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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1982
4/12/82
01 - Man Smart (Woman Smarter) >
5:51
02 - Sugaree
14:21
03 - Estimated Prophet >
11:51
04 - Uncle John's Band >
6:28
05 - Drums >
9:41
06 - Space >
6:01
07 - The Other One >
8:28
08 - Stella Blue >
11:17
09 - Sugar Magnolia
10:17
10 - Satisfaction
6:27
FIN
View on archive.org
Sources
Taper: Candace Brightman
1:30:42
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2024
SHNID:
gd1982-04-12.169153.Nassau.Uniondale.NY.set2.sbd.cm.brightman.miller.t-flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the tape -- Thanks to Doug Lamarre and Rob Berger for the patch source -- The patch source needed pitch corrected +1.8% -- This is 169106 2496 > 1648
Taper: Candace Brightman
1:30:42
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2024
SHNID:
gd1982-04-12.169106.set2.sbd.cm.brightman.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the tape -- Thanks to Doug Lamarre and Rob Berger for the patch source -- The patch source needed pitch corrected +1.8%
Transferrer: Charlie Miller
2:42:23
SBD
Rating:
8.44 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-04-12.sbd.miller.95638.sbeok.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Audience Recording (shnid=9508) supplies: Sugaree (0:49 - 0:56) Sugar Magnolia (complete track) Satisfaction (complete track) Notes: -- Set 2 is seamless -- This is a remastered pitch corrected version of shnid=32014 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller and Bill Tetzeli
2:43:19
SBD
Rating:
7.00 / 3 ratings
Transferrer:
Charlie Miller and Bill Tetzeli
SHNID:
gd1982-04-12.sbd.miller.tetzeli.fix-32014.35160.reflac.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC ->CEP -> FLAC
Taper Notes:
View Notes--------------------------------------------------------------------------------------------------- Fix of shnid 32014 The AUD patches on the original source were not pitch corrected, so I downloaded the AUD from archive (shnid 9508) and did the pitch correction, then redid the patches in CE Pro. The patches were pitch corrected to match the SBD, the Satisfaction encore was pitch corrected to match the electronic keyboard on my laptop. Bill Tetzeli ([email protected]) 7:50 PM 6/20/2006
Transferrer: Charlie Miller
2:43:23
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-04-12.sbd.miller.32014.sbeok.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: Aud Cassette Master (from LMA) supplies a 2 Second patch in Sugaree and all of Sugar Magnolia and Satisfaction. Patch was speed corrected by Jay Ashley. Notes: -- Seamless transition between Discs 2 and 3.
Transferrer: Matrix by Dave Usborne
2:48:16
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1982-04-12.138011.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone;
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644
Taper: Frank Streeter
2:40:54
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-04-12.141258.fob.beyer.m160.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master FOB recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid137410 source which supplies a 3:07 patch in the "Drums" > "Space" transition - Technical difficulties resulted in the channels cutting out intermittently,as a result, "Iko Iko" from 4:23 thru the first 0:30 of "New Minglewood Blues", the first 1:11 of "Peggy O", the crowd and first 0:04 of "CC Rider" (0:18 total) are in mono - Other One space included in "The Other One" - Transitions smoothed Mastered by Scott Clugston March 2, 2018
Taper: Frank Streeter
2:40:54
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-04-12.141257.fob.beyer.m160.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master FOB recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid137410 source which supplies a 3:07 patch in the "Drums" > "Space" transition - Technical difficulties resulted in the channels cutting out intermittently,as a result, "Iko Iko" from 4:23 thru the first 0:30 of "New Minglewood Blues", the first 1:11 of "Peggy O", the crowd and first 0:04 of "CC Rider" (0:18 total) are in mono - Other One space included in "The Other One" - Transitions smoothed Mastered by Scott Clugston March 2, 2018
Taper: Doug Lamarre
2:38:22
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-04-12.144614.aud.lamarre.berger.flac2496
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac
Taper: Doug Lamarre
2:38:22
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-04-12.144613.aud.lamarre.berger.flac1644
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac
Taper: Brian Schley
2:41:37
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-04-12.137411.aud.schley.flac1644
Lineage:
Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
Taper Notes:
View NotesLineage is noted as best as can be recalled at this time... Craig L. kindly provided the 1st-gen back-up tape used for Set 1. Patches from ID-113824; Iko 0:00 > 0:19, Minglewood 0:00 > 0:10, C.C.Rider 0:00 > 0:22, Women 0:00 > 0:20, and Drums 7:56 > 9:32. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
2:41:37
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-04-12.137410.aud.schley.flac2448
Lineage:
Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2016
Taper Notes:
View NotesLineage is noted as best as can be recalled at this time... Craig L. kindly provided the 1st-gen back-up tape used for Set 1. Patches from ID-113824; Iko 0:00 > 0:19, Minglewood 0:00 > 0:10, C.C.Rider 0:00 > 0:22, Women 0:00 > 0:20, and Drums 7:56 > 9:32. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Joe Morrone
2:46:08
Rating:
8.00 / 1 rating
Taper:
Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1982-04-12.nak300.morrone.113826.flac1644
Source:
AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011
Taper Notes:
View NotesNot clear what caps were used on the CM300's, was likely the CP1's. There's a slight buzzing heard in the P.A. at times during the second set. No patch available for tape flip during Drums, small cross-fade added at 7:15. This recording has aprx three minutes more Drums/Space than ID-9508. CDRs: D1 s1t01 > s1t10, D2 s2t01 > s2t05, D3 s2t06 > s2t10
Taper: Joe Morrone
2:46:08
Rating:
10.00 / 2 ratings
Taper:
Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1982-04-12.nak300.morrone.113824.flac2448
Source:
AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011
Taper Notes:
View NotesNot clear what caps were used on the CM300's, was likely the CP1's. There's a slight buzzing heard in the P.A. at times during the second set. No patch available for tape flip during Drums, small cross-fade added at 7:15. This recording has aprx three minutes more Drums/Space than ID-9508.
Source 15 of 15
2:35:32
Rating:
8.83 / 13 ratings
SHNID:
gd82-04-12.aud.glyde.9508.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde