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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h959121
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.9k302
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.8k232
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k303
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.7k351
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.9k529
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.2k279
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k130
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h5.4k678
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h82795
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h4.6k536
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h3.1k374
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h935119
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.4k171
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k217
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h5k573
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.1k157
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k205
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h8.3k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.1k1.8k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36036
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k375
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4k532
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.4k301
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.3k146
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.4k164
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.6k252
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h80598
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9814
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32420
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h452
7d1128
30d63237
2 shows
2 tapes
1977
5/26/77
The Music Never Stopped
8:05
Sugaree
15:11
Mama Tried
4:21
Sunrise
3:59
Deal
5:35
Passenger
3:56
Brown Eyed Women
5:44
Looks Like Rain
9:16
Jack A Roe
6:15
Minglewood Blues
5:21
Bertha
7:42
Samson & Delilah
8:28
High Time
8:05
Big River
6:51
Terrapin Station ->
10:27
Estimated Prophet ->
8:36
Eyes Of The World ->
12:26
Not Fade Away ->
16:46
Goin' Down The Road Feelin' Bad ->
8:21
Around And Around
8:08
Uncle John's Band
8:06
FIN
View on archive.org
Sources
Transferrer: Chris Chappell
3:01:55
SBD
Rating:
9.56 / 9 ratings
Transferrer:
Chris Chappell
SHNID:
gd1977-05-26.mtx.chappell.sb30a.97016.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesGeneral Notes: A decent AUD makes this great show a good matrix. A SBD Splice in Estimated from another 77 show was removed and now is historically correct - synching sources necessitates the authentification of the content, another value added aspect of matrices. I don't really understand why someone (Gans?) would spend the time to splice in content from another show. Editing Notes: - Dynamics Waves L2 was used for minor limiting (-0.7 threshold), and no EQ was used on any of the sources. - Pitch/Synch AUD synched to the SBD. The AUD is pitched up in a range between 12 and 30 cents. - Envelope Edits The following are places where the SBD and AUDs had splices, holes or incomplete coverage in reference to the final matrix timeline. Tuning and crowd noise holes are not mentioned - only incomplete music sections. Full coverage is achieved. AUD: d1t05 (all) - missing d1t07 (all) - missing d2t01 (all) - missing d3t03 (11:42 - 11:54) - missing d3t05 (00:00 - 00:08) - missing d3t08 (all) - missing SBD: d3t02 (00:47 - 01:08) - missing d3t02 (01:41 - 01:41) - missing a tenth of a second d3t05 (03:23 - 03:23) - missing a quarter of a second d3t07 (02:38 - 03:07) - missing Patch SBD used at the following: d3t02 (00:41 - 00:47) - patched due to illegal foreign content d3t02 (01:08 - 01:10) - patched due to crossfade d3t07 (07:55 - 08:09) - patch in UJB tuning b/c it's missing from 11614 Many thanks to Betty Cantor Jackson for recording the SBD source and aoxoa whose DAT seems to be the source for both SBD shnids. Thanks to Jay Serrafin for his version of it (the EQ is decent and helps the matrix mix, thus why I went with this source, the illegal Estimated patch notwithstanding). Thanks to direwolf and Darrin Sacks for their roles in shnid=3224. Thanks to the Wizard (owen brothers vault) for the AUD source - apparently Jerry Moore did not record this show, so whoever the taper is - many thanks! Enjoy! - Chappy
Transferrer: Owen Brothers
2:52:52
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Owen Brothers
SHNID:
gd1977-05-26.sbd.wizard.32302.shnf
Source:
SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
Taper Notes:
View NotesPatch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show) Editing and Mastering by The Wizard - [email protected] Mild Continuous Noise filter to reduce tape hiss. Equalized to boost high end, was a bit flat Some gain adjustments to Sugaree. AUD source was used to patch in missing tunings etc. where available. AUD patches adjusted to match sbd as best as possible. All editing done with Diamond Cut DC6 software.
Transferrer: Jay Ashley
2:51:39
SBD
Rating:
9.76 / 17 ratings
Transferrer:
Jay Ashley
SHNID:
gd1977-05-26.sbd.ashley-bertha.31291.sbeok.shnf
Source:
SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 10/30/2002. The Serafin source was completely reassembled prior to processing. Retracking was done using CDWave after all processing was completed. The wavs were tested for SBEs prior to encoding to SHN. The fade between d3t03 and d3t04 was done by Serafin or others and was left as-is due to no overlap being provided. This is the reason I do not use fades between discs. All of my disc changes are at track markers to make for seamless rejoining of tracks when transferring to larger media. Bertha Remasters Page: http://www.deadacated.com/BerthaRemasters.htm From Serafin text file: LINEAGE: SBD > 2-TRACK RTR @ 7.5 i.p.s. > Marin County Source 24/96 digital multi-track > SSSB
Transferrer: Jay Serafin
2:51:39
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Jay Serafin
SHNID:
gd1977-05-26.sbd.serafin.11614.sbefail.shnf
Source:
SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB
Taper Notes:
View NotesAll editing & processing performed at 24-bit/96 kHz (100% digital realm) by: Jay Serafin, chief audio/video engineer at Serafin Station Studio B, using the (code name) "Harpoon" editing software (beta Ver. 0.948.7 Build 103)
Source 5 of 7
2:53:58
SBD
Rating:
9.09 / 35 ratings
SHNID:
gd77-05-26.sbd.sacks.3224.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN
Taper Notes:
View NotesSoundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits
Transferrer: Owen Brothers
3:00:16
Rating:
8.67 / 3 ratings
Transferrer:
Owen Brothers
SHNID:
gd1977-05-26.aud.wizard.32092.shnf
Source:
AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV
Taper Notes:
View NotesEditing and Mastering by The Wizard - [email protected] When this recording came to me it was missing four songs, in order to preserve the listening experience, these songs were patched in from the SBD source and sonically adjusted to blend in with the AUD. Mild Continuous Noise filter to reduce tape hiss. Equalized to boost mids and low end, was a bit harsh. Eyes>Drums transition patched with SBD. Start of Jack A Roe patched with the SBD. A couple hundred loud claps removed. All editing done with Diamond Cut DC6 software.
Source 7 of 7
2:39:03
Rating:
9.25 / 9 ratings
SHNID:
gd77-05-26.aud.vernon.18746.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon