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Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h50868
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k264
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k574
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.1k533
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k389
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k374
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.9k948
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k210
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.7k649
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k197
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.9k233
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h10k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k249
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.7k1.4k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h14.9k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h40842
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k515
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k717
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k379
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.9k216
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k207
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h53767
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14220
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h32024
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h302
7d956
30d61936
2 shows
2 tapes
1976
10/2/76
Promised Land
5:39
They Love Each Other
7:59
New Minglewood Blues
7:35
Row Jimmy
12:20
El Paso
5:38
Tennessee Jed
11:40
It's All Over Now
7:25
Brown Eyed Women
5:19
crowd
1:16
Let It Grow >
12:57
Might As Well
6:18
crowd & tuning
1:49
The Music Never Stopped
8:12
Candyman
9:14
Samson and Delilah
8:48
It Must Have Been The Roses
9:27
Big River
6:14
Friend Of The Devil
9:11
crowd
1:13
Dancin' In The Streets >
10:33
Drums >
4:03
The Other One >
10:25
Stella Blue >
11:00
The Other One >
3:01
Sugar Magnolia
11:04
FIN
View on archive.org
Sources
Taper: Jerry Moore
3:08:20
Rating:
8.80 / 6 ratings
Taper:
Jerry Moore
Transferrer:
Remaster by droncit
SHNID:
gd1976-10-02.134416.aud.moore.weiner.droncit.flac16
Source:
restored version of <a href="http://db.etree.org/shn/14560">source ID 14560</a>: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details
Taper Notes:
View NotesThis is a restored version of shnid: 14560 Droncit notes for SHNID 134416 (this version): This restoration was requested because there is no soundboard and the audience recording is apparently the best-sounding version available. It was still bassey and hard to hear individual instruments. I used a multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization. After the expansion was achieved, the hand-held mic noise was very evident, so I used a final channel blender to blend to mono below 125Hz, and that took care of 90% of the mic noise. The first two songs (from a different source), I left alone. I don't hear the problems in Stella blue evident in the earlier version; the restoration may have mitigated them.
Taper: Jerry Moore
3:08:20
Rating:
7.50 / 4 ratings
Taper:
Jerry Moore
Transferrer:
Noah Weiner
SHNID:
gd76-10-02.moore.weiner.14560.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
AudMC > DAT > WAV > SHN; 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON
Taper Notes:
View NotesAudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
Source 3 of 3
2:06:54
Rating:
8.00 / 2 ratings
SHNID:
gd1976-10-02.aud.vernon.10152.sbeok.shnf
Source:
ACM>??>DAT>CDR
Lineage:
CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable)
Taper Notes:
View NotesThis is a rare audience tape and apparently is the only circulating source for this date. The recording was made on a hand held cassette deck with internal microphone. The recording levels were set too high so there is some overload distortion. There are also many instances where the mic is hit or brushed against. Nevertheless, this is a listenable tape and the playing is very good, although primarily of interest to collectors. El Paso and Let It Grow have one location where the sound is briefly garbled. The main flaw is the heart of the set 2 jam, TOO, is apparently missing.