RELISTENTOTHE Grateful Dead
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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1970
6/4/70
Intro
2:54
Monkey and the Engineer
2:05
Deep Elem Blues
5:57
Candyman
7:12
Silver Threads and Golden Needles
5:17
Friend of the Devil
4:04
Black Peter
11:43
Cumberland Blues*
7:04
Wake Up Little Suzie*
3:29
Swing Low Sweet Chariot*
3:01
Uncle John's Band
6:15
Intro >
1:46
Casey Jones
4:58
Me and My Uncle
3:40
Hard to Handle
5:36
//It's a Sin
2:56
//China Cat Sunflower >
3:21
I Know You Rider
4:20
Attics of My Life
5:51
It's a Man's World
9:53
New, New Minglewood Blues
3:37
Good Lovin'
8:30
St. Stephen >
5:37
Not Fade Away >
6:09
Midnight Hour
10:55
It's All Over Now Baby Blue
6:55
FIN
View on archive.org
Sources
Taper: Gerry Olsen
2:23:05
SBD
Rating:
9.33 / 6 ratings
Taper:
Gerry Olsen
Transferrer:
Dan McDonald and dusborne
SHNID:
gd1970-06-04.123799.mtx.olsen.droncit.dusborne.flac16
Source:
Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape.
Taper Notes:
View Notes---------------------------------------------------------------------------------- ***Audience source for both sets*** gd70-06-04.xxxxx.gdnrps.sonyTC124.olsen.droncit.flat.flac16 Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise. Notes from Gerry: "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...." also, in regards to the question as to whether that was potato chips that you hear occasionally: "My then 14 year old brother was on one side and a friend, ..., was on the other. Although my hands were otherwise occupied, I probably snacked some too, plus my brother had a cough to boot." Notes from Dan: This is a tape I can only call "charming." Just a totally enjoyable experience. Very nicely done, the band is in fine form, and the tapers are having a great time. There are some cuts where the tape broke and where Gerry was unable to get the whole song. There is also some distortion on certain songs - it's not in the tape or the wav file, it's from the stage. There are comments from the audience and the band occasionally. It's most noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals. I tried to minimize it but it was too difficult to work with, so I left it as it is. I lowered coughing and potato chip bag noises when it distracted from the music. Otherwise, I left it in. Sit back and relax, and spend an evening back in 1970. Many thanks to Gerry for trusting me with the tapes. They were a pleasure to work with. ---------------------------------------------------------------------------------- ---Thank you Gerry Olsen for recording the show. ---Thank you miogi for your work with the acoustic sbd. ---Thank you Charlie Miller for your work on the electric sbd. ---Thank you Dan McDonald for your transfer and master of the audience. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0 Final Master by Dan McDonald 02-08-2013 ----------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-08-2013 ---------------------------------------------------------------------------------
Transferrer: Charlie Miller
24:04
SBD
Rating:
9.11 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd70-06-04.sbd.miller.12135.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RM > Cass > ? > DAT > CD > EAC > SHN
Taper Notes:
View NotesThis is all that currently circulates from the sbd. I know this has been out since 1985, since I have had it that long.
Taper: Bear
31:10
SBD
Rating:
8.00 / 3 ratings
Taper:
Bear
Transferrer:
Dick Latvala and Jim Wise
SHNID:
gd1970-06-04.132790.sbd.bear-latvala-wise.reel.flac16
Source:
Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise
Taper Notes:
View NotesThis is a 16 bit 44.1KHz file set some low frequency PA hum Band Line up: Pigpen Jerry Garcia Bob Weir Phil Lesh Mickey Hart Bill The Drummer
Taper: unknown
50:38
SBD
Rating:
8.00 / 4 ratings
Transferrer:
miogi
SHNID:
gd1970-06-04.119921.sbd.acou.unk.miogi.flac16
Source:
sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16
Taper Notes:
View Notes* with David Nelson & John "Marmaduke" Dawson # 1st time played. unk amount missing.possible reel or tape flip
Taper: Gerry Olsen
3:30:38
Rating:
8.67 / 9 ratings
Taper:
Gerry Olsen
Transferrer:
Dan McDonald and dusborne
SHNID:
gd1970-06-04.123798.gdnrps.sonyTC124.olsen.droncit.flat.flac16
Source:
Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.
Taper Notes:
View NotesNotes from Gerry: "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night" home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...." also, in regards to the question as to whether that was potato chips that you hear occasionally: "My then 14 year old brother was on one side and a friend, ..., was on the other. Although my hands were otherwise occupied, I probably snacked some too, plus my brother had a cough to boot." Notes from Dan: This is a tape I can only call "charming." Just a totally enjoyable experience. Very nicely done, the band is in fine form, and the tapers are having a great time. There are some cuts where the tape broke and where Gerry was unable to get the whole song. There is also some distortion on certain songs - it's not in the tape or the wav file, it's from the stage. There are comments from the audience and the band occasionally. It's most noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals. I tried to minimize it but it was too difficult to work with, so I left it as it is. I lowered coughing and potato chip bag noises when it distracted from the music. Otherwise, I left it in. Sit back and relax, and spend an evening back in 1970. Many thanks to Gerry for trusting me with the tapes. They were a pleasure to work with. ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-08-2013 ----------------------------------------------------------------------------