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Bands
Grateful Dead
Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h50269
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k401
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k311
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k308
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k388
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k399
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k978
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h945108
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.1k361
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k570
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k161
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k192
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k231
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k979
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k198
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h47948
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.8k472
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k648
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k380
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k170
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k214
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k276
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h830102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12519
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1973
Sources
Transferrer: Hunter Seamons
3:31:11
SBD
Rating:
9.71 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1973-06-26.mtx.seamons.100024.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (shnid=12076): SBD>MR>C>D>CD>EAC>SHN Cuts: --Casey Jones through Brown Eyed Women --in Loser from 2:55 to 3:22 --all of Black Peter --in Truckin' from 4:18 to 4:42 --the final few seconds of Sugar Magnolia Thanks to Mark Sweeney & Chuck Gannon edits/encoding by JCotsman ---------------------------------------------------- AUD (shnid=14673): AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner ([email protected]) November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) --------------------------------------------------- Thank you to J. Cotsman for the SBD transfer, to Donn Amick for recording this beautiful, stellar show, and to Noah Weiner for the great AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009 Notes: 1) Phil is a BEAST during this show. 2) There are occasional, quick shifts in the SBD mix. Garcia's guitar, for instance, will shift from the right channel to the left channel in the SBD. There are also various anomalies at points, and miniscule cuts. 3) There are small cuts in the SBD and AUD at the McGee > Other One transition, leaving a moment of the show missing.
Transferrer: Teddy Goodbear
3:23:09
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Teddy Goodbear
SHNID:
gd1973-06-26.sbd.GoodBear.80602.flac16
Source:
Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006.
Taper Notes:
View Notes================================================= *Teddy edited all original aud shnid "12076" with silence removal, heavy hiss reduction, eq'ing and retracking in late 11/2006. *Previous "12076" Loser aud patch edited with heavy hiss reduction & eq'ing by Teddy in 11/2006 from about 2:56 to 3:23. *AUD Patch from "12076" in Truckin' from 4:14 to 4:38 edited with heavy hiss reduction & eq'ing by Teddy on 11/30/2006. *shnid #12076 ~ AUD>MR(1)>C>D>CD>EAC>SHN. Audience recording provides: --Casey Jones through Brown Eyed Women --patch in Loser from 2:55 to 3:22 --all of Black Peter --the final few seconds of Sugar Magnolia (1) Per http://www.deadlists.com entry: AUDMC > Reel > Reel > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D by Noah Weiner November, 2002 Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) This recording is the same master that is found on current copies listed as AUD>MR>C>DAT>CD. That genealogy is completely fabricated. Not only was the recording not mastered on reel, but Amick put his master cassette onto reel and all direct copies he made, that we know of, came from that. Judging from the drastic difference in sound quality, this other listing is AUDMC>R>?>C>DAT>CD at best. The difference in sound quality is absolutely striking. *Notes on original shnid "12076": --the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well) --Sound Forge was used for a slight pitch correction throughout --Part of The Music Never Stopped Project 2002 --Thanks to Mark Sweeney & Chuck Gannon --Original shnid "12076" edits/encoding by JCotsman <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> **SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006. **SBD portions of Loser left unedited from "12076" and entire Loser only retracked by Teddy in 11/2006. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> ***SBD>MR>C1 (Latvalla?)>Teddy DAT(1?)>5/2000 edit by Teddy in CoolEdit (slight reduction in Bertha diginoise)>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006. ***All timings were by Teddy in 5/2000 (retracked slightly 11/2006) w/extracting from DAT & tracked on 5/30/2000 in CDWave. ***This is not shnid "5293" nor "12076". HOWEVER, "12076" (perhaps "5293" also) is believed to be from another DAT copy of original source sometime in 9/2001 or more then likely "5293"/"12076" was derived from Teddy 5/2000 seed. "12076" sounds almost the same as Teddy's 5/2000 seed except minor retracking. <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> Teddy :^) http://www.goodbear.com Home of etrees: http://www.goodbear.com/tree.html All encoded to FLAC & Seeded 11/30/2006 by Teddy "GoodBear" Selby :wave:
Source 3 of 7
3:25:54
SBD
Rating:
8.00 / 8 ratings
SHNID:
gd73-06-26.sbd.cotsman.12076.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD
Taper Notes:
View NotesComplete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon
Transferrer: Mike Lai
1:06:03
SBD
Transferrer:
Mike Lai
SHNID:
gd1973-06-26.sbd.lai.5293.shnf
Source:
MR > C1 (Latvalla cassette?) > DAT.
Taper Notes:
View NotesCD2 IS AlL THAT EXISTS RECORDING 200 AUD & set II SBD: The complete show in listenable AUD. There are at least two AUD masters. One is missing the first six songs of the second set. The other is complete. On the timed DAT copy of the SBD, Bertha has digi noise, (some was eliminated by editing in CoolEdit Pro). This DAT is also missing "Black Peter". any info send to [email protected] seeded to etree by mike lai stellablue.etree.org
Taper: Don Amick
3:18:26
Rating:
9.33 / 3 ratings
Taper:
Don Amick
Transferrer:
Matt Smith
SHNID:
gd1973-06-26.aud-amick.williams-smith.115571.flac16
Source:
Recorded by Don Amick;
Lineage:
MAC(Sony TC-126)>[email protected] ips.(Don's edited copy)>[email protected]/4 ips(Matt Williams reel)>FLAC
Taper Notes:
View NotesMatts Notes: This was recorded by Don Amick. It was always beleived that Pat Lee had the lowest circulating gen but it turns out Pat got his from Matt Williams who also lives up here in the Pacific Northwest. In fact, it was Matt who held one of the mics during the Garcia Band 3-6-76 Moore's show and taped the 3-3-76 Eugene. I was able to transfer Matt's reel a while back and now I'm sharing it with all of you. My notes: Once again big thanks to Matt Thanks to jpc3 for tagging the files. Seeded 08-08-2011 jpc3 & gballen
Taper: Jems
3:56:23
Rating:
10.00 / 2 ratings
Taper:
Jems
Transferrer:
Jems
SHNID:
gd1973-06-26.aud.jems.105840.flac16
Source:
Sony ECM22p > Tandberg 11 > Master Reels
Lineage:
Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac
Taper Notes:
View NotesJEMS master recording. Very good to excellent sounding recording. All songs are complete missing no music except for the very beginning of He's Gone due to a reel change.
Taper: Donn Amick
3:24:31
Rating:
6.67 / 3 ratings
Taper:
Donn Amick
Transferrer:
Noah Weiner
SHNID:
gd73-06-26.aud.weiner.gdADT14.14673.sbeok.shnf
Source:
Audience Recording: FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby)
Lineage:
AUDMC > Reel > Reel > DAT > WAV > SHN
Taper Notes:
View NotesAUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner