Bands
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Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h52369
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h969124
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.5k327
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.1k271
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h6.4k893
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h4.5k563
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.7k340
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k131
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.8k198
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h68976
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.4k166
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h934121
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k194
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h1.9k248
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h7.5k802
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k180
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k225
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h20.4k2.8k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h2.9k396
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85180
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h5.9k756
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h3.8k497
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.7k328
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.6k175
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h5.5k547
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k364
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h48064
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9613
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h17414
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1973
Sources
Transferrer: Hunter Seamons
3:31:11
SBD
Rating:
9.71 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1973-06-26.mtx.seamons.100024.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=12076): SBD>MR>C>D>CD>EAC>SHN Cuts: --Casey Jones through Brown Eyed Women --in Loser from 2:55 to 3:22 --all of Black Peter --in Truckin' from 4:18 to 4:42 --the final few seconds of Sugar Magnolia Thanks to Mark Sweeney & Chuck Gannon edits/encoding by JCotsman ---------------------------------------------------- AUD (shnid=14673): AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner ([email protected]) November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) --------------------------------------------------- Thank you to J. Cotsman for the SBD transfer, to Donn Amick for recording this beautiful, stellar show, and to Noah Weiner for the great AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009 Notes: 1) Phil is a BEAST during this show. 2) There are occasional, quick shifts in the SBD mix. Garcia's guitar, for instance, will shift from the right channel to the left channel in the SBD. There are also various anomalies at points, and miniscule cuts. 3) There are small cuts in the SBD and AUD at the McGee > Other One transition, leaving a moment of the show missing.
Transferrer: Teddy Goodbear
3:23:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Teddy Goodbear
SHNID:
gd1973-06-26.sbd.GoodBear.80602.flac16
Source:
Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006.
Taper Notes:
View Notes================================================= *Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006. *Previous "12076" Loser aud patch edited with heavy hiss reduction & eq'ing by Teddy in 11/2006 from about 2:56 to 3:23. *AUD Patch from "12076" in Truckin' from 4:14 to 4:38 edited with heavy hiss reduction & eq'ing by Teddy on 11/30/2006. *shnid #12076 ~ AUD>MR(1)>C>D>CD>EAC>SHN. Audience recording provides: --Casey Jones through Brown Eyed Women --patch in Loser from 2:55 to 3:22 --all of Black Peter --the final few seconds of Sugar Magnolia (1) Per http://www.deadlists.com entry: AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) This recording is the same master that is found on current copies listed as AUD>MR>C>DAT>CD. That genealogy is completely fabricated. Not only was the recording not mastered on reel, but Amick put his master cassette onto reel and all direct copies he made, that we know of, came from that. Judging from the drastic difference in sound quality, this other listing is AUDMC>R>?>C>DAT>CD at best. The difference in sound quality is absolutely striking. *Notes on original shnid "12076": --the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well) --Sound Forge was used for a slight pitch correction throughout --Part of The Music Never Stopped Project 2002 --Thanks to Mark Sweeney & Chuck Gannon --Original shnid "12076" edits/encoding by JCotsman <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> **SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006. **SBD portions of Loser left unedited from "12076" and entire Loser only retracked by Teddy in 11/2006. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> ***SBD>MR>C1 (Latvalla?)>Teddy DAT(1?)>5/2000 edit by Teddy in CoolEdit (slight reduction in Bertha diginoise)>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006. ***All timings were by Teddy in 5/2000 (retracked slightly 11/2006) w/extracting from DAT & tracked on 5/30/2000 in CDWave. ***This is not shnid "5293" nor "12076". HOWEVER, "12076" (perhaps "5293" also) is believed to be from another DAT copy of original source sometime in 9/2001 or more then likely "5293"/"12076" was derived from Teddy 5/2000 seed. "12076" sounds almost the same as Teddy's 5/2000 seed except minor retracking. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Teddy :^) http://www.goodbear.com Home of etrees: http://www.goodbear.com/tree.html All encoded to FLAC & Seeded 11/30/2006 by Teddy "GoodBear" Selby :wave:
Source 3 of 7
3:25:54
SBD
Rating:
8.00 / 8 ratings
SHNID:
gd73-06-26.sbd.cotsman.12076.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD
Taper Notes:
View NotesComplete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon
Transferrer: Mike Lai
1:06:03
SBD
Transferrer:
Mike Lai
SHNID:
gd1973-06-26.sbd.lai.5293.shnf
Source:
MR > C1 (Latvalla cassette?) > DAT.
Taper Notes:
View NotesCD2 IS AlL THAT EXISTS RECORDING 200 AUD & set II SBD: The complete show in listenable AUD. There are at least two AUD masters. One is missing the first six songs of the second set. The other is complete. On the timed DAT copy of the SBD, Bertha has digi noise, (some was eliminated by editing in CoolEdit Pro). This DAT is also missing "Black Peter". any info send to [email protected] seeded to etree by mike lai stellablue.etree.org
Taper: Don Amick
3:18:26
Rating:
9.33 / 3 ratings
Taper:
Don Amick
Transferrer:
Matt Smith
SHNID:
gd1973-06-26.aud-amick.williams-smith.115571.flac16
Source:
Recorded by Don Amick;
Lineage:
MAC(Sony TC-126)>[email protected] ips.(Don's edited copy)>[email protected]/4 ips(Matt Williams reel)>FLAC
Taper Notes:
View NotesMatts Notes: This was recorded by Don Amick. It was always beleived that Pat Lee had the lowest circulating gen but it turns out Pat got his from Matt Williams who also lives up here in the Pacific Northwest. In fact, it was Matt who held one of the mics during the Garcia Band 3-6-76 Moore's show and taped the 3-3-76 Eugene. I was able to transfer Matt's reel a while back and now I'm sharing it with all of you. My notes: Once again big thanks to Matt Thanks to jpc3 for tagging the files. Seeded 08-08-2011 jpc3 & gballen
Taper: Jems
3:56:23
Rating:
10.00 / 2 ratings
Taper:
Jems
Transferrer:
Jems
SHNID:
gd1973-06-26.aud.jems.105840.flac16
Source:
Sony ECM22p > Tandberg 11 > Master Reels
Lineage:
Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac
Taper Notes:
View NotesJEMS master recording. Very good to excellent sounding recording. All songs are complete missing no music except for the very beginning of He's Gone due to a reel change.
Taper: Donn Amick
3:24:31
Rating:
6.67 / 3 ratings
Taper:
Donn Amick
Transferrer:
Noah Weiner
SHNID:
gd73-06-26.aud.weiner.gdADT14.14673.sbeok.shnf
Source:
Audience Recording: FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby)
Lineage:
AUDMC > Reel > Reel > DAT > WAV > SHN
Taper Notes:
View NotesAUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner