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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1976
7/17/76
The Promised Land
4:34
Mississippi Half-Step Uptown Toodeloo
10:17
Mama Tried
3:24
Deal
5:22
Minglewood Blues
4:57
Peggy-O
9:00
Big River
6:11
Sugaree
11:52
Johnny B. Goode
4:23
Tuning
0:22
Samson & Delilah
7:23
Comes A Time ->
15:36
Drums ->
1:38
The Other One ->
15:27
Eyes of the World ->
15:12
The Other One ->
3:35
Goin' Down the Road Feelin' Bad ->
7:11
One More Saturday Night
6:00
Tuning
1:19
U.S. Blues
8:37
Not Fade Away
14:15
FIN
View on archive.org
Sources
Transferrer: Chris Chappell
2:36:35
SBD
Rating:
8.00 / 1 rating
Transferrer:
Chris Chappell
SHNID:
gd1976-07-17.mtx.chappell.sb25.95734.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix: (SBD + AUD mix) SBd/AUD Ratio = Phi SBD: (shnid=34708 - fix of 243) Master Reel > DAT > CD via? fix via Bill Tetzeli (crossfaded patch in Eyes) AUD: (shnid=18389) Source: Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony Lineage: MAC>R>D>WAV>SHN DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN by David Minches, info file by Matt Vernon Matrixed by Chris Chappell [email protected] Novemeber 9, 2008 General Notes: Shnid 91827 was an earlier version of this matrix which derived from reference CDRs that I had sent to Rob Bertrando who suggested I do a matrix of this show. His edits included adding some low end, pitch correction, and swapping channels in the patch in Eyes. Noah Weiner made flacs of these changes but had inadvertently checked the replay gain option. So 91827 had 2 DAEs in the lineage, plus replay gain (my v.1 ref CDRs > DAE > Rob's edits > CDRs > DAE > Noah's Flacs). This new version has similar edits, EQ, pitch correction, etc. to those that Rob had done, slightly different SBD/AUD ratio, and no DAEs. The timing of the initial seed being what it was, I am making this version retroactive and naming it Vol. 25. Many thanks to Rob Bertrando for the motivation to work on this fine show - the Comes A Time intro and post jam are worth the price of admission alone. Thanks to Bob Menke for recording the AUD, and to David Minches for the transfer. It's not clear who was responsible for putting the SBD into circulation - so whoever you are - Thanks! Enjoy! - Chris
Taper: itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
2:36:17
SBD
Rating:
8.00 / 6 ratings
Taper:
itch Correction & Slight Bass Boost processed by Rob Bertrando. Final matrix seed discs provided by Rob Betrando EAC > FLAC by Noah Weiner
SHNID:
gd1976-07-17.mtx.chappell-bertrando.91827.sbeok.flac16
Source:
Matrix Ratio: 60%(SBD) / 40%(AUD)
Lineage:
Matrix created by Chris Chappell. note: Corrected for flipped channels in SBD patch in Eyes
Taper Notes:
View NotesNote: Donna was absent during the second set
Transferrer: Fix of shnid 243 by Bill Tetzeli
2:32:35
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Fix of shnid 243 by Bill Tetzeli
SHNID:
gd1976-07-17.sbd.fricker-fix.tetzeli.34708.sbefail.flac16
Source:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesThis source contains the following fix - I smoothed out the splice in Eyes by crossfading it in Cool Edit Pro. The original splice had a one note repeat at the beginning (~2:39)and a ~2.5 sec repeat at the end (~3:18), very jarring. Because there was only a small overlap in the beginning the crossfade is still noticeable, but not nearly as jarring as hearing the repeats. Because there was more overlap at the end of the splice I was able to make the transition much more transparent there. Bill Tetzeli ([email protected]) 3/28/2006 "Eyes of the World" has a 45-second splice from a cassette sbd.
Source 4 of 7
2:32:37
SBD
Rating:
8.82 / 17 ratings
Source:
Soundboard
Lineage:
SBD: Master Reel > DAT > CD
Taper Notes:
View NotesSBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
Taper: Taped By: Bob Menke
2:35:46
SBD
Rating:
9.00 / 2 ratings
Taper:
Taped By: Bob Menke
Transferrer:
Transfer By: Bob Menke Mastering By: Derek McCabe
SHNID:
gd1976-07-17.157427.mtx.motb.0201.flac16
Source:
Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152
Lineage:
Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz
Taper: Bob Menke
2:39:39
Taper:
Bob Menke
Transferrer:
Charlie Miller
SHNID:
gd1976-07-17.141966.ecm270.menke-miller.flac1644
Source:
<b/>flac </b> Recording Info:(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> DatTransfer Info:Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC(3 Discs Audio / 1 DVD FLAC)Recorded By Bob MenkeAll Transfers and Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: Bob Menke
2:35:56
Rating:
8.89 / 10 ratings
Taper:
Bob Menke
Transferrer:
David Minches
SHNID:
gd76-07-17.menke.minches.18389.sbeok.shnf
Source:
Audience Recording: Sony ECM-270s> Sony TC-152 from front of balcony
Lineage:
MAC> R> D> WAV> SHN
Taper Notes:
View NotesRecorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches