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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h49568
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.4k396
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k313
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k314
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k385
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k394
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k363
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k975
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h957109
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3k350
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k572
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k160
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k191
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k230
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k981
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k197
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h48850
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.7k470
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k650
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k381
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k172
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k215
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k277
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h832102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12318
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h382
7d1128
30d63237
2 shows
2 tapes
1976
10/2/76
Promised Land
5:39
They Love Each Other
7:59
New Minglewood Blues
7:35
Row Jimmy
12:20
El Paso
5:38
Tennessee Jed
11:40
It's All Over Now
7:25
Brown Eyed Women
5:19
crowd
1:16
Let It Grow >
12:57
Might As Well
6:18
crowd & tuning
1:49
The Music Never Stopped
8:12
Candyman
9:14
Samson and Delilah
8:48
It Must Have Been The Roses
9:27
Big River
6:14
Friend Of The Devil
9:11
crowd
1:13
Dancin' In The Streets >
10:33
Drums >
4:03
The Other One >
10:25
Stella Blue >
11:00
The Other One >
3:01
Sugar Magnolia
11:04
FIN
View on archive.org
Sources
Taper: Jerry Moore
3:08:20
Rating:
8.80 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Remaster by droncit
SHNID:
gd1976-10-02.134416.aud.moore.weiner.droncit.flac16
Source:
restored version of <a href="http://db.etree.org/shn/14560">source ID 14560</a>: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details
Taper Notes:
View NotesThis is a restored version of shnid: 14560 Droncit notes for SHNID 134416 (this version): This restoration was requested because there is no soundboard and the audience recording is apparently the best-sounding version available. It was still bassey and hard to hear individual instruments. I used a multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization. After the expansion was achieved, the hand-held mic noise was very evident, so I used a final channel blender to blend to mono below 125Hz, and that took care of 90% of the mic noise. The first two songs (from a different source), I left alone. I don't hear the problems in Stella blue evident in the earlier version; the restoration may have mitigated them.
Taper: Jerry Moore
3:08:20
Rating:
7.50 / 4 ratings
Taper:
Jerry Moore
Transferrer:
Noah Weiner
SHNID:
gd76-10-02.moore.weiner.14560.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
AudMC > DAT > WAV > SHN; 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
Source 3 of 3
2:06:54
Rating:
8.00 / 2 ratings
SHNID:
gd1976-10-02.aud.vernon.10152.sbeok.shnf
Source:
ACM>??>DAT>CDR
Lineage:
CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable)
Taper Notes:
View NotesThis is a rare audience tape and apparently is the only circulating source for this date. The recording was made on a hand held cassette deck with internal microphone. The recording levels were set too high so there is some overload distortion. There are also many instances where the mic is hit or brushed against. Nevertheless, this is a listenable tape and the playing is very good, although primarily of interest to collectors. El Paso and Let It Grow have one location where the sound is briefly garbled. The main flaw is the heart of the set 2 jam, TOO, is apparently missing.