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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1970
2/11/70
Spanish Jam >
18:19
Turn on Your Lovelight
29:45
FIN
View on archive.org
Sources
Taper: Matt Smith
48:04
SBD
Rating:
9.33 / 3 ratings
Taper:
Matt Smith
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.part.s2.127482.sbd.menke.lee.smith.flac24
Source:
SBD MR Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77(Pat Lee)@7.5 ips
Lineage:
Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View Notesnotes: For those who wanted a 24 bit version of the earlier transfer, this is the portion not patched by 16 bit, retransferred by Matt.
Taper: Pat Lee and Don Wolfe
2:00:37
SBD
Rating:
9.33 / 3 ratings
Taper:
Pat Lee and Don Wolfe
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.126251.sbd.wolfe-lee-smith.flac16
Source:
SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View NotesThis is a complete remaster by Matt using his new set-up - "This was done using a different transfer chain. This method was per the advise of Dan Healy I received from him a while back in trying to attain a perfectly clean signal going to digital. I had one of my reel machines modded for a direct tape head output going into a custom Bottlehead tape tube pre specifically built for reel transfers (w 2. diff. EQ setting for tape speed) so basically you have a perfectly clean tape signal going into the tube pre going into 24/96 digital."
Transferrer: Matt Smith
2:00:10
SBD
Rating:
9.00 / 10 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.sbd.smith.patched.99154.sbeok.flac16
Source:
SBD > Reel
Lineage:
(see notes)
Taper Notes:
View NotesTransfer info.: AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH) --- SBD MR > DAT (source for disc 1 through the first part of Dark Star) --- MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight) --- SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2) notes: Huge thanks go to Matt Smith for these wonderful sources and his masterful transfer and patch work!!! The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee. Huge thanks guys!!! * as Matt puts it, "the first part of Dark Star is MR>D>CD, then it goes into the AUD which is MAR>?>R@3 @ ips., and then into the MR>A77>A77@ 71/2 ips>CD. The term A77 in the lineage denotes a Revox A77 reel to reel deck. There is also a patch in Lovelight at the end with the AUD. This is a perfect example how a reel transfer despite its lineage can blow away a MR>D>CD source. The reel version is so much richer than the circulating version."
Taper: John Chester and Alan Mande
48:27
SBD
Rating:
10.00 / 5 ratings
Taper:
John Chester and Alan Mande
SHNID:
gd1970-02-11.late-partial.sbd.chester-mande.33335.sbefail.shnf
Source:
SBD>RR>RR>DAT
Lineage:
DAT>HD-P2>Sound Forge 6.0>CD Wave>mkwAct>.shn
Taper Notes:
View Notes(tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.) * with Duane Allman, Gregg Allman, Mick Fleetwood, Butch Trucks, Danny Kirwin, Peter Green # with above guests and Berry Oakley
Transferrer: Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
1:06:35
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
SHNID:
gd1970-02-11.partial.sbd.greenberg-evans.28402.sbeok.flac16
Source:
Soundboard (except patches as noted)
Lineage:
MSR> DAT> CDR> EAC> FLAC
Transferrer: EAC and FLAC encoding by Jack Warner
2:01:06
SBD
Rating:
9.38 / 13 ratings
Transferrer:
EAC and FLAC encoding by Jack Warner
SHNID:
gd1970-02-11.sbd.warner.patched.28292.sbeok.flac16
Source:
Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)
Transferrer: Darrin Sacks
1:56:53
SBD
Rating:
9.61 / 76 ratings
Transferrer:
Darrin Sacks
SHNID:
gd70-02-11.early-late.sbd.sacks.90.sbefail.shnf
Source:
Soundboard
Lineage:
MSR > DAT > CDR > EAC > SHN
Taper Notes:
View NotesNoted Flaws: Dark Star has abrupt splice/cut at approx. 6:57. Lovelight has a splice at 30:16
Transferrer: Matt Smith
1:35:05
Rating:
8.67 / 9 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.late-set2.aud.smith.99152.sbeok.flac16
Lineage:
MAR > ? > R @ 3 @ ips. > AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH)
Taper: Chuck Reynolds
1:19:46
Rating:
8.67 / 3 ratings
Taper:
Chuck Reynolds
Transferrer:
Bill Gadsden
SHNID:
gd1970-02-11.partial-late.aud.reynolds.gadsden.99052.flac16
Source:
Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3