Bands
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Bands
Grateful Dead
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h55773
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k162
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.2k276
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k270
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h4.7k664
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h6.9k861
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.6k327
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.3k146
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.7k188
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h71379
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k168
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k142
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.4k192
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k167
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.8k221
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h7.9k855
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k204
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k238
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h22k3.1k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.2k440
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h74372
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k969
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.6k469
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.5k303
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k170
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h3.7k369
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.3k359
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h789108
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14719
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22113
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h452
7d1156
30d59235
2 shows
2 tapes
1982
Sources
Taper: Frank Streeter and Tim Dalton
2:44:52
SBD
Rating:
9.50 / 4 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-07.141795.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid137625 soundboard source which supplies the first 0:24 of "The Music Never Stopped" - Wheel space included in "The Wheel" - Pitch corrected - Transitions smoothed Mastered by Scott Clugston April 12, 2018
Transferrer: Charlie Miller
2:36:27
SBD
Transferrer:
Charlie Miller
SHNID:
gd1982-08-07.137625.sbd.miller.flac16
Source:
SBD > Cassette Master > Dat (44.1k)
Lineage:
Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this complete
Source 3 of 11
2:34:56
SBD
Rating:
9.20 / 5 ratings
SHNID:
gd82-08-07.sbd.serafin.7720.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > PCM > ? > D > Serafin Station mastering> CD
Taper Notes:
View NotesSBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
Source 4 of 11
2:39:45
SBD
Rating:
9.64 / 25 ratings
Source:
Soundboard
Lineage:
SBD : MC > MR > DAT > CDR
Taper Notes:
View NotesSBD : MC > MR > DAT > CDR Transfer done by Jim Wise
Source 5 of 11
2:35:56
SBD
SHNID:
gd82-08-07.sbd.popi.6148.sbeok.shnf
Source:
Soundboard
Lineage:
sbd> mc> pcm> dats> wave> shn
Taper Notes:
View Notessbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
Source 6 of 11
2:41:11
SHNID:
gd1982-08-07.165372.mtx.seamons.ht162.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2023
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
1:17:31
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-08-07.156561.s1.beyer.tompkins.flac2448
Source:
BeyerDynamic mics > Sony TC-D5M > TDK MA-90
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sorry, Tape #2 from this source is missing in action...
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138623.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Rating:
10.00 / 1 rating
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138622.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Ohr Weinberg
1:25:03
Rating:
7.43 / 7 ratings
Taper:
Ohr Weinberg
Transferrer:
Ohr Weinberg
SHNID:
gd1982-08-07.aud.ohr.92183.flac16
Source:
2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B (20th row, center, 8ft stand)
Lineage:
Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
Taper Notes:
View NotesSet 2 only.
Taper: Matt Field
2:39:44
Rating:
9.18 / 17 ratings
Taper:
Matt Field
Transferrer:
Tony Suraci
Source:
Nak 300>Sony D5M>Master Cass.>1st Gen
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View NotesA Matt Field recording.