They Love Each Other* | 1976-10-02 | Grateful Dead | Relisten

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Bernie Worrell and the WOO Warriors

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Grateful Dead

Years Recent Top Venues Songs Tours

Today In History

Years

1976

Daly City, CA, USA

Shrine Auditorium

Los Angeles, CA, USA

Shrine Auditorium

Los Angeles, CA, USA

Oakland-Alameda County Stadium

Oakland, CA, USA

Oakland-Alameda County Stadium

Oakland, CA, USA

Detriot, MI, USA

Riverfront Arena

Cincinnati, OH, USA

Market Square Arena

Indianapolis, IN, USA

Auditorium, Ohio State U

Columbus, OH, USA

Onondaga County War Memorial

Syracuse, NY, USA

Community War Memorial Auditorium

Rochester, NY, USA

Landover, MD, USA

William and Mary College Hall

Williamsburg, VA, USA

Cameron Indoor Stadium, Duke U.

Durham, NC, USA

Club Front Studio

Roosevelt Stadium

Jersey City, NJ, USA

Hartford, CT, USA

Orpheum Theatre

San Francisco, CA, USA

Orpheum Theatre

San Francisco, CA, USA

Orpheum Theatre

San Francisco, CA, USA

Orpheum Theatre

San Francisco, CA, USA

Orpheum Theatre

San Francisco, CA, USA

Orpheum Theatre

San Francisco, CA, USA

Auditorium Theatre

Chicago, IL, USA

Auditorium Theatre

Chicago, IL, USA

Auditorium Theatre

Chicago, IL, USA

Auditorium Theatre

Chicago, IL, USA

Upper Darby, PA, USA

Upper Darby, PA, USA

Upper Darby, PA, USA

Upper Darby, PA, USA

Capitol Theater

Passaic, NJ, USA

Capitol Theater

Passaic, NJ, USA

Capitol Theater

Passaic, NJ, USA

New York, NY, USA

New York, NY, USA

Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Paramount Theater

Portland, OR, USA

Paramount Theater

Portland, OR, USA

Unknown, Unknown

Sources

Taper: Jerry Moore

8.80 / 6 ratings

Remaster by droncit

gd1976-10-02.134416.aud.moore.weiner.droncit.flac16

restored version of <a href="http://db.etree.org/shn/14560">source ID 14560</a>: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details

View NotesThis is a restored version of shnid: 14560
Droncit notes for SHNID 134416 (this version):
This restoration was requested because there is no soundboard and the audience recording is apparently the best-sounding version available.  It was still bassey and hard to hear individual instruments.
I used a multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization.  After the expansion was achieved, the hand-held mic noise was very evident, so I used a final channel blender to blend to mono below 125Hz, and that took care of 90% of the mic noise. 
The first two songs (from a different source), I left alone. 
I don't hear the problems in Stella blue evident in the earlier version; the restoration may have mitigated them.

Taper: Jerry Moore

7.50 / 4 ratings

gd76-10-02.moore.weiner.14560.sbeok.shnf

Audience Recording: Sony ECM-33Ps

AudMC > DAT > WAV > SHN; 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON

View NotesAudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck,  Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.

Source 3 of 3

8.00 / 2 ratings

gd1976-10-02.aud.vernon.10152.sbeok.shnf

CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable)

View NotesThis is a rare audience tape and apparently is the only circulating source for this date.  The recording was made on a hand held cassette deck with internal microphone.  The recording levels were set too high so there is some overload distortion. There are also many instances where the mic is hit or brushed against.  Nevertheless, this is a listenable tape and the playing is very good, although primarily of interest to collectors.  El Paso and Let It Grow have one location where the sound is briefly garbled. The main flaw is the heart of the set 2 jam, TOO, is apparently missing.