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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1970
9/20/70
gd70-09-20 s1 t01 Intro-Uncle John's Band
7:12
gd70-09-20 s1 t02 Deep Elem Blues
6:10
gd70-09-20 s1 t03 Friend Of The Devil
3:44
gd70-09-20 s1 t04 Big Railroad Blues
3:25
gd70-09-20 s1 t05 Dark Hollow
3:06
gd70-09-20 s1 t06 Ripple
4:35
gd70-09-20 s1 t07 To Lay Me Down
6:29
gd70-09-20 s1 t08 Truckin'
5:57
gd70-09-20 s1 t09 Rosalie McFall
3:49
gd70-09-20 s1 t10 Cumberland Blues
5:20
gd70-09-20 s1 t11 New Speedway Boogie
10:01
gd70-09-20 s1 t12 Brokedown Palace
5:32
gd70-09-20 s2 t01 Together Again
2:24
gd70-09-20 s3 t01 Intro-Casey Jones
5:06
gd70-09-20 s3 t02 China Cat Sunflower
5:36
gd70-09-20 s3 t03 I Know You Rider
5:07
gd70-09-20 s3 t04 Candyman
5:02
gd70-09-20 s3 t05 Sittin' On Top Of The World
4:00
gd70-09-20 s3 t06 Big Boy Pete
4:27
gd70-09-20 s3 t07 Me & My Uncle
3:26
gd70-09-20 s3 t08 Easy Wind
11:10
gd70-09-20 s3 t09 Sugar Magnolia
6:12
gd70-09-20 s3 t10 Attics Of My Life
6:47
gd70-09-20 s3 t11 Mama Tried
3:14
gd70-09-20 s3 t12 Not Fade Away
15:24
gd70-09-20 s3 t13 Caution
18:22
gd70-09-20 s3 t14 Feedback
6:30
gd70-09-20 s3 t15 And We Bid You Goodnight
4:14
FIN
View on archive.org
Sources
Taper: Will Boswell
2:52:21
SBD
Rating:
10.00 / 2 ratings
Taper:
Will Boswell
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1970-09-20.140665.sbd.boswell.smith.miller.clugston.flac2496
Source:
Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Will Boswell for the source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to miles1960 who kept me from falling down the channel swap rabbit hole - "follow the cow bell" - Levels/mix all over the place, we did what we could - This transcription includes "Together Again" from the NRPS set - Tape shedding/distortion in "Caution" still evident, although not as severe and shorter in duration, imo - Acoustic set includes David Grisman & David Nelson as guests - "To Lay Me Down" will bring a tear to your eye - Beginning of "Candyman" clipped - Unique tuning/noodle between "Big Boy Pete" and "Me & My Uncle" Transfer by Matt Smith Mastered by Scott Clugston January 11, 2018
Taper: Will Boswell
2:52:21
SBD
Rating:
9.20 / 5 ratings
Taper:
Will Boswell
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1970-09-20.140664.sbd.boswell.smith.miller.clugston.flac1644
Source:
Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
Taper Notes:
View Notes- Thanks to Will Boswell for the source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to miles1960 who kept me from falling down the channel swap rabbit hole - "follow the cow bell" - Levels/mix all over the place, we did what we could - This transcription includes "Together Again" from the NRPS set - Tape shedding in "Caution" still evident, although not as severe and shorter in duration, imo - Acoustic set includes David Grisman & David Nelson as guests - "To Lay Me Down" will bring a tear to your eye - Beginning of "Candyman" clipped - Unique tuning/noodle between
Taper: PO and Stucco TINA Holmes
2:46:09
SBD
Rating:
10.00 / 3 ratings
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1970-09-20.136729.sbd.GEMS.flac16
Source:
Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**
Taper Notes:
View NotesThis recording was gratefully supplied by PO and Stucco TINA Holmes.Thanks to spamjam for the equipment generosity. Wavelab 7.1 mastering by Jamie Waddell Track, FLAC and Pack by John Wenzel 16 bit 44.1kHz a project **GEMS** August 2016 Acoustic set includes both David Grisman and David Nelson as guests notes *** this transfer still had the infamous reel shedding in Caution, which is unlistenable, and really unrepairable. Here, Marty Weinberg's great AUD was mastered to suit, and patched in the worst 10 minute section of the tape decay. His aud also had a little issue of dropouts in the area we needed, they were digitally restored. Some tape decay remains as feedback begins, it seemed a natural place for the sound to get a little nutty. The complete listen is quite enjoyable now. - no other board sources were used for any patching here - the beta had the whole show, however a DAT Stucco transferred was preferred sonically for Set 2 by our team and used here - sounds better than any source to date, however tape print through is still audible in select spots - seems same original source material as what's available, attributed to a 'Buddy Miller heavily edited Reel' - some beta tracking issues fixed with digital restoration first 2 mins of UJB - countless fluctuations manually repaired with envelopes in Wavelab montage - no other digital processing applied at all - a little extra pan and volume adjustment made in AWBYG, as one of the mics seemed distant
Transferrer: Droncit
2:46:34
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Droncit
SHNID:
gd1970-09-20.135798.sbd.smith.droncit.flac16
Source:
This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16Restoration completed with Diamond Cut Forensics 10.2.
Taper Notes:
View NotesDroncit notes: this restoration was undertaken because of a request from Luminarist, who was unable to listen to the second set with any degree of pleasure. It should be much better now. I used shnid 97364 because it seemed to have greater presence than other sources I had access to. Too many changes to document them all, but here are the major things: Set I: Not much was done to the first set except for speed corrections, correcting volume fluctuations, and bringing back the presence. A few dropouts were interpolated. Some of the speed differences will be noticeable as compared to existing sources. This is especially true with My & My Uncle and Mama Tried, as these followed a different path from the rest of the show in terms of at least one transfer involving a different recorder. I also did a little bit of light channel blending on a couple of songs because the vocals and acoustic guitars were very weak and residing primarily in one channel. The mandolins (Grisman and Nelson both play mandolin) are also a little clearer now. Set II: There were a number of fluctuations (see info below), but I have corrected most of these, and very few problems are now evident in Caution, while this was almost unlistenable before. I flipped right and left channels from Not Fade Away through Feedback because they were the reverse of what was typical for the rest of the show. I would guess someone in the chain had flipped them while making a copy. I went with a mono version of And We Bid You Good Night because one channel had only very quiet echo and a lot of hiss (it sounds like live, but unused, stage microphones). A great deal of hiss and lower frequency tape noise (grinding sounds, especially) remain, but this is most evident in headphones, and also most evident between songs. Sounds like 3.75 ips noise to me. If you listen on a stereo at home or in a car, feel free to crank it up loud and you will be rewarded. This is supposed to be a stealth soundboard, but at the beginning of Not Fade Away, it sounds like an audience member (or the taper, more likely) asking another if it's Not Fade Away, so I would imagine it's a stealth aud recording with mics right next to the PAs or on stage. That would account for the mixing issues, and also might account for a few times when a lead guitar solo moves from one channel to the other in the middle of the solo, as well as the heavy hiss (since it would be up close to a PA). I could be wrong though. Thanks to all involved in the recording, seeding, etc. Also thanks to Luminarist and JChastain. I hope you enjoy it.
Transferrer: Matt Smith
2:57:03
SBD
Rating:
5.00 / 3 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-09-20.sbd.smith.97364.sbeok.flac16
Source:
MR > R Heavily Edited > R @ 71/2ips > CD
Lineage:
reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16
Taper Notes:
View Notesnotes: thanks Will and Matt!!! * Matt provided this additional info: "'Casey Jones, China>Rider' from MR>CD courtesy of Bill Gadsden. This portion is the only surviving master of the GD set. According to Bill, his is the same lineage as Will's. However, Will's copy was dubbed at 7 1/2 ips. vs. 3 3/4 ips. with Bill's copy thus making Will's copy the best possible version. This is based on research that Ihor Slabicky and I did last year through email correspondence with Bill. A tiny bit of 'Caution' was patched with the Marty Weinberg AUD courtesy of Michael Parrish. The sonic analomies remain during the 'Caution' however it will not deter from what a fantastic version it truly is!! One of the best 'Feedback's'!! According to a story Pat Lee once told me, the reel was once left out in the sun causing those dropouts."
Transferrer: Jim Wise and Darrin Sacks
2:53:30
SBD
Rating:
8.00 / 23 ratings
Transferrer:
Jim Wise and Darrin Sacks
SHNID:
gd70-09-20.sbd.sacks.1190.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > MR > 7inch Reel (2nd Gen) > Revox A-77 Alesis Masterlink ML-9600 (24/96) > CDR (16/44.1) > EAC > SHN
Taper Notes:
View Notesmixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."
Taper: Marty Weinberg
46:19
Rating:
6.00 / 3 ratings
Taper:
Marty Weinberg
Transferrer:
Jack Warner and Hanno Bunjes
SHNID:
gd1970-09-20.aud.weinberg.bunjes.81728.flac16
Source:
recorded by Marty Weinberg on a 5" Uher open-reel deck.
Lineage:
AUD: reel master > CDR > EAC > CDR, 46:19
Taper Notes:
View Notesonly the end of the show is available. There are a couple of reel stops and volume flaws. Thanks for Jack Warner for the source CDR. FLACed by Hanno Bunjes, 01/2007
Transferrer: Jim Wise, Darrin Sacks and SirMick
2:47:01
REMASTER
Rating:
9.65 / 98 ratings
Transferrer:
Jim Wise, Darrin Sacks and SirMick
SHNID:
gd70-09-20.aud.remaster.sirmick.27583.sbeok.shnf
Source:
Remastered Soundboard
Lineage:
iZotope Ozone
Taper Notes:
View NotesThis is a remaster of shnid 1190 - hiss has been reduced - a number of clicks and pops have been removed and some other artifacts cleaned up - a number of volume adjustments have been made - final mastering using iZotope Ozone comments: * according to Deadlists the section of Good Lovin' that was originally included is in fact from 09/18/70 and so I have excluded it here. I've also left out the original d1t13 which was the only NRPS song and is, in any case, incomplete.