Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h867111
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2k319
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.9k242
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k300
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.7k355
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.7k505
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.3k290
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k130
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h5.7k714
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h81794
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h4.4k511
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h3.3k391
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h990126
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.4k174
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k218
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h5.4k620
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.1k159
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.6k206
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h8.4k1.2k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h12.8k1.7k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37738
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3k379
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4k537
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.5k309
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.3k144
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.4k170
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.6k254
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h81499
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9613
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29119
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h402
7d1128
30d63237
2 shows
2 tapes
1973
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] June 20, 2020
3:23:19
SBD
Rating:
10.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 20, 2020
SHNID:
gd1973-02-15.150175.sbd-fixed.miller.flac1648
Source:
SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k)
Lineage:
DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
Taper Notes:
View NotesPatch Info: AUD (mono) > Cassette Master > ? > Cassette > FLAC (shnid=124195) supplies: One More Saturday Night (3:45 - end of track) Notes: -- The track mark for China Cat Sunflower was off quite a bit, this is the fixed version -- All of the tunings have been removed by Jerry Moore who also supplied the original source -- Thanks to Rob Eaton, David Gans, David Beckwith and Joe B. Jones for their help -- Thanks to Arfarf for the patch source
Taper: Pat Lee
3:07:16
SBD
Rating:
10.00 / 1 rating
Taper:
Pat Lee
Transferrer:
Bob Menke and Matt Smith
SHNID:
gd1973-02-15.134029.sbd.menke-lee-smith.flac16
Source:
Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
Taper Notes:
View NotesMatt's Comments: Special thanks to Adam Aegart for the Technics RS1506. Original taped was stopped between most songs. Looks Like Rain has an odd volume at 3:44 but returns quickly.
Taper: Pat Lee
3:07:16
SBD
Rating:
9.00 / 2 ratings
Taper:
Pat Lee
Transferrer:
Bob Menke and Matt Smith
SHNID:
gd1973-02-15.134028.sbd.menke-lee-smith.flac24
Source:
Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
Taper Notes:
View NotesMastered By Matt Smith April 2015 Matt's Comments: Special thanks to Adam Aegart for the Technics RS1506. Original taped was stopped between most songs. Looks Like Rain has an odd volume at 3:44 but returns quickly.
Transferrer: arf
3:22:24
SBD
Rating:
10.00 / 1 rating
Transferrer:
arf
SHNID:
gd1973-02-15.112812.sbd.arf.flac16
Source:
Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape);
Lineage:
audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf
Taper Notes:
View NotesNotes on this recording: Although this may be derived from the same analog source recording as shnid01580, this is a different digital transfer from analog. This recording varies from 01580 in several respects. There is no soundcheck or soundboard of the encore. Casey Jones is cut shorter here than on 01580 A tape and volume jump at approx. 03:46 of Looks Like Rain on 01580 is not present on this recording. There are surely other differences I have yet to detect. Also on this recording there are two tracks from a (rough) audience source. d02t03 (X)Casey Jones is an audience source, with very little missing from the beginning, and has the end of the song plus applause and set break announcement. The Encore is entirely from audience source, and is complete all the way through the outro PA tape, Rainy Day Women #12 & 35. A friend, (Thanks Sue M.), had lent me the CDR's of the soundboard that she had received from a supposedly well connected friend in the Madison area. I added the 2 audience segments from my tapes to "complete" them. No attempt was made to patch the soundboard, audience tracks are just "tacked on". Unfortunately, I no longer have access to the audience tapes, I may be able to retrieve them, but that will not occur in the near future, as the tapes are "up north", approx. 350 miles away.
Transferrer: Mike Hall
3:22:49
SBD
Rating:
9.70 / 21 ratings
Transferrer:
Mike Hall
SHNID:
gd1973-02-15.sbd.hall.1580.shnf
Source:
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD
Lineage:
CD > ? > SHN
Taper Notes:
View NotesTrack 1 on CD1 are Jack Straw and Box of Rain from the Sound Check. The following layout is based on 2x74min plus 1x80min. I originally received these with the encore on cd2. I like the sequential flow of a show and so bumped cd3 to 80min to put the encores at the end while keeping the DS>Eyes> China Doll intact. To make this 3x74, simply move d3t07 and t08 to d2t10 and 11.
Source 6 of 8
3:23:03
SBD
Rating:
9.27 / 199 ratings
SHNID:
gd73-02-15.sbd.hall.1580.sbeok.shnf
Source:
Soundboard
Lineage:
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD
Taper Notes:
View NotesMR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)
Transferrer: Matrix by dusborne
3:27:55
Rating:
10.00 / 13 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1973-02-15.124360.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper
Taper Notes:
View Notes---Thank you Dick Latvala for sharing copies of the master reels. ---Thank you Mike Hall for providing the SBD. ---Thank you Sue for sharing your AUD cassettes. ---Thank you Arfarf for transfering and mastering the AUD source. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 04-04-2013 ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 04-04-2013
Transferrer: arfarf
3:10:35
Rating:
6.00 / 2 ratings
Transferrer:
arfarf
SHNID:
gd1973-02-15.aud.partial.124195.flac
Source:
two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper
Taper Notes:
View NotesNotes: I received these from a friend, (thanks Sue), who had received these from the taper back in the day. To my ears, it sounds like the first set and first two tracks of the second set have an extra generation on them. As first sets in this time frame often contained over a half an hour of tuning and dead air, an edited or dubbing "master" was used, whereas the Dark Star through the end of the show comprises two continuous tape segments, no edits, and hence no edited "master" was needed. There are analog edits on the tapes I worked with after every track on the first set, after the first two tracks of the second set and after track 05 of the second set. A tape flip occurs at the 05:34 mark of Set One track 05 as well. Cuts to the music are indicated by the double slash marks, //.