Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
Years
1995
29.8k
PlaybackListensHours
48h1.4k175
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k250
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k243
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.8k371
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k359
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k728
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k134
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.3k531
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85198
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.6k752
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.3k290
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h962123
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k161
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h2k249
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k451
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k155
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k213
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.7k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43446
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.2k409
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k525
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k318
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k164
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h76694
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13318
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h43126
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1982
Sources
Taper: Frank Streeter and Tim Dalton
2:44:52
SBD
Rating:
9.50 / 4 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-07.141795.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid137625 soundboard source which supplies the first 0:24 of "The Music Never Stopped" - Wheel space included in "The Wheel" - Pitch corrected - Transitions smoothed Mastered by Scott Clugston April 12, 2018
Transferrer: Charlie Miller
2:36:27
SBD
Transferrer:
Charlie Miller
SHNID:
gd1982-08-07.137625.sbd.miller.flac16
Source:
SBD > Cassette Master > Dat (44.1k)
Lineage:
Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this complete
Source 3 of 11
2:34:56
SBD
Rating:
9.20 / 5 ratings
SHNID:
gd82-08-07.sbd.serafin.7720.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > PCM > ? > D > Serafin Station mastering> CD
Taper Notes:
View NotesSBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
Source 4 of 11
2:39:45
SBD
Rating:
9.64 / 25 ratings
Source:
Soundboard
Lineage:
SBD : MC > MR > DAT > CDR
Taper Notes:
View NotesSBD : MC > MR > DAT > CDR Transfer done by Jim Wise
Source 5 of 11
2:35:56
SBD
SHNID:
gd82-08-07.sbd.popi.6148.sbeok.shnf
Source:
Soundboard
Lineage:
sbd> mc> pcm> dats> wave> shn
Taper Notes:
View Notessbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
Source 6 of 11
2:41:11
SHNID:
gd1982-08-07.165372.mtx.seamons.ht162.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2023
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
1:17:31
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-08-07.156561.s1.beyer.tompkins.flac2448
Source:
BeyerDynamic mics > Sony TC-D5M > TDK MA-90
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sorry, Tape #2 from this source is missing in action...
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138623.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Rating:
10.00 / 1 rating
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138622.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Ohr Weinberg
1:25:03
Rating:
7.43 / 7 ratings
Taper:
Ohr Weinberg
Transferrer:
Ohr Weinberg
SHNID:
gd1982-08-07.aud.ohr.92183.flac16
Source:
2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B (20th row, center, 8ft stand)
Lineage:
Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
Taper Notes:
View NotesSet 2 only.
Taper: Matt Field
2:39:44
Rating:
9.18 / 17 ratings
Taper:
Matt Field
Transferrer:
Tony Suraci
Source:
Nak 300>Sony D5M>Master Cass.>1st Gen
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View NotesA Matt Field recording.