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Bands
Grateful Dead
Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1977
Sources
Taper: Betty Cantor-Jackson
29:24
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor-Jackson
Transferrer:
Rob Eaton and Charlie Miller
SHNID:
gd1977-02-27.144912.sbd.pc.miller.flac1644
Source:
SBD > Master Reel (7.5ips 1/2trk) > FLAC
Lineage:
FLAC > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Rob Eaton did the transfer using Betty Cantor-Jackson's original Nagra -- The deck that made the tape also did the transfers (after restoration) -- The reel starts at end of Terrapin Station (all the currently exists) -- Thanks to Jason Chastain for the pitch correction settings
Taper: Betty Cantor-Jackson
29:34
SBD
Taper:
Betty Cantor-Jackson
Transferrer:
Rob Eaton and Charlie Miller
SHNID:
gd1977-02-27.144911.sbd.miller.flac1644
Source:
SBD > Master Reel (7.5ips 1/2trk) > FLAC
Lineage:
FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Rob Eaton did the transfer using Betty Cantor-Jackson's original Nagra -- The deck that made the tape also did the transfers (after restoration) -- The reel starts at end of Terrapin Station (all the currently exists)
Taper: Bob Menke
2:40:20
Taper:
Bob Menke
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1977-02-27.168958.sony.ecm280.menke.miller.clugston.st.stephen.patched.flac1648
Source:
SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg
Lineage:
Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Menke for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies a 0:16 patch at the beginning of "Morning Dew" - Some crowd and beginning of "St. Stephen" (1:11 total) patched using Barry Glassberg's Sony ECM-99 source (thanks to Bob Menke) from 4/30/77 - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Bob Menke
2:34:55
Taper:
Bob Menke
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1977-02-27.168957.sony.ecm280.menke.miller.clugston.flac1648
Source:
SET 1: Sony ECM-280's > Bob's TC-158 > Korg SET 2: Samson only; one ECM-280, one ECM-22p > Bob's 158 > Korg From St. Stephen on; one ECM-280, one ECM-22p > RB's 153 > Korg
Lineage:
First Set: Master Audience Cassettes (Nakamichi CR7-A) > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496 Second Set: Playback on Bob's Technics 1506 > Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Menke for the master cassettes source and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies a 0:16 patch at the beginning of "Morning Dew" - Pitch corrected Mastered by Scott Clugston August 2024
Taper: Rob Bertrando
2:30:53
Rating:
10.00 / 1 rating
Taper:
Rob Bertrando
Transferrer:
Matt Smith, Scott Clugston, Charlie Miller
SHNID:
gd1977-02-27.145195.sony.ecm280.bertrando.smith.miller.clugston.flac1648
Source:
Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips
Lineage:
1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Bertrando for the 1st generation reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies a 0:12 patch at the beginning of "Morning Dew" (present on all previous copies, the cut was tightened up and not noted previously) - St. Stephen clipped - Pitch corrected Mastered by Scott Clugston February 2019
Source 6 of 9
2:31:03
SHNID:
gd1977-02-27.gd1977-02-27.145196.sony.ecm280.bertrando.smith.miller.clugston.flac2496
Taper: Rob Bertrando
2:31:18
Taper:
Rob Bertrando
Transferrer:
Jimmy Warburton and Matt Smith and Sirmick
SHNID:
gd1977-02-27.143885.SonyECM-280.bertrando.warburton.smith.sirmick.flac1644
Source:
Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: I asked Rob why the start of "St. Stephen" was missing and this is what he told me "Bob Menke, Reinhardt Hohlwein and I were all taping out of my mics; since Bob and Rhino had seats a couple of rows in front of me they had the mics. Just before "St Stephen", Ramrod came down the aisle, saw the mics, and busted Bob and Rhino, taking their decks and tapes but leaving them with the mics. Mike Johann and Sandy Troy were in the row between us, and managed to get the mic cables run back to me. By the time I had plugged them in, St Stephen was already started; if you listen really carefully, I think you can still hear Ramrod talking to Bob and Rhino after I had started taping again." Notes: - I have patched in some crowd/tuning segments for continuity purposes using shnid 10378 - Thank you Raoul Duke and Matt Vernon. - This source does not have any dropouts in "Mississippi Half-Step" and "Drums" is complete. Thanks to Rob Bertrando for a great recording and his assistance with pitch correction. Thanks to Matt Smith for a fine transfer. Thanks to Jimmy Warburton for making his copy available. edited and mastered SIRMick November 2018
Taper: Rob Bertrando
2:31:18
Rating:
9.00 / 2 ratings
Taper:
Rob Bertrando
Transferrer:
Jimmy Warburton and Matt Smith and Sirmick
SHNID:
gd1977-02-27.143884.SonyECM-280.bertrando.warburton.smith.sirmick.flac2496
Source:
Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy.
Lineage:
Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesComments: I asked Rob why the start of "St. Stephen" was missing and this is what he told me "Bob Menke, Reinhardt Hohlwein and I were all taping out of my mics; since Bob and Rhino had seats a couple of rows in front of me they had the mics. Just before "St Stephen", Ramrod came down the aisle, saw the mics, and busted Bob and Rhino, taking their decks and tapes but leaving them with the mics. Mike Johann and Sandy Troy were in the row between us, and managed to get the mic cables run back to me. By the time I had plugged them in, St Stephen was already started; if you listen really carefully, I think you can still hear Ramrod talking to Bob and Rhino after I had started taping again." Notes: - I have patched in some crowd/tuning segments for continuity purposes using shnid 10378 - Thank you Raoul Duke and Matt Vernon. - This source does not have any dropouts in "Mississippi Half-Step" and "Drums" is complete. Thanks to Rob Bertrando for a great recording and his assistance with pitch correction. Thanks to Matt Smith for a fine transfer. Thanks to Jimmy Warburton for making his copy available. edited and mastered SIRMick November 2018
Taper: Rob Bertrando
2:23:19
Rating:
8.24 / 58 ratings
Taper:
Rob Bertrando
SHNID:
gd77-02-27.bertrando.vernon.10378.sbeok.shnf
Source:
Audience Recording: Sony ECM-280
Lineage:
Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR
Taper Notes:
View NotesSony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.