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Bands
Grateful Dead
Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1982
Sources
Taper: Dan Healy & Frank Streeter
2:58:50
SBD
Taper:
Dan Healy & Frank Streeter
Transferrer:
Matt Smith, Scott Clugston, Charlie Miller
SHNID:
gd1982-08-08.144730.sbd.healy.streeter.smith.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)
Lineage:
1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation reels - Thanks to Matt Smith for the azimuth adjusted transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, SirMick and Charlie Miller for the (FOB) Beyer M160 source which supplies the crowd and beginning of "Loser" (4:31 total), a 0:23 patch in "Estimated Prophet", as well as a 0:22 patch in the "Wharf Rat > Good Lovin'" transition - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch - "Drums" with Zakir Hussain - "The Other One" thru the end of the show with John Cippolina Mastered by Scott Clugston January 2019
Taper: Frank Streeter and Tim Dalton
2:53:41
SBD
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller and Harvey Lubar
SHNID:
gd1982-08-08.141498.sbd.pcm.healy.streeter.lubar.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Harvey Lubar (R.I.P.) for the Reel > PCM transfer - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the PCM > .wav transfer and coordinating this effort - Thanks to Frank Streeter, Charlie Miller and SirMick for the shnid140124 Beyer M160 source which supplies the crowd and first 2:37 of "Loser"(3:12 total), a 0:13 patch in the "Wharf Rat > Good Lovin'" transition, as well as the crowd and first 0:03 of "Satisfaction" (0:08 total) - Jam with Bobby, Brent, Billy & Mickey after "Estimated Prophet" - "Drums > Space" with Zakir Hussain - Other One space included in "The Other One" - "Not Fade Away > Wharf Rat > Good Lovin'" with John Cipollina Mastered by Scott Clugston March 26, 2018
Taper: Dan Healy & Frank Streeter
2:58:50
SBD
Rating:
10.00 / 1 rating
Taper:
Dan Healy & Frank Streeter
Transferrer:
Matt Smitt, Scott Clugston, Charlier Miller
SHNID:
gd1982-08-08.144731.sbd.healy.streeter.smith.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)
Lineage:
1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation reels - Thanks to Matt Smith for the azimuth adjusted transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, SirMick and Charlie Miller for the (FOB) Beyer M160 source which supplies the crowd and beginning of "Loser" (4:31 total), a 0:23 patch in "Estimated Prophet", as well as a 0:22 patch in the "Wharf Rat > Good Lovin'" transition - Other One space included in "The Other One" - Thanks to Joe B. Jones for verifying the pitch - "Drums" with Zakir Hussain - "The Other One" thru the end of the show with John Cippolina Mastered by Scott Clugston January 2019
Taper: Executive Crew Kyle Holbrook & Phil Schuman
2:48:19
SBD
Rating:
8.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-08.138625.nak300.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View NotesRecording notes: / paused deck between tracks (trying to save tape!) # Sudden volume drop on master- left channel exhibits some fluctuations // tape flip & Bass distortion from Pre-amps /// Tape swap to put Encore at end of tape 1 sideB Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (in front of and on corner of soundboard) We had lawn tickets but I was determined to make it to the pavilion to set up near that front rail like the previous night. I snuck through the back rail separating the lawn from pavilion seating and got to the front of the board. A guy I had seen at Red Rocks was setting up some Nakamichi's at the right corner of the soundboard. He let me patch out of his setup. It turned out he was friends with the sound crew and that the 3-4 seats next to the booth were empty and we had the run of them. A great time at a special Grateful Dead show. Zakir Hussein came out during drums and played until encore and John Cippolina came onstage after space and inspired Phil to jam his ass off behind John's sharp leads and Jerry's more melodic ones. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew Kyle Holbrook & Phil Schuman
2:48:19
SBD
Rating:
9.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-08.138624.nak300.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View NotesRecording notes: / paused deck between tracks (trying to save tape!) # Sudden volume drop on master- left channel exhibits some fluctuations // tape flip & Bass distortion from Pre-amps /// Tape swap to put Encore at end of tape 1 sideB Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (in front of and on corner of soundboard) We had lawn tickets but I was determined to make it to the pavilion to set up near that front rail like the previous night. I snuck through the back rail separating the lawn from pavilion seating and got to the front of the board. A guy I had seen at Red Rocks was setting up some Nakamichi's at the right corner of the soundboard. He let me patch out of his setup. It turned out he was friends with the sound crew and that the 3-4 seats next to the booth were empty and we had the run of them. A great time at a special Grateful Dead show. Zakir Hussein came out during drums and played until encore and John Cippolina came onstage after space and inspired Phil to jam his ass off behind John's sharp leads and Jerry's more melodic ones. The complete story of our summer tour can be read in the text file.
