes:
View NotesSBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
Source 4 of 11
2:39:45
SBD
Rating:
9.64 / 25 ratings
Source:
Soundboard
Lineage:
SBD : MC > MR > DAT > CDR
Taper Notes:
View NotesSBD : MC > MR > DAT > CDR Transfer done by Jim Wise
Source 5 of 11
2:35:56
SBD
SHNID:
gd82-08-07.sbd.popi.6148.sbeok.shnf
Source:
Soundboard
Lineage:
sbd> mc> pcm> dats> wave> shn
Taper Notes:
View Notessbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
Source 6 of 11
2:41:11
SHNID:
gd1982-08-07.165372.mtx.seamons.ht162.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2023
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
1:17:31
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-08-07.156561.s1.beyer.tompkins.flac2448
Source:
BeyerDynamic mics > Sony TC-D5M > TDK MA-90
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sorry, Tape #2 from this source is missing in action...
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138623.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Rating:
10.00 / 1 rating
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138622.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Ohr Weinberg
1:25:03
Rating:
7.43 / 7 ratings
Taper:
Ohr Weinberg
Transferrer:
Ohr Weinberg
SHNID:
gd1982-08-07.aud.ohr.92183.flac16
Source:
2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B (20th row, center, 8ft stand)
Lineage:
Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
Taper Notes:
View NotesSet 2 only.
Taper: Matt Field
2:39:44
Rating:
9.18 / 17 ratings
Taper:
Matt Field
Transferrer:
Tony Suraci
Source:
Nak 300>Sony D5M>Master Cass.>1st Gen
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View NotesA Matt Field recording.