1973
Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1973
Sources
Transferrer: Hunter Seamons
3:31:11
SBD
Rating:
9.71 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1973-06-26.mtx.seamons.100024.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=12076): SBD>MR>C>D>CD>EAC>SHN Cuts: --Casey Jones through Brown Eyed Women --in Loser from 2:55 to 3:22 --all of Black Peter --in Truckin' from 4:18 to 4:42 --the final few seconds of Sugar Magnolia Thanks to Mark Sweeney & Chuck Gannon edits/encoding by JCotsman ---------------------------------------------------- AUD (shnid=14673): AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner ([email protected]) November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) --------------------------------------------------- Thank you to J. Cotsman for the SBD transfer, to Donn Amick for recording this beautiful, stellar show, and to Noah Weiner for the great AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009 Notes: 1) Phil is a BEAST during this show. 2) There are occasional, quick shifts in the SBD mix. Garcia's guitar, for instance, will shift from the right channel to the left channel in the SBD. There are also various anomalies at points, and miniscule cuts. 3) There are small cuts in the SBD and AUD at the McGee > Other One transition, leaving a moment of the show missing.
Transferrer: Teddy Goodbear
3:23:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Teddy Goodbear
SHNID:
gd1973-06-26.sbd.GoodBear.80602.flac16
Source:
Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006.
Taper Notes:
View Notes================================================= *Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006. *Previous "12076" Loser aud patch edited with heavy hiss reduction & eq'ing by Teddy in 11/2006 from about 2:56 to 3:23. *AUD Patch from "12076" in Truckin' from 4:14 to 4:38 edited with heavy hiss reduction & eq'ing by Teddy on 11/30/2006. *shnid #12076 ~ AUD>MR(1)>C>D>CD>EAC>SHN. Audience recording provides: --Casey Jones through Brown Eyed Women --patch in Loser from 2:55 to 3:22 --all of Black Peter --the final few seconds of Sugar Magnolia (1) Per http://www.deadlists.com entry: AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) This recording is the same master that is found on current copies listed as AUD>MR>C>DAT>CD. That genealogy is completely fabricated. Not only was the recording not mastered on reel, but Amick put his master cassette onto reel and all direct copies he made, that we know of, came from that. Judging from the drastic difference in sound quality, this other listing is AUDMC>R>?>C>DAT>CD at best. The difference in sound quality is absolutely striking. *Notes on original shnid "12076": --the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well) --Sound Forge was used for a slight pitch correction throughout --Part of The Music Never Stopped Project 2002 --Thanks to Mark Sweeney & Chuck Gannon --Original shnid "12076" edits/encoding by JCotsman <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> **SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006. **SBD portions of Loser left unedited from "12076" and entire Loser only retracked by Teddy in 11/2006. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> ***SBD>MR>C1 (Latvalla?)>Teddy DAT(1?)>5/2000 edit by Teddy in CoolEdit (slight reduction in Bertha diginoise)>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006. ***All timings were by Teddy in 5/2000 (retracked slightly 11/2006) w/extracting from DAT & tracked on 5/30/2000 in CDWave. ***This is not shnid "5293" nor "12076". HOWEVER, "12076" (perhaps "5293" also) is believed to be from another DAT copy of original source sometime in 9/2001 or more then likely "5293"/"12076" was derived from Teddy 5/2000 seed. "12076" sounds almost the same as Teddy's 5/2000 seed except minor retracking. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Teddy :^) http://www.goodbear.com Home of etrees: http://www.goodbear.com/tree.html All encoded to FLAC & Seeded 11/30/2006 by Teddy "GoodBear" Selby :wave:
Taper: Don Amick
3:18:26
Rating:
9.33 / 3 ratings
Taper:
Don Amick
Transferrer:
Matt Smith
SHNID:
gd1973-06-26.aud-amick.williams-smith.115571.flac16
Source:
Recorded by Don Amick;
Lineage:
MAC(Sony TC-126)>[email protected] ips.(Don's edited copy)>[email protected]/4 ips(Matt Williams reel)>FLAC
Taper Notes:
View NotesMatts Notes: This was recorded by Don Amick. It was always beleived that Pat Lee had the lowest circulating gen but it turns out Pat got his from Matt Williams who also lives up here in the Pacific Northwest. In fact, it was Matt who held one of the mics during the Garcia Band 3-6-76 Moore's show and taped the 3-3-76 Eugene. I was able to transfer Matt's reel a while back and now I'm sharing it with all of you. My notes: Once again big thanks to Matt Thanks to jpc3 for tagging the files. Seeded 08-08-2011 jpc3 & gballen