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Today In History
June 8th
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1970
9/19/70
Sugar Magnolia tuning
2:17
Dark Star
25:23
St. Stephen
6:18
Not Fade Away
5:10
Darkness Jam
1:02
China Cat Jam
1:23
Not Fade Away
1:48
Turn On Your Lovelight
21:09
Crowd noise
3:29
Phil and Pigpen speak
0:23
Get Together
1:58
FIN
View on archive.org
Sources
Transferrer: Chuck Reynolds
1:10:21
SBD
Rating:
9.58 / 39 ratings
Transferrer:
Chuck Reynolds
SHNID:
gd1970-09-19.sbd.reynolds.97906.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16
Taper Notes:
View NotesNotes: -- Sugar Magnolia cuts in during Sunshine Daydream. -- Several level adjustments performed with Cool Edit Pro. -- Various anomalies remain. -- Verified sector boundaries via Trader's Little Helper and encoded FLAC level 8.
Transferrer: Seth Kaplan
1:10:20
SBD
Rating:
9.72 / 59 ratings
Transferrer:
Seth Kaplan
SHNID:
gd70-09-19.sbd.kaplan.5217.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > DAT > CD > EAC > shntool > mkwACT > SHN
Taper Notes:
View NotesMSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions
Taper: DAT from "3 Decades of Dead" Tree
1:01:51
SBD
Rating:
10.00 / 1 rating
Taper:
DAT from "3 Decades of Dead" Tree
Transferrer:
CDR Conversion by Tim Buller
SHNID:
gd1970-09-19.sbd.buller.102.shnf
Source:
SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R
Taper: via the collection of Rich Petrunis.
11:43
Taper:
via the collection of Rich Petrunis.
Transferrer:
Transferred by Andrew F. 06/2021
SHNID:
gd1970-09-19.152705.aud.fragment.flac1644
Lineage:
Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesNote: Found on a GD 1970 mix tape, doesn't match the current AUD.
Source 5 of 8
49:27
SHNID:
gd1970-09-19.150347.acoustic.aud.flac16
Taper Notes:
View Notes- This is a distant audience recording, mainly of interest to completists. - The taper stopped the tape between songs, so a few of the songs cut in. - There's a cut in New Speedway Boogie at 2:22, and the sound quality declines at the end of the song. - To Lay Me Down is the highlight. Thanks to Barry Smith.
Taper: Jerry Moore and Marty Weinberg
1:16:38
Rating:
9.00 / 4 ratings
Taper:
Jerry Moore and Marty Weinberg
Transferrer:
Rob Berger
SHNID:
gd1970-09-19.119722.akg.weinberg.moore-berger.flac16
Source:
source: aud 1st gen reel; Jerry Moore's copy;
Lineage:
aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger
Taper Notes:
View Notesnotes: this is rough but sounds better than the portions circulating from the original master that have appeared in composites of this show. i also think it's nice to have all that Marty got that evening in circulation, not just the portions needed to patch other sources. enjoy. Rob - april 2012
Taper: See info file
1:08:11
Rating:
9.82 / 25 ratings
Taper:
See info file
Transferrer:
Matrixing by Chris Chappell
SHNID:
gd1970-09-19.mtx.chappell.SB14.31510.sbeok.flac16
Source:
Sick Bits Vol. 14 Matrix By Chris Chappell
Lineage:
See info file
Taper Notes:
View NotesGeneral Notes: After doing the 2-19-71, I was searching the LMA for some old boyz that would be suitable for a matrix when I found this gem in which only the end of the show existed in SBD. I did a test on a portion of Dark Star and nearly lost my mind when first hearing the combination. The SBD is excellent in quality although it lacks a little low end made up by the source 1 AUD which is quite nice for the "outside" sections of Dark Star. The source 2 AUD covers the end of St. Stephen through Lovelight, and the crowd interaction with Pig Pen is really amazing, something you just don't get with a soundboard recording. Worthy of noting (not captured in the tracking notes) are