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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1973
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] June 20, 2020
3:23:19
SBD
Rating:
10.00 / 2 ratings
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 20, 2020
SHNID:
gd1973-02-15.150175.sbd-fixed.miller.flac1648
Source:
SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k)
Lineage:
DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
Taper Notes:
View NotesPatch Info: AUD (mono) > Cassette Master > ? > Cassette > FLAC (shnid=124195) supplies: One More Saturday Night (3:45 - end of track) Notes: -- The track mark for China Cat Sunflower was off quite a bit, this is the fixed version -- All of the tunings have been removed by Jerry Moore who also supplied the original source -- Thanks to Rob Eaton, David Gans, David Beckwith and Joe B. Jones for their help -- Thanks to Arfarf for the patch source
Taper: Pat Lee
3:07:16
SBD
Rating:
10.00 / 1 rating
Taper:
Pat Lee
Transferrer:
Bob Menke and Matt Smith
SHNID:
gd1973-02-15.134029.sbd.menke-lee-smith.flac16
Source:
Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
Taper Notes:
View NotesMatt's Comments: Special thanks to Adam Aegart for the Technics RS1506. Original taped was stopped between most songs. Looks Like Rain has an odd volume at 3:44 but returns quickly.
Taper: Pat Lee
3:07:16
SBD
Rating:
9.00 / 2 ratings
Taper:
Pat Lee
Transferrer:
Bob Menke and Matt Smith
SHNID:
gd1973-02-15.134028.sbd.menke-lee-smith.flac24
Source:
Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
Taper Notes:
View NotesMastered By Matt Smith April 2015 Matt's Comments: Special thanks to Adam Aegart for the Technics RS1506. Original taped was stopped between most songs. Looks Like Rain has an odd volume at 3:44 but returns quickly.
Transferrer: arf
3:22:24
SBD
Rating:
10.00 / 1 rating
Transferrer:
arf
SHNID:
gd1973-02-15.112812.sbd.arf.flac16
Source:
Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape);
Lineage:
audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf
Taper Notes:
View NotesNotes on this recording: Although this may be derived from the same analog source recording as shnid01580, this is a different digital transfer from analog. This recording varies from 01580 in several respects. There is no soundcheck or soundboard of the encore. Casey Jones is cut shorter here than on 01580 A tape and volume jump at approx. 03:46 of Looks Like Rain on 01580 is not present on this recording. There are surely other differences I have yet to detect. Also on this recording there are two tracks from a (rough) audience source. d02t03 (X)Casey Jones is an audience source, with very little missing from the beginning, and has the end of the song plus applause and set break announcement. The Encore is entirely from audience source, and is complete all the way through the outro PA tape, Rainy Day Women #12 & 35. A friend, (Thanks Sue M.), had lent me the CDR's of the soundboard that she had received from a supposedly well connected friend in the Madison area. I added the 2 audience segments from my tapes to "complete" them. No attempt was made to patch the soundboard, audience tracks are just "tacked on". Unfortunately, I no longer have access to the audience tapes, I may be able to retrieve them, but that will not occur in the near future, as the tapes are "up north", approx. 350 miles away.
Transferrer: Mike Hall
3:22:49
SBD
Rating:
9.70 / 21 ratings
Transferrer:
Mike Hall
SHNID:
gd1973-02-15.sbd.hall.1580.shnf
Source:
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD
Lineage:
CD > ? > SHN
Taper Notes:
View NotesTrack 1 on CD1 are Jack Straw and Box of Rain from the Sound Check. The following layout is based on 2x74min plus 1x80min. I originally received these with the encore on cd2. I like the sequential flow of a show and so bumped cd3 to 80min to put the encores at the end while keeping the DS>Eyes> China Doll intact. To make this 3x74, simply move d3t07 and t08 to d2t10 and 11.
Source 6 of 8
3:23:03
SBD
Rating:
9.27 / 199 ratings
SHNID:
gd73-02-15.sbd.hall.1580.sbeok.shnf
Source:
Soundboard
Lineage:
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD
Taper Notes:
View NotesMR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)
Transferrer: Matrix by dusborne
3:27:55
Rating:
10.00 / 13 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1973-02-15.124360.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper
Taper Notes:
View Notes---Thank you Dick Latvala for sharing copies of the master reels. ---Thank you Mike Hall for providing the SBD. ---Thank you Sue for sharing your AUD cassettes. ---Thank you Arfarf for transfering and mastering the AUD source. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 04-04-2013 ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 04-04-2013
Transferrer: arfarf
3:10:35
Rating:
6.00 / 2 ratings
Transferrer:
arfarf
SHNID:
gd1973-02-15.aud.partial.124195.flac
Source:
two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper
Taper Notes:
View NotesNotes: I received these from a friend, (thanks Sue), who had received these from the taper back in the day. To my ears, it sounds like the first set and first two tracks of the second set have an extra generation on them. As first sets in this time frame often contained over a half an hour of tuning and dead air, an edited or dubbing "master" was used, whereas the Dark Star through the end of the show comprises two continuous tape segments, no edits, and hence no edited "master" was needed. There are analog edits on the tapes I worked with after every track on the first set, after the first two tracks of the second set and after track 05 of the second set. A tape flip occurs at the 05:34 mark of Set One track 05 as well. Cuts to the music are indicated by the double slash marks, //.