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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1976
7/16/76
Tuning
1:27
Playing In The Band >
7:58
Stronger Than Dirt >
7:50
Cosmic Charlie
8:07
Samson & Delilah
7:01
Space >
3:46
Spanish Jam >
5:23
Drums >
3:52
The Wheel >
6:36
Playing Reprise >
5:51
Around & Around
8:51
High Time
10:28
Happy B-day Bill Graham
0:50
Sugar Magnolia
9:52
FIN
View on archive.org
Sources
Transferrer: Dan Haugh
1:27:52
SBD
Rating:
9.13 / 19 ratings
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dan.28042.sbeok.flac16
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View NotesSource Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes FLACs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix & FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable.
Transferrer: Remastered by [email protected]
1:36:00
SBDREMASTER
Rating:
8.57 / 7 ratings
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.set-2.sbd.bertha-ashley.27488.sbeok.shnf
Source:
Bertha Remaster of the 2nd set Master Reel source
Lineage:
(*)SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on August 19, 2004. The source has lost much of its frequency range over the years. I would have suspected the master reel lineage if I did not know where it came from. Hopefully, some life has been brought back to this wonderful set of music. (*)Encore is from the Bertha Remaster of the Bertrando/Menke AUD source.
Source 3 of 8
2:55:07
SBD
Rating:
8.38 / 16 ratings
SHNID:
gd76-07-16.set1aud-set2sbd.miller.23569.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
Set 1 Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony. Set 2 : SBD -> Master Reel -> Master Dat (44.1k)
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:50
Rating:
10.00 / 1 rating
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-16.123477.ecm270.menke.miller.flac16
Source:
(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: See info file
1:27:52
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1976-07-16.mtx.dts.dan.30698.flac16
Source:
DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Cool Edit Pro 2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the AUD source, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - SHN conversion 13-OCT-2004 - Remix FLAC conversion 19-JAN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD: Master Reel -> Master Dat Right Channel SBD: Master Reel -> Master Dat Center Mono Mix -5db SBD: Master Reel -> Master Dat Surround Left Channel -3db FOB: ECM-280 mics > TC-152 Right Channel -3db FOB: ECM-280 mics > TC-152 Sub/LFE Mono Mix -4db SBD: Master Reel -> Master Dat --------------------------------------------------------- Notes This is all that circulates in the SBD source. The AUD source was lightly EQ'ed. A slight high end cut. The AUD source was a bit overwhelming in the 5.1 mix. While I usually leave the levels alone, this time I mixed the AUD into the rear channels at -3db. In my experience louder rear channels is an undiserable effect. AUD Patch Samson approx 4:35 to fill missing part of the SBD 29:58.490 to 31:31.560 total of 01:33.070. This is somewhat detectable but hardly. Which is really a statement to just how great the AUD source is. SBD Patch Drums approx 02:37 to fill missing part of the AUD 44:07.731 to 44:15.904 total of 0:08.172. This is smooth and most likely undetectable. Missing 22.027 crowd on AUD source between Around & Around and High Time. SBD trimmed accordingly to match with a 3 second crossfade. Smooth and most likely undetectable. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way you would burn any normal Audio-CD from .shn files. ---------------------------------------------------------
Taper: Bob Menke
3:10:39
Rating:
8.94 / 17 ratings
Taper:
Bob Menke
SHNID:
gd76-07-16.menke.cribbs.16943.sbeok.shnf
Source:
Audience Recording: Sony ECM-280 mics > Sony TC-152 from front of balcony
Lineage:
MAC > DAT > CD and MAC > R > DAT > CD
Taper Notes:
View NotesRecorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
Taper: Bob Menke
2:52:05
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Dale Shepherd and Matt Vernon
SHNID:
gd1976-07-16.aud.menke.10377.sbeok.shnf
Source:
Sony ECM 280 Sony TC-152 Cm (taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT
Lineage:
DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cool Edit (minor fixes) > Cdwav (splits) > Mkw
Taper Notes:
View NotesSource dats from Dave Minor
Taper: Bob Menke
2:49:41
Rating:
8.67 / 3 ratings
Taper:
Bob Menke
Transferrer:
Remastered by [email protected]
SHNID:
gd1976-07-16.fob.sonyECM180.menke.ashley-bertha.8666.sbeok.shnf
Source:
AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 taped by Bob Menke using Rob Bertrando's mics - Front of Balcony) > R > DAT
Lineage:
DAW (Bertha by Jay Ashley) > CD > EAC > SHN
Taper Notes:
View NotesNotes: Recorded by Rob Bertrando from the front of the balcony. Digitally remastered by [email protected] on April 14, 2001, using a DAW nicknamed Bertha.