the following events: - d3t01 Feelin' Groovy Jam @ 16:09 - 17:35 - d3t07 Let It Rock riff @ 13:52 - d3t07 Pig Pen "let's fuck" @ 10:50 and "fuck!" @ 20:19 - d3t09 Pig Pen "Why don't you guys go home and fuck somebody" @ 0:16 Aside from the incredible Dark Star (with a prominent guiro in the mix), the NFA jams are really intense with Garcia and Weir totally going at it, at one point playing the same China Cat lick at the same time. The loony Lovelight is just that, with Pig imploring people from the crowd to say something into the mic, and one guy yells "hey, let's ball in the moonlight" (9:35) - the band on fire as they follow Pig through his crazy Saturday night rant in NYC. The band is so blown out (Garcia's hand gets a cramp and Bobby loses his voice) that they can't do an encore. No matter, this shit simply smokes. Ironically, this show was pretty easy to synch, with the pitch of both AUDs and the SBD being relatively close to each other. What posed more of a challenge was the multiple recording level changes in the Source 1 AUD which I tried to smooth out, mostly sucessfully. Also helping matters is Bear's SBD mix which is spot on, plus the quality is great, I just added some Fillmore ambience from the awesome AUD recordings, the result hopefully close to what is what like at the show - I wouldn't know, I had just turned 4. -------Reviews from the LlaMA: "Best dark star + lovelight. Pigpen is perfect. Best Dark Star for 1970. Pigpen's rap is so great in Lovelight. My favorite pre 1972 show." "The NFA>Darkness>China Cat Jam>NFA is ridiculous. I listen pretty seriously to this stuff (70-79) and I would put this up there with the top ten sets of the era." "This is one of the most beautiful transluscent Dark Stars ever played. The quiet passages are simply amazing. I can't believe this was performed live on a stage in front of an audience. It has such an intimacy to it." "On this night, something extra seemed to be in the air. Was it the fact that Jimi Hendrix had been found dead the night before (with Janis short to follow)? Something pursuaded the dead that night in NY, and the emotions were bold as love." -------Credits: Thanks to Seth Kaplan for the excellent SBD extraction & conversion. Thanks to Jack Toner and Marty Weinberg for their respective AUD recordings, and to Dwight Holmes and Steven Martin for their A>D conversions. Thanks to Dr. Michael Parrish for providing the Weinberg/Martin source. Thanks to Jack Warner for the editing, assembly and conversion of the AUDs. And, of course, thanks to the LlaMA for making this all possible. Front Cover found at: http://www.geocities.com/deadpieshop/ All other art and layout by yours truly. Enjoy! Cha
Taper: Jack Toner and Marty Weinberg
2:43:55
Rating:
5.50 / 4 ratings
Taper:
Jack Toner and Marty Weinberg
Transferrer:
Dwight Holmes, Dr. Michael Parrish, Steven Martin, Jack Warner
SHNID:
gd70-09-19.aud-toner-weinberg.warner.25473.sbeok.flacf
Source:
Composite Audience
Lineage:
[Sony TC-110 with built-in mic > reel > cassette > CD] + [AKG190E > Uher 400L > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD] > Samsung SW-232B > EAC v0.9b4 > CD Wave > shntool > FLAC16
Taper Notes:
View NotesSource One: Master audience cassette (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding Source two: Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding Disc one from source one, except d1t12 1:53 - end and d1t13 from source two Disc two from source two, except d2t1 0:00 - 0:22, d2t2 0:00 - 0:16 and 3:24 - 3:26, d2t3 0:00 - 0:07 and 10:09 - 10:11, d2t4 0:00 - 0:07 and 5:49 - 5:54, d2t5 and d2t6 from source one Disc three from source two, except d3t1 0:00 - 0:15, d3t3 0:32 - end, and d3t4 from source one