Source 6 of 11
2:50:20
SBD
Rating:
9.33 / 7 ratings
SHNID:
gd82-08-08.sbd.skankweed.15580.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN
Taper Notes:
View NotesSoundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version (Merry Pranksters tree, apparently not listed here yet)
Taper: Jim Wise
2:49:47
SBD
Rating:
9.00 / 20 ratings
Taper:
Jim Wise
Source:
Soundboard
Lineage:
SBD : MC > MR > DAT > CDR
Taper Notes:
View NotesSBD : MC > MR > DAT > CDR Transfer done by Jim Wise
Taper: Rodney Michael
2:55:21
Taper:
Rodney Michael
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1982-08-08.167917.senn421.michael.mckenzie.miller.clugston.flac1644
Source:
Rodney Michael's Master FOB (24th row) Audience Cassettes; Sennheiser 421 mics > Sony D5M > DAT (x0) > Tim McKenzie's CDR's
Lineage:
Master Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1) - Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR - Thanks to Charlie Miller for coordinating this effort - Thanks to Kyle Holbrook for the Nakamichi 300 blend source which supplies a 0:24 patch in "Mama Tried", the first 0:22 of "Loser", a 0:16 patch in "Space", as well the final 2:52 of "Brokedown Palace" - Thanks to Dan Healy and all the folks responsible for the soundboard source which supplies a 0:09 patch in "Drums" - Other One space included in "The Other One" - "Drums" with Zakir Hussain - "The Other One" through the end of the show with John Cippolina - Pitch corrected Mastered by Scott Clugston June 2024
Taper: Frank Streeter
2:59:32
Rating:
2.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1982-08-08.140500.beyer-m160.streeter.miller.sirmick.flac1644
Source:
Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: (1) with Zakir Hussain (2) with John Cipollina "Satisfaction" has a bit of "Wang Dang Doodle" thrown in. Notes: - All tracks have been pitch corrected. - "Loser" had some wow and flutter which has more or less been corrected. - Patches All of tuning Set I, "Alabama Getaway" and "The Promised Land" "Brown Eyed Women" 3:10-3:55 All of "Drums" The patch sourced used is shnid 138625 - Thank you Kyle Holbrook & Phil Schuman apart from the first 5:58of drums which is shnid 07690 - Thank you Frank Streeter, Dan Healy, Russell Levine and Jim Wise - I also adjusted the levels in "Alabama Getaway" and "The Promised Land" Thanks to Frank Streeter and Charlie miller
Taper: Frank Streeter
2:59:31
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1982-08-08.140124.beyer-m160.streeter.miller.sirmick.flac2496
Source:
Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: (1) with Zakir Hussain (2) with John Cipollina "Satisfaction" has a bit of "Wang Dang Doodle" thrown in. Notes: - All tracks have been pitch corrected. - "Loser" had some wow and flutter which has more or less been corrected. - Patches All of tuning Set I, "Alabama Getaway" and "The Promised Land" "Brown Eyed Women" 3:10-3:55 All of "Drums" The patch sourced used is shnid 138625 - Thank you Kyle Holbrook & Phil Schuman apart from the first 5:58of drums which is shnid 07690 - Thank you Frank Streeter, Dan Healy, Russell Levine and Jim Wise - I also adjusted the levels in "Alabama Getaway" and "The Promised Land" Thanks to Frank Streeter and Charlie miller
Source 11 of 11
2:55:02
Rating:
9.14 / 15 ratings
SHNID:
gd1982-08-08.unk.barrick.333.sbefail.shnf
Taper Notes:
View Notes*w/ Zakir Hussain **also w/ John Cipollina