Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1973
Sources
Transferrer: Hunter Seamons
3:31:11
SBD
Rating:
9.71 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1973-06-26.mtx.seamons.100024.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=12076): SBD>MR>C>D>CD>EAC>SHN Cuts: --Casey Jones through Brown Eyed Women --in Loser from 2:55 to 3:22 --all of Black Peter --in Truckin' from 4:18 to 4:42 --the final few seconds of Sugar Magnolia Thanks to Mark Sweeney & Chuck Gannon edits/encoding by JCotsman ---------------------------------------------------- AUD (shnid=14673): AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner ([email protected]) November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) --------------------------------------------------- Thank you to J. Cotsman for the SBD transfer, to Donn Amick for recording this beautiful, stellar show, and to Noah Weiner for the great AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009 Notes: 1) Phil is a BEAST during this show. 2) There are occasional, quick shifts in the SBD mix. Garcia's guitar, for instance, will shift from the right channel to the left channel in the SBD. There are also various anomalies at points, and miniscule cuts. 3) There are small cuts in the SBD and AUD at the McGee > Other One transition, leaving a moment of the show missing.
Transferrer: Teddy Goodbear
3:23:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Teddy Goodbear
SHNID:
gd1973-06-26.sbd.GoodBear.80602.flac16
Source:
Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006.
Taper Notes:
View Notes================================================= *Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006. *Previous "12076" Loser aud patch edited with heavy hiss reduction & eq'ing by Teddy in 11/2006 from about 2:56 to 3:23. *AUD Patch from "12076" in Truckin' from 4:14 to 4:38 edited with heavy hiss reduction & eq'ing by Teddy on 11/30/2006. *shnid #12076 ~ AUD>MR(1)>C>D>CD>EAC>SHN. Audience recording provides: --Casey Jones through Brown Eyed Women --patch in Loser from 2:55 to 3:22 --all of Black Peter --the final few seconds of Sugar Magnolia (1) Per http://www.deadlists.com entry: AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) This recording is the same master that is found on current copies listed as AUD>MR>C>DAT>CD. That genealogy is completely fabricated. Not only was the recording not mastered on reel, but Amick put his master cassette onto reel and all direct copies he made, that we know of, came from that. Judging from the drastic difference in sound quality, this other listing is AUDMC>R>?>C>DAT>CD at best. The difference in sound quality is absolutely striking. *Notes on original shnid "12076": --the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well) --Sound Forge was used for a slight pitch correction throughout --Part of The Music Never Stopped Project 2002 --Thanks to Mark Sweeney & Chuck Gannon --Original shnid "12076" edits/encoding by JCotsman <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> **SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006. **SBD portions of Loser left unedited from "12076" and entire Loser only retracked by Teddy in 11/2006. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> ***SBD>MR>C1 (Latvalla?)>Teddy DAT(1?)>5/2000 edit by Teddy in CoolEdit (slight reduction in Bertha diginoise)>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006. ***All timings were by Teddy in 5/2000 (retracked slightly 11/2006) w/extracting from DAT & tracked on 5/30/2000 in CDWave. ***This is not shnid "5293" nor "12076". HOWEVER, "12076" (perhaps "5293" also) is believed to be from another DAT copy of original source sometime in 9/2001 or more then likely "5293"/"12076" was derived from Teddy 5/2000 seed. "12076" sounds almost the same as Teddy's 5/2000 seed except minor retracking. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Teddy :^) http://www.goodbear.com Home of etrees: http://www.goodbear.com/tree.html All encoded to FLAC & Seeded 11/30/2006 by Teddy "GoodBear" Selby :wave:
Source 3 of 7
3:25:54
SBD
Rating:
8.00 / 8 ratings
SHNID:
gd73-06-26.sbd.cotsman.12076.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD
Taper Notes:
View NotesComplete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon
Transferrer: Mike Lai
1:06:03
SBD
Transferrer:
Mike Lai
SHNID:
gd1973-06-26.sbd.lai.5293.shnf
Source:
MR > C1 (Latvalla cassette?) > DAT.
Taper Notes:
View NotesCD2 IS AlL THAT EXISTS RECORDING 200 AUD & set II SBD: The complete show in listenable AUD. There are at least two AUD masters. One is missing the first six songs of the second set. The other is complete. On the timed DAT copy of the SBD, Bertha has digi noise, (some was eliminated by editing in CoolEdit Pro). This DAT is also missing "Black Peter". any info send to [email protected] seeded to etree by mike lai stellablue.etree.org
Taper: Don Amick
3:18:26
Rating:
9.33 / 3 ratings
Taper:
Don Amick
Transferrer:
Matt Smith
SHNID:
gd1973-06-26.aud-amick.williams-smith.115571.flac16
Source:
Recorded by Don Amick;
Lineage:
MAC(Sony TC-126)>[email protected] ips.(Don's edited copy)>[email protected]/4 ips(Matt Williams reel)>FLAC
Taper Notes:
View NotesMatts Notes: This was recorded by Don Amick. It was always beleived that Pat Lee had the lowest circulating gen but it turns out Pat got his from Matt Williams who also lives up here in the Pacific Northwest. In fact, it was Matt who held one of the mics during the Garcia Band 3-6-76 Moore's show and taped the 3-3-76 Eugene. I was able to transfer Matt's reel a while back and now I'm sharing it with all of you. My notes: Once again big thanks to Matt Thanks to jpc3 for tagging the files. Seeded 08-08-2011 jpc3 & gballen
Taper: Jems
3:56:23
Rating:
10.00 / 2 ratings
Taper:
Jems
Transferrer:
Jems
SHNID:
gd1973-06-26.aud.jems.105840.flac16
Source:
Sony ECM22p > Tandberg 11 > Master Reels
Lineage:
Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac
Taper Notes:
View NotesJEMS master recording. Very good to excellent sounding recording. All songs are complete missing no music except for the very beginning of He's Gone due to a reel change.
Taper: Donn Amick
3:24:31
Rating:
6.67 / 3 ratings
Taper:
Donn Amick
Transferrer:
Noah Weiner
SHNID:
gd73-06-26.aud.weiner.gdADT14.14673.sbeok.shnf
Source:
Audience Recording: FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby)
Lineage:
AUDMC > Reel > Reel > DAT > WAV > SHN
Taper Notes:
View NotesAUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner