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June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h55374
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.3k163
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.4k292
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.1k275
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h4.1k590
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.2k895
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.5k308
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k141
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k179
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h67475
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.5k169
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.3k168
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.4k181
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k164
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.7k212
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h7.3k793
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k205
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k233
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h21k3k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.5k482
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h69167
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.4k970
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h3.9k507
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k295
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k171
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h3.3k333
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2.1k346
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h802109
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13417
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h20310
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h442
7d1156
30d59235
2 shows
2 tapes
1976
10/2/76
Promised Land
5:39
They Love Each Other
7:59
New Minglewood Blues
7:35
Row Jimmy
12:20
El Paso
5:38
Tennessee Jed
11:40
It's All Over Now
7:25
Brown Eyed Women
5:19
crowd
1:16
Let It Grow >
12:57
Might As Well
6:18
crowd & tuning
1:49
The Music Never Stopped
8:12
Candyman
9:14
Samson and Delilah
8:48
It Must Have Been The Roses
9:27
Big River
6:14
Friend Of The Devil
9:11
crowd
1:13
Dancin' In The Streets >
10:33
Drums >
4:03
The Other One >
10:25
Stella Blue >
11:00
The Other One >
3:01
Sugar Magnolia
11:04
FIN
View on archive.org
Sources
Taper: Jerry Moore
3:08:20
Rating:
8.80 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Remaster by droncit
SHNID:
gd1976-10-02.134416.aud.moore.weiner.droncit.flac16
Source:
restored version of <a href="http://db.etree.org/shn/14560">source ID 14560</a>: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details
Taper Notes:
View NotesThis is a restored version of shnid: 14560 Droncit notes for SHNID 134416 (this version): This restoration was requested because there is no soundboard and the audience recording is apparently the best-sounding version available. It was still bassey and hard to hear individual instruments. I used a multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization. After the expansion was achieved, the hand-held mic noise was very evident, so I used a final channel blender to blend to mono below 125Hz, and that took care of 90% of the mic noise. The first two songs (from a different source), I left alone. I don't hear the problems in Stella blue evident in the earlier version; the restoration may have mitigated them.
Taper: Jerry Moore
3:08:20
Rating:
7.50 / 4 ratings
Taper:
Jerry Moore
Transferrer:
Noah Weiner
SHNID:
gd76-10-02.moore.weiner.14560.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
AudMC > DAT > WAV > SHN; 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
Source 3 of 3
2:06:54
Rating:
8.00 / 2 ratings
SHNID:
gd1976-10-02.aud.vernon.10152.sbeok.shnf
Source:
ACM>??>DAT>CDR
Lineage:
CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable)
Taper Notes:
View NotesThis is a rare audience tape and apparently is the only circulating source for this date. The recording was made on a hand held cassette deck with internal microphone. The recording levels were set too high so there is some overload distortion. There are also many instances where the mic is hit or brushed against. Nevertheless, this is a listenable tape and the playing is very good, although primarily of interest to collectors. El Paso and Let It Grow have one location where the sound is briefly garbled. The main flaw is the heart of the set 2 jam, TOO, is apparently missing.