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1977
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June 17th
8 shows
70 tapes
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1995
30.9k
49 shows
343 tapes
1994
12.9k
85 shows
460 tapes
1993
38.6k
83 shows
656 tapes
1992
46.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
51.1k
78 shows
1,139 tapes
1989
48.5k
78 shows
1,017 tapes
1988
20.2k
82 shows
882 tapes
1987
43k
88 shows
1,025 tapes
1986
12.7k
47 shows
684 tapes
1985
28.5k
73 shows
1,357 tapes
1984
27.2k
67 shows
1,075 tapes
1983
20.6k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
30.4k
92 shows
868 tapes
1980
70.9k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
38k
87 shows
592 tapes
1977
253k
64 shows
418 tapes
1976
99.8k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
88.3k
42 shows
324 tapes
1973
90.5k
75 shows
445 tapes
1972
58.6k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.5k
112 shows
326 tapes
1968
7.7k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8.2k
32 shows
78 tapes
1965
638
2 shows
2 tapes
1977
5/26/77
The Music Never Stopped
8:05
Sugaree
15:11
Mama Tried
4:21
Sunrise
3:59
Deal
5:35
Passenger
3:56
Brown Eyed Women
5:44
Looks Like Rain
9:16
Jack A Roe
6:15
Minglewood Blues
5:21
Bertha
7:42
Samson & Delilah
8:28
High Time
8:05
Big River
6:51
Terrapin Station ->
10:27
Estimated Prophet ->
8:36
Eyes Of The World ->
12:26
Not Fade Away ->
16:46
Goin' Down The Road Feelin' Bad ->
8:21
Around And Around
8:08
Uncle John's Band
8:06
FIN
View on archive.org
Sources
Transferrer: Chris Chappell
3:01:55
SBD
Rating:
9.56 / 9 ratings
Transferrer:
Chris Chappell
SHNID:
gd1977-05-26.mtx.chappell.sb30a.97016.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesGeneral Notes: A decent AUD makes this great show a good matrix. A SBD Splice in Estimated from another 77 show was removed and now is historically correct - synching sources necessitates the authentification of the content, another value added aspect of matrices. I don't really understand why someone (Gans?) would spend the time to splice in content from another show. Editing Notes: - Dynamics Waves L2 was used for minor limiting (-0.7 threshold), and no EQ was used on any of the sources. - Pitch/Synch AUD synched to the SBD. The AUD is pitched up in a range between 12 and 30 cents. - Envelope Edits The following are places where the SBD and AUDs had splices, holes or incomplete coverage in reference to the final matrix timeline. Tuning and crowd noise holes are not mentioned - only incomplete music sections. Full coverage is achieved. AUD: d1t05 (all) - missing d1t07 (all) - missing d2t01 (all) - missing d3t03 (11:42 - 11:54) - missing d3t05 (00:00 - 00:08) - missing d3t08 (all) - missing SBD: d3t02 (00:47 - 01:08) - missing d3t02 (01:41 - 01:41) - missing a tenth of a second d3t05 (03:23 - 03:23) - missing a quarter of a second d3t07 (02:38 - 03:07) - missing Patch SBD used at the following: d3t02 (00:41 - 00:47) - patched due to illegal foreign content d3t02 (01:08 - 01:10) - patched due to crossfade d3t07 (07:55 - 08:09) - patch in UJB tuning b/c it's missing from 11614 Many thanks to Betty Cantor Jackson for recording the SBD source and aoxoa whose DAT seems to be the source for both SBD shnids. Thanks to Jay Serrafin for his version of it (the EQ is decent and helps the matrix mix, thus why I went with this source, the illegal Estimated patch notwithstanding). Thanks to direwolf and Darrin Sacks for their roles in shnid=3224. Thanks to the Wizard (owen brothers vault) for the AUD source - apparently Jerry Moore did not record this show, so whoever the taper is - many thanks! Enjoy! - Chappy
Transferrer: Jay Ashley
2:51:39
SBD
Rating:
9.76 / 17 ratings
Transferrer:
Jay Ashley
SHNID:
gd1977-05-26.sbd.ashley-bertha.31291.sbeok.shnf
Source:
SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 10/30/2002. The Serafin source was completely reassembled prior to processing. Retracking was done using CDWave after all processing was completed. The wavs were tested for SBEs prior to encoding to SHN. The fade between d3t03 and d3t04 was done by Serafin or others and was left as-is due to no overlap being provided. This is the reason I do not use fades between discs. All of my disc changes are at track markers to make for seamless rejoining of tracks when transferring to larger media. Bertha Remasters Page: http://www.deadacated.com/BerthaRemasters.htm From Serafin text file: LINEAGE: SBD > 2-TRACK RTR @ 7.5 i.p.s. > Marin County Source 24/96 digital multi-track > SSSB