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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1982
7/27/82
gd82-07-27 t01 Jack Straw
5:03
gd82-07-27 t02 Sugaree
10:49
gd82-07-27 t03 On The Road Again
4:20
gd82-07-27 t04 It Must Have Been The Roses
6:00
gd82-07-27 t05 Me & My Uncle
2:54
gd82-07-27 t06 Big River
5:22
gd82-07-27 t07 Peggy O
6:21
gd82-07-27 t08 Little Red Rooster
7:29
gd82-07-27 t09 China Cat Sunflower
5:30
gd82-07-27 t10 I Know You Rider
5:29
gd82-07-27 t11 Tuning
1:10
gd82-07-27 t12 Playin' In The Band
10:10
gd82-07-27 t13 Terrapin Station
11:32
gd82-07-27 t14 Playin' Jam
5:52
gd82-07-27 t15 Drums
6:34
gd82-07-27 t16 Space
5:37
gd82-07-27 t17 The Wheel
5:28
gd82-07-27 t18 The Other One
8:08
gd82-07-27 t19 Stella Blue
8:53
gd82-07-27 t20 Playin' In The Band
4:11
gd82-07-27 t21 US Blues
5:25
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:12:17
SBD
Rating:
8.00 / 3 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.141510.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jake Clemens for the shnid78746 soundboard source which supplies a 0:00.393 patch in "On The Road Again" - Thanks to Doug Lamarre and Rob Berger for the shnid135510 Nakamichi 300 source which supplies the noodle into "Peggy O" (0:13 total), a 1:46 patch in "Drums > Space", as well as a 3:32 patch in "The Other One" due to technical issues, which are evident on the audience sources as well, but less pronounced and more "listenable" - Noodle/Jam into "The Other One" included in "The Other One" - It poured all night......mix/level/PA/technical issues throughout Mastered by Scott Clugston March 22, 2018
Transferrer: SIRMick
2:14:41
SBD
Rating:
9.00 / 4 ratings
Transferrer:
SIRMick
SHNID:
gd1982-07-27.mtx.sirmick.109780.sbeok.flac16
Source:
Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller
Taper Notes:
View NotesFor Dave from Sugarmegs, who suggested this project. These two sources compliment each other very well. The soundboard has crisp vocals which the audience recording lacks, and the audience has a better high end than the soundboard. Thanks to the tapers and seeders who made this possible. edited and matrixed SIRMick September 2010
Transferrer: Jake Clemens
2:10:46
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Jake Clemens
SHNID:
gd1982-07-27.sbd.clemens.78746.sbeok.flac16
Source:
SBD>Cass/1>DAT
Lineage:
DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC
Taper: Scott Wiseman
2:16:55
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-27.167100.akg.se5.wiseman.miller.sclugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, Neil Sturtevant and Charlie Miller for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "The Wheel" space - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Scott Wiseman
2:16:55
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman, Scott Clugston, Charlie Miller
SHNID:
gd1982-07-27.167100.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, Neil Sturtevant and Charlie Miller for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "The Wheel" space - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Jim Vita
2:14:38
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.156435.beyer.m88.vita.miller.clugston.flac2496
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies "On The Road Again", most of "It Must Have Been The Roses" (9:39 total), as well as the final 4:14 of "I Know You Rider" - Thanks to Doug Lamarre for the Nakamichi 300 source which supplies a 0:47 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
2:14:38
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.156434.beyer.m88.vita.miller.clugston.flac1648
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies "On The Road Again", most of "It Must Have Been The Roses" (9:39 total), as well as the final 4:14 of "I Know You Rider" - Thanks to Doug Lamarre for the Nakamichi 300 source which supplies a 0:47 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Frank Streeter
2:14:01
Rating:
8.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Neil Sturtevant
SHNID:
gd1982-07-27.134384.BeyerM160-Senn421.Streeter.Sturtevant.miller.flac24bit
Source:
(FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master (shnid=102570) supplies: On The Road Again (1:48 - end of track) It Must Have Been The Roses (complete track) Little Red Rooster (6:25 - 7:12) China Cat Sunflower (0:00 - 0:21)
Taper: Frank Streeter
2:14:01
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Neil Sturtevant
SHNID:
gd1982-07-27.134383.BeyerM160-Senn421.Streeter.Sturtevant.miller.flac16
Source:
(FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master (shnid=102570) supplies: On The Road Again (1:48 - end of track) It Must Have Been The Roses (complete track) Little Red Rooster (6:25 - 7:12) China Cat Sunflower (0:00 - 0:21)
Taper: Jim Wise
2:14:44
Rating:
8.00 / 5 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1982-07-27.fob.senn421.wise.miller.102570.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Sean Weber Small and Dougal Donaldson
2:14:59
Taper:
Sean Weber Small and Dougal Donaldson
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1982-07-27.142566.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
Source:
Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
Taper Notes:
View NotesPatch info: - shnid 135510 (Nak 300) supplies - s2t05; 06:11 - 06:26 Notes: - Thanks to John Ammons for sharing his beta with us. - Props to the Philly Crew, they get it done. - Thanks to Doug Lamarre & Rob Berger for the patch source - originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - additional processing done in Audacity - cross fades applied to tape pauses & flips - Red Rocks in the rain
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:11:51
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-27.138611.holbrook.beyerm201.flac2448
Source:
<b/>flac24 48khz</b>Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: It was raining for the first few minutes of first set, had been raining all afternoon. It started pouring about 10 minutes into the second set and didn't let up. Sound quality set 1 start is muddy. vocals low, get louder ~ 3:12 & (Band back on) and Bob Says "big hand for the rhythm devils ladies and gentlemen" ** From start until ~ 02:33 levels were clipping on master; I reduced levels ~5dB. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! This was our second recording we mastered! // tape flip //# tape switch 10:37 Red Rocks Amphitheatre Morrison CO Night 1 FRI July 27 1982 mic location- 75 feet from stage about 40 feet left of center. If you were at these shows you will mention the rain within 30 seconds of recalling the experience. It rained at least a portion of every day of the three. On this Friday, it had been raining off and on all afternoon. It was raining for the first few minutes of first set, then stopped. It started pouring about 10 minutes into the second set and didn't let up until the encore. Phil was standing in water on the stage while local crew were squeeging waves if water off the stage. Somehow, for our second only master we made a decent recording as we thought to place one of those cheap plastic poncho's they sell at venues up and over the cowboy hat. Hard to truly say after 35 years, but this show will always be my most remembered Red Rocks show as it was my first, and the experience led me to make sure it would not be my last time there. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:11:51
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-27.138610.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b>Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: It was raining for the first few minutes of first set, had been raining all afternoon. It started pouring about 10 minutes into the second set and didn't let up. Sound quality set 1 start is muddy. vocals low, get louder ~ 3:12 & (Band back on) and Bob Says "big hand for the rhythm devils ladies and gentlemen" ** From start until ~ 02:33 levels were clipping on master; I reduced levels ~5dB. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! This was our second recording we mastered! // tape flip //# tape switch 10:37 Red Rocks Amphitheatre Morrison CO Night 1 FRI July 27 1982 mic location- 75 feet from stage about 40 feet left of center. If you were at these shows you will mention the rain within 30 seconds of recalling the experience. It rained at least a portion of every day of the three. On this Friday, it had been raining off and on all afternoon. It was raining for the first few minutes of first set, then stopped. It started pouring about 10 minutes into the second set and didn't let up until the encore. Phil was standing in water on the stage while local crew were squeeging waves if water off the stage. Somehow, for our second only master we made a decent recording as we thought to place one of those cheap plastic poncho's they sell at venues up and over the cowboy hat. Hard to truly say after 35 years, but this show will always be my most remembered Red Rocks show as it was my first, and the experience led me to make sure it would not be my last time there. The complete story of our summer tour can be read in the text file.
Taper: Doug Lamarre
2:11:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-07-27.135510.aud.lamarre.berger.flac16
Source:
nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger
Taper: Doug Lamarre
2:11:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-07-27.135509.aud.lamarre.berger.flac24
Source:
nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger
Taper: Mason B. Taylor
2:16:53
Rating:
7.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1982-07-27.naks.mason.129411.flac16
Source:
<b>flac16</b> ; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes; Senn 441's>Sony D5>Mason's Nak 550: Transferred on Mason's restored Nak550 properly
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…" Note: OK, it's the rain day at Red Rocks so Mason patched into a 441>d5>to his 550 for the show..lots of talking girls, rain on the umbrellas, worries about mics coming down or not, and all that jazz, but as GD freaks, we sorta enjoy hearing all this stuff. Far from perfect, but its what happened!
Taper: Jim Wise
2:14:57
Rating:
8.74 / 19 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd82-07-27.fob-senn421.wise.4705.sbefail.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
FOB - Senn 421's> Sony TC-D5 (at mouth of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR
Taper Notes:
View NotesFOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip