RELISTENTOTHE Grateful Dead
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1970
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1970
9/19/70
Cold Jordan >
2:33
Swing Low Sweet Chariot
2:52
I Don't Know You
3:43
Superman
3:34
Whatcha Gonna Do
4:26
Portland Woman
5:17
Glendale Train
5:05
Fair Chance To Know
4:06
All I Ever Wanted
7:41
Henry
3:38
Lodi
3:33
Last Lonely Eagle
6:47
Honky Tonk Women
4:47
Morning Dew
10:52
Me And My Uncle
3:26
Good Morning Little Schoolgirl
10:11
Cold Rain And Snow
5:54
Easy Wind
8:42
Sugar Magnolia
4:21
Dark Star >
25:36
Saint Stephen >
6:18
Not Fade Away>
9:24
Turn On Your Lovelight
21:09
FIN
View on archive.org
Sources
Taper: See info file
1:08:11
Rating:
9.82 / 25 ratings
Taper:
See info file
Transferrer:
Matrixing by Chris Chappell
SHNID:
gd1970-09-19.mtx.chappell.SB14.31510.sbeok.flac16
Source:
Sick Bits Vol. 14 Matrix By Chris Chappell
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: After doing the 2-19-71, I was searching the LMA for some old boyz that would be suitable for a matrix when I found this gem in which only the end of the show existed in SBD. I did a test on a portion of Dark Star and nearly lost my mind when first hearing the combination. The SBD is excellent in quality although it lacks a little low end made up by the source 1 AUD which is quite nice for the "outside" sections of Dark Star. The source 2 AUD covers the end of St. Stephen through Lovelight, and the crowd interaction with Pig Pen is really amazing, something you just don't get with a soundboard recording. Worthy of noting (not captured in the tracking notes) are the following events: - d3t01 Feelin' Groovy Jam @ 16:09 - 17:35 - d3t07 Let It Rock riff @ 13:52 - d3t07 Pig Pen "let's fuck" @ 10:50 and "fuck!" @ 20:19 - d3t09 Pig Pen "Why don't you guys go home and fuck somebody" @ 0:16 Aside from the incredible Dark Star (with a prominent guiro in the mix), the NFA jams are really intense with Garcia and Weir totally going at it, at one point playing the same China Cat lick at the same time. The loony Lovelight is just that, with Pig imploring people from the crowd to say something into the mic, and one guy yells "hey, let's ball in the moonlight" (9:35) - the band on fire as they follow Pig through his crazy Saturday night rant in NYC. The band is so blown out (Garcia's hand gets a cramp and Bobby loses his voice) that they can't do an encore. No matter, this shit simply smokes. Ironically, this show was pretty easy to synch, with the pitch of both AUDs and the SBD being relatively close to each other. What posed more of a challenge was the multiple recording level changes in the Source 1 AUD which I tried to smooth out, mostly sucessfully. Also helping matters is Bear's SBD mix which is spot on, plus the quality is great, I just added some Fillmore ambience from the awesome AUD recordings, the result hopefully close to what is what like at the show - I wouldn't know, I had just turned 4. -------Reviews from the LlaMA: "Best dark star + lovelight. Pigpen is perfect. Best Dark Star for 1970. Pigpen's rap is so great in Lovelight. My favorite pre 1972 show." "The NFA>Darkness>China Cat Jam>NFA is ridiculous. I listen pretty seriously to this stuff (70-79) and I would put this up there with the top ten sets of the era." "This is one of the most beautiful transluscent Dark Stars ever played. The quiet passages are simply amazing. I can't believe this was performed live on a stage in front of an audience. It has such an intimacy to it." "On this night, something extra seemed to be in the air. Was it the fact that Jimi Hendrix had been found dead the night before (with Janis short to follow)? Something pursuaded the dead that night in NY, and the emotions were bold as love." -------Credits: Thanks to Seth Kaplan for the excellent SBD extraction & conversion. Thanks to Jack Toner and Marty Weinberg for their respective AUD recordings, and to Dwight Holmes and Steven Martin for their A>D conversions. Thanks to Dr. Michael Parrish for providing the Weinberg/Martin source. Thanks to Jack Warner for the editing, assembly and conversion of the AUDs. And, of course, thanks to the LlaMA for making this all possible. Front Cover found at: http://www.geocities.com/deadpieshop/ All other art and layout by yours truly. Enjoy! Cha
Taper: Jack Toner and Marty Weinberg
2:43:55
Rating:
5.50 / 4 ratings
Taper:
Jack Toner and Marty Weinberg
Transferrer:
Dwight Holmes, Dr. Michael Parrish, Steven Martin, Jack Warner
SHNID:
gd70-09-19.aud-toner-weinberg.warner.25473.sbeok.flacf
Source:
Composite Audience
Lineage:
[Sony TC-110 with built-in mic > reel > cassette > CD] + [AKG190E > Uher 400L > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD] > Samsung SW-232B > EAC v0.9b4 > CD Wave > shntool > FLAC16
Taper Notes:
View NotesSource One: Master audience cassette (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding Source two: Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding Disc one from source one, except d1t12 1:53 - end and d1t13 from source two Disc two from source two, except d2t1 0:00 - 0:22, d2t2 0:00 - 0:16 and 3:24 - 3:26, d2t3 0:00 - 0:07 and 10:09 - 10:11, d2t4 0:00 - 0:07 and 5:49 - 5:54, d2t5 and d2t6 from source one Disc three from source two, except d3t1 0:00 - 0:15, d3t3 0:32 - end, and d3t4 from source one