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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h46562
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k300
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.5k317
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.9k384
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3k395
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.9k384
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k349
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k166
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.6k936
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1k114
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2k237
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.2k604
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k169
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k195
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k225
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.8k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.6k226
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.8k241
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.5k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h11.1k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37239
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k475
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5k665
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k362
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k190
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k218
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.4k214
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h66582
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9014
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25019
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h362
7d1037
30d62737
2 shows
2 tapes
1977
12/31/77
The Music Never Stopped
9:16
Tennessee Jed
9:36
Funiculi Funicula
2:12
Me & My Uncle
3:47
Loser
9:16
Jack Straw
6:01
Friend of the Devil
9:44
Lazy Lightning ->
3:31
Supplication
5:35
Happy New Year
1:08
Sugar Magnolia ->
11:03
Scarlet Begonias->
9:27
Fire on the Mountain
8:54
Truckin'- >
18:16
Wharf Rat ->
10:16
Drums ->
5:50
Not Fade Away ->
15:20
Around & Around
8:55
One more saturday night ->
5:01
Casey Jones
7:29
FIN
View on archive.org
Sources
Taper: Bear
2:55:06
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
SHNID:
gd1977-12-31.151333.sbd.bear.gems.V3.flac2496
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesThis updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere.
Taper: Bear
2:55:06
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
SHNID:
gd1977-12-31.151332.sbd.bear.gems.V3.flac1648
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesThis updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere.
Taper: Bear
2:55:29
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
SHNID:
gd1977-12-31.151251.sbd.bear.gems.flac2496
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood and Jamie Waddell on December 27, 2020 - https://spinitron.com/KXCI/pl/12271700/Dead-Air and shared to www.shnflac.net "Part of a collection of about 45 of Bear's tapes bestowed up me years ago. They came from one of Bear's closest friends, who who travel frequently to Australia to visit his compound. They would organize his recordings and listen late into the night. Some of his favorite versions, copies and a few actual master tapes, came back with him stateside, and it is an honor and a pleasure to share some of the sonic journals." - Jamie Waddell **gems**
Taper: Bear
2:55:29
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
SHNID:
gd1977-12-31.151250.sbd.bear.gems.flac1648
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood and Jamie Waddell on December 27, 2020 - https://spinitron.com/KXCI/pl/12271700/Dead-Air and shared to www.shnflac.net "Part of a collection of about 45 of Bear's tapes bestowed up me years ago. They came from one of Bear's closest friends, who who travel frequently to Australia to visit his compound. They would organize his recordings and listen late into the night. Some of his favorite versions, copies and a few actual master tapes, came back with him stateside, and it is an honor and a pleasure to share some of the sonic journals." - Jamie Waddell **gems**
Taper: Bob Gurman and Alan Berdhaw
3:00:54
SBD
Taper:
Bob Gurman and Alan Berdhaw
Transferrer:
SIRMick
SHNID:
gd1977-12-31.141799.sbd.gurman.bershaw.sirmick.flac1644
Source:
Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman;
Lineage:
Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018
Taper Notes:
View NotesComments: From Alan "I transferred these masters direct to untracked CDs back in 2002. I checked them out and they are spot on for speed (A=440). It seems to be a sort of sbd/ambient blend mix to mono. The masters were labelled as "Remote" so I'm assuming its a unique mix of some sort, possibly as the feed to video cameras. It sounds similar to the audio on Bill Graham's video masters but is superior quality and more complete. It may be the most complete direct source as it does not have any of the cuts on other sbd sources. The only cut is during the tape change in set 2 (during the jam after Truckin')" SIRMick I have compared a couple of tracks with the mix used for Bill Graham's video at the Convert Vault and can confirm that it is the same as this. Notes: - The audience which has been mixed in is rather excessive during Set I so I have toned it down so that it isn't so overpowering. - I put together a matrix to patch "Jam'" which is a 100/50 mix of shnids 20596 and 140952 (Thank you Brian Heath, Matt Smith and Scott Clugston). Both sources were speed corrected and some level adjustments made. I made this mono so that it is in keeping with the rest of the source. The patch is Thanks to Bob Gurman for this source and Alan Bershaw for the transfer. edited and masstered SIRMick April 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:40:36
SBD
Rating:
6.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1977-12-31.141127.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k)
Transferrer: Matrix by Kevin Tobin DTS
2:40:37
SBD
Transferrer:
Matrix by Kevin Tobin DTS
SHNID:
gd1977-12-31.141126.dts.tobin.flac1644
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:40:37
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1977-12-31.141125.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 21-FEB-2018 - Trader Little Helper - Tagged 21-FEB-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:40:37
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1977-12-31.141124.patch-sbd.tobin.flac1644
Source:
<i>Patched/Pitch Corrected Soundboard</i> (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy ([email protected]) - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected soundboard
Transferrer: Brian Purvis and Bill Tetzeli
2:40:48
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Brian Purvis and Bill Tetzeli
SHNID:
gd1977-12-31.sbd.purvis.tetzeli.fix-286.35291.sbeok.shnf
Source:
SBD > Master Reel > DAT > CDR
Lineage:
CDR > EAC > SHN > ? > SHN
Transferrer: Brian Heath
2:40:41
SBD
Rating:
6.00 / 1 rating
Transferrer:
Brian Heath
SHNID:
gd1977-12-31.sbd.heath.20596.sbeok.shnf
Source:
SBD > Master Reel
Lineage:
Master Reel > PCM > DAT > CD > CDWave > Wav > SHN
Source 12 of 14
2:40:58
SBD
Rating:
8.41 / 37 ratings
SHNID:
gd77-12-31.sbd.purvis.286.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> standalone burner> CDR> EAC> SHN
Taper Notes:
View NotesSBD> MR> DAT> standalone burner> CDR> EAC> SHN;  EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim
Taper: Sandy Troy
2:41:11
Taper:
Sandy Troy
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1977-12-31.140952.akg.d224e.troy.smith.miller.clugston.flac2496
Source:
Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Typical of a New Year's show, there are some minor pops/hand claps and whatnot throughout - Level fluctuations smoothed - Pitch corrected - 1st Audience source in circulation for this date (2/18) Mastered by Scott Clugston February 8, 2018
Taper: Sandy Troy
2:41:10
Taper:
Sandy Troy
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1977-12-31.140951.akg.d224e.troy.smith.miller.clugston.flac1644
Source:
Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Typical of a New Year's show, there are some minor pops/hand claps and whatnot throughout - Level fluctuations smoothed - Pitch corrected - 1st Audience source in circulation for this date (2/18) Mastered by Scott Clugston February 8, 2018