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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64891
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k903
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k791
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k403
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k706
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k196
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k416
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87173
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k609
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k660
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k473
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k267
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k618
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10817
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1977
5/26/77
The Music Never Stopped
8:05
Sugaree
15:11
Mama Tried
4:20
Sunrise
3:59
Deal
5:35
Passenger
3:56
Brown Eyed Women
5:44
Looks Like Rain
9:03
Jack A Roe
6:24
Minglewood Blues
5:51
Bertha
7:16
Samson And Delilah
8:28
High Time
8:05
Big River
6:32
Terrapin Station ->
10:45
Estimated Prophet ->
8:36
Eyes Of The World ->
12:28
Not Fade Away ->
16:43
Goin' Down The Raod Feelin' Bad ->
8:24
Around and Around
8:07
Uncle John's Band
8:07
FIN
View on archive.org
Sources
Transferrer: Chris Chappell
3:01:55
SBD
Rating:
9.56 / 9 ratings
Transferrer:
Chris Chappell
SHNID:
gd1977-05-26.mtx.chappell.sb30a.97016.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesGeneral Notes: A decent AUD makes this great show a good matrix. A SBD Splice in Estimated from another 77 show was removed and now is historically correct - synching sources necessitates the authentification of the content, another value added aspect of matrices. I don't really understand why someone (Gans?) would spend the time to splice in content from another show. Editing Notes: - Dynamics Waves L2 was used for minor limiting (-0.7 threshold), and no EQ was used on any of the sources. - Pitch/Synch AUD synched to the SBD. The AUD is pitched up in a range between 12 and 30 cents. - Envelope Edits The following are places where the SBD and AUDs had splices, holes or incomplete coverage in reference to the final matrix timeline. Tuning and crowd noise holes are not mentioned - only incomplete music sections. Full coverage is achieved. AUD: d1t05 (all) - missing d1t07 (all) - missing d2t01 (all) - missing d3t03 (11:42 - 11:54) - missing d3t05 (00:00 - 00:08) - missing d3t08 (all) - missing SBD: d3t02 (00:47 - 01:08) - missing d3t02 (01:41 - 01:41) - missing a tenth of a second d3t05 (03:23 - 03:23) - missing a quarter of a second d3t07 (02:38 - 03:07) - missing Patch SBD used at the following: d3t02 (00:41 - 00:47) - patched due to illegal foreign content d3t02 (01:08 - 01:10) - patched due to crossfade d3t07 (07:55 - 08:09) - patch in UJB tuning b/c it's missing from 11614 Many thanks to Betty Cantor Jackson for recording the SBD source and aoxoa whose DAT seems to be the source for both SBD shnids. Thanks to Jay Serrafin for his version of it (the EQ is decent and helps the matrix mix, thus why I went with this source, the illegal Estimated patch notwithstanding). Thanks to direwolf and Darrin Sacks for their roles in shnid=3224. Thanks to the Wizard (owen brothers vault) for the AUD source - apparently Jerry Moore did not record this show, so whoever the taper is - many thanks! Enjoy! - Chappy
Transferrer: Owen Brothers
2:52:52
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Owen Brothers
SHNID:
gd1977-05-26.sbd.wizard.32302.shnf
Source:
SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
Taper Notes:
View NotesPatch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show) Editing and Mastering by The Wizard - [email protected] Mild Continuous Noise filter to reduce tape hiss. Equalized to boost high end, was a bit flat Some gain adjustments to Sugaree. AUD source was used to patch in missing tunings etc. where available. AUD patches adjusted to match sbd as best as possible. All editing done with Diamond Cut DC6 software.
Transferrer: Jay Ashley
2:51:39
SBD
Rating:
9.76 / 17 ratings
Transferrer:
Jay Ashley
SHNID:
gd1977-05-26.sbd.ashley-bertha.31291.sbeok.shnf
Source:
SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 10/30/2002. The Serafin source was completely reassembled prior to processing. Retracking was done using CDWave after all processing was completed. The wavs were tested for SBEs prior to encoding to SHN. The fade between d3t03 and d3t04 was done by Serafin or others and was left as-is due to no overlap being provided. This is the reason I do not use fades between discs. All of my disc changes are at track markers to make for seamless rejoining of tracks when transferring to larger media. Bertha Remasters Page: http://www.deadacated.com/BerthaRemasters.htm From Serafin text file: LINEAGE: SBD > 2-TRACK RTR @ 7.5 i.p.s. > Marin County Source 24/96 digital multi-track > SSSB
Transferrer: Jay Serafin
2:51:39
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Jay Serafin
SHNID:
gd1977-05-26.sbd.serafin.11614.sbefail.shnf
Source:
SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB
Taper Notes:
View NotesAll editing & processing performed at 24-bit/96 kHz (100% digital realm) by: Jay Serafin, chief audio/video engineer at Serafin Station Studio B, using the (code name) "Harpoon" editing software (beta Ver. 0.948.7 Build 103)
Source 5 of 7
2:53:58
SBD
Rating:
9.09 / 35 ratings
SHNID:
gd77-05-26.sbd.sacks.3224.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN
Taper Notes:
View NotesSoundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits
Transferrer: Owen Brothers
3:00:16
Rating:
8.67 / 3 ratings
Transferrer:
Owen Brothers
SHNID:
gd1977-05-26.aud.wizard.32092.shnf
Source:
AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV
Taper Notes:
View NotesEditing and Mastering by The Wizard - [email protected] When this recording came to me it was missing four songs, in order to preserve the listening experience, these songs were patched in from the SBD source and sonically adjusted to blend in with the AUD. Mild Continuous Noise filter to reduce tape hiss. Equalized to boost mids and low end, was a bit harsh. Eyes>Drums transition patched with SBD. Start of Jack A Roe patched with the SBD. A couple hundred loud claps removed. All editing done with Diamond Cut DC6 software.
Source 7 of 7
2:39:03
Rating:
9.25 / 9 ratings
SHNID:
gd77-05-26.aud.vernon.18746.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon