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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1977
12/31/77
Tuning
4:08
Music Never Stopped
8:39
Tennessee Jed
9:30
Funiculi Funicula
2:14
Me and My Uncle
4:58
Loser
10:48
Jack Straw
7:11
Friend of the Devil
11:17
Lazy Lightnin'
3:30
Supplication
5:31
New Year's Countdown
3:58
Sugar Magnolia
10:58
Scarlet Begonias
8:44
Fire on the Mountain
11:59
Truckin'
18:03
Wharf Rat
10:12
Drums
5:50
Not Fade Away
14:49
Around and Around
9:40
One More Saturday Night
5:07
Casey Jones
8:00
FIN
View on archive.org
Sources
Taper: Bear
2:55:06
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
SHNID:
gd1977-12-31.151333.sbd.bear.gems.V3.flac2496
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesThis updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere.
Taper: Bear
2:55:06
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
SHNID:
gd1977-12-31.151332.sbd.bear.gems.V3.flac1648
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesThis updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere.
Taper: Bear
2:55:29
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
SHNID:
gd1977-12-31.151251.sbd.bear.gems.flac2496
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood and Jamie Waddell on December 27, 2020 - https://spinitron.com/KXCI/pl/12271700/Dead-Air and shared to www.shnflac.net "Part of a collection of about 45 of Bear's tapes bestowed up me years ago. They came from one of Bear's closest friends, who who travel frequently to Australia to visit his compound. They would organize his recordings and listen late into the night. Some of his favorite versions, copies and a few actual master tapes, came back with him stateside, and it is an honor and a pleasure to share some of the sonic journals." - Jamie Waddell **gems**
Taper: Bear
2:55:29
SBD
Taper:
Bear
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
SHNID:
gd1977-12-31.151250.sbd.bear.gems.flac1648
Source:
Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones).
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Taper Notes:
View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood and Jamie Waddell on December 27, 2020 - https://spinitron.com/KXCI/pl/12271700/Dead-Air and shared to www.shnflac.net "Part of a collection of about 45 of Bear's tapes bestowed up me years ago. They came from one of Bear's closest friends, who who travel frequently to Australia to visit his compound. They would organize his recordings and listen late into the night. Some of his favorite versions, copies and a few actual master tapes, came back with him stateside, and it is an honor and a pleasure to share some of the sonic journals." - Jamie Waddell **gems**
Taper: Bob Gurman and Alan Berdhaw
3:00:54
SBD
Taper:
Bob Gurman and Alan Berdhaw
Transferrer:
SIRMick
SHNID:
gd1977-12-31.141799.sbd.gurman.bershaw.sirmick.flac1644
Source:
Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman;
Lineage:
Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018
Taper Notes:
View NotesComments: From Alan "I transferred these masters direct to untracked CDs back in 2002. I checked them out and they are spot on for speed (A=440). It seems to be a sort of sbd/ambient blend mix to mono. The masters were labelled as "Remote" so I'm assuming its a unique mix of some sort, possibly as the feed to video cameras. It sounds similar to the audio on Bill Graham's video masters but is superior quality and more complete. It may be the most complete direct source as it does not have any of the cuts on other sbd sources. The only cut is during the tape change in set 2 (during the jam after Truckin')" SIRMick I have compared a couple of tracks with the mix used for Bill Graham's video at the Convert Vault and can confirm that it is the same as this. Notes: - The audience which has been mixed in is rather excessive during Set I so I have toned it down so that it isn't so overpowering. - I put together a matrix to patch "Jam'" which is a 100/50 mix of shnids 20596 and 140952 (Thank you Brian Heath, Matt Smith and Scott Clugston). Both sources were speed corrected and some level adjustments made. I made this mono so that it is in keeping with the rest of the source. The patch is Thanks to Bob Gurman for this source and Alan Bershaw for the transfer. edited and masstered SIRMick April 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:40:36
SBD
Rating:
6.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1977-12-31.141127.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k)
Transferrer: Matrix by Kevin Tobin DTS
2:40:37
SBD
Transferrer:
Matrix by Kevin Tobin DTS
SHNID:
gd1977-12-31.141126.dts.tobin.flac1644
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:40:37
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1977-12-31.141125.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 21-FEB-2018 - Trader Little Helper - Tagged 21-FEB-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:40:37
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1977-12-31.141124.patch-sbd.tobin.flac1644
Source:
<i>Patched/Pitch Corrected Soundboard</i> (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy ([email protected]) - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected soundboard
Transferrer: Brian Purvis and Bill Tetzeli
2:40:48
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Brian Purvis and Bill Tetzeli
SHNID:
gd1977-12-31.sbd.purvis.tetzeli.fix-286.35291.sbeok.shnf
Source:
SBD > Master Reel > DAT > CDR
Lineage:
CDR > EAC > SHN > ? > SHN
Transferrer: Brian Heath
2:40:41
SBD
Rating:
6.00 / 1 rating
Transferrer:
Brian Heath
SHNID:
gd1977-12-31.sbd.heath.20596.sbeok.shnf
Source:
SBD > Master Reel
Lineage:
Master Reel > PCM > DAT > CD > CDWave > Wav > SHN
Source 12 of 14
2:40:58
SBD
Rating:
8.41 / 37 ratings
SHNID:
gd77-12-31.sbd.purvis.286.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> standalone burner> CDR> EAC> SHN
Taper Notes:
View NotesSBD> MR> DAT> standalone burner> CDR> EAC> SHN;  EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim
Taper: Sandy Troy
2:41:11
Taper:
Sandy Troy
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1977-12-31.140952.akg.d224e.troy.smith.miller.clugston.flac2496
Source:
Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Typical of a New Year's show, there are some minor pops/hand claps and whatnot throughout - Level fluctuations smoothed - Pitch corrected - 1st Audience source in circulation for this date (2/18) Mastered by Scott Clugston February 8, 2018
Taper: Sandy Troy
2:41:10
Taper:
Sandy Troy
Transferrer:
Scott Clugston and Charlie Miller and Matt Smith
SHNID:
gd1977-12-31.140951.akg.d224e.troy.smith.miller.clugston.flac1644
Source:
Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Typical of a New Year's show, there are some minor pops/hand claps and whatnot throughout - Level fluctuations smoothed - Pitch corrected - 1st Audience source in circulation for this date (2/18) Mastered by Scott Clugston February 8, 2018