Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1977
Sources
Transferrer: Matrix by dusborne
3:15:05
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1977-05-07.124619.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
Taper Notes:
View Notes------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. dusborne 05-21-2013
Transferrer: Charlie Miller
3:08:32
SBD
Rating:
9.69 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1977-05-07.sbd.miller.88525.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: Sony ECM 33P -> Cassette Master -> Sound Forge -> SHN (shnid=6021) supplies: Around And Around (1:48 - 2:09) Alternate SBD source supplies: U.S. Blues (complete track) Notes: -- All disc changes are seamless -- Adjusted pitch of AUD patch to match Master Reel SBD
Taper: Source & Transfer by Anonymous
3:11:29
SBD
Taper:
Source & Transfer by Anonymous
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148755.SBD.Betty.Anon.Noel.fix.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly. fix: - d/o's were repaired in the first set (no music was effected)
Taper: Betty Cantor
3:11:51
SBD
Rating:
9.00 / 2 ratings
Taper:
Betty Cantor
Transferrer:
Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel
SHNID:
gd1977-05-07.148736.SBD.Betty.Anon.Noel.t-flac2448
Source:
Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate
Taper Notes:
View Notespatch info: - shnid (6021) supplies: - s2t12; 01:48 - 02:09 - shnid (124619) supplies: - s2t13; all - s2t14; all Notes: - Thanks to anonymous, for sharing this source while hiding out away from the Bay Area - Thanks to Steve Rolfe for recording the show - Thanks to dusborne for his work on the matrix - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way worldly.
Source 5 of 9
3:15:28
SBD
Rating:
9.93 / 30 ratings
SHNID:
gd77-05-07.sbd.bertha-ashley.26361.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Rob Eaton/The Wizard <a href="shn/26085" rel="ugc nofollow">soundboard source</a>: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
Source 6 of 9
3:15:25
SBD
Rating:
9.48 / 93 ratings
SHNID:
gd77-05-07.sbd.eaton.wizard.26085.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding b
Taper Notes:
View NotesSBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
Source 7 of 9
2:43:33
SBD
Rating:
9.80 / 53 ratings
Source:
Soundboard
Lineage:
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN
Taper Notes:
View NotesSBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around); note tracking in info file here is 9-6-4, tracking in md5s is 8-6-4?
Taper: Kathy Sublette
2:54:36
Taper:
Kathy Sublette
Transferrer:
DSF Transfer by Mark Goldey Edited & Mastered by Joe Noel April 02, 2024
SHNID:
gd1977-05-07.167736.ShureSM57.Sublette.noel.goldey.t-flac2496
Source:
Shure SM57 > Sony-TC158 (dolby ??) > Master Cassettes
Lineage:
Master Cassettes > Nak CR-7A > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition > Flac @ 2496
Taper Notes:
View NotesNotes: - The bands equipment was working fine at soundcheck, come showtime, not so much. - Billy's 31st Birthday or his 18th, either way, worldly. - The crowd was rowdy (but good natured, I'm sure.) Thanks to; - Kathy Sublette for recording the show. - Mark Goldey for the DSF Transfer. - Ted Mattes for organizing this project.
Taper: Steve Rolfe
3:12:47
Rating:
8.60 / 10 ratings
Taper:
Steve Rolfe
Transferrer:
Noah Weiner
SHNID:
gd77-05-07.rolfe.weiner.6021.sbeok.shnf
Source:
Audience Recording: Sony ECM 33P mic > TC-152 deck
Lineage:
AudMC > DAT > Soundforge > CDWAV > SHN
Taper Notes:
View NotesSony